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IGNITE TALKS 2
#AGM 2016
Using small collections for teaching:
A case study from the Ure Museum
Professor Amy C. Smith
Curator, Ure Museum of Greek Archaeology
Classics Department, University of Reading
a.c.smith@reading.ac.uk
• Departmental museum:
Classics @ University of
Reading
• Established between 1911
and 1922
• Founded by Prof. Percy &
curated by Annie Ure from
1920s-1976
• www.reading.ac.uk/ure
The Ure Museum of Greek Archaeology
With our new interface you can
• Collect objects from Europeana
• Connect them to the Ure collection
• Organise them into projects
• Share these projects with others
• Upload & work on other people’s projects
How does it work?
• Log into Google plus
• Create a new project on the projects page
• Drag relevant objects onto the project bar
• Etc.
What we need from you
• Better metadata
• More consistent provider information, e.g.
where/what is the Louvre?
• An encapsulation standard, for using
Europeana for learning
http://beta.uremuseum.org/
The happy story
of Europeana and...
ENUMERATE
Gerhard Jan Nauta (den Foundation)
8 November 2016, Riga
Statistics
• A thankless task…
We transform the world with
culture!
• …but how do we know that?
Feels like
being
transformed…
Is it the 15,-
euro I paid for
…my ticket?
At least... I am
not alone here.
And I‘ve seen
some real
masterpieces!
But happy not
all of their stuff
is on show!
Will my
grandchildren
be able to see
all this?
Feels like being transformed…
Is it the 15,- euro I paid for …my ticket?
At least ...I am not alone here.
And I‘ve seen some real masterpieces.
But happy not all of their stuff is on show!
Will my grandchildren ever see all this?
Feels like being transformed…
Is it the 15,- euro I paid for …my ticket?  economics
At least ...I am not alone here.
And I‘ve seen some real masterpieces.
But happy not all of their stuff is on show!
Will my grandchildren ever see all this?
Feels like being transformed…
Is it the 15,- euro I paid for …my ticket?  economics
At least ...I am not alone here.  participation
And I‘ve seen some real masterpieces.
But happy not all of their stuff is on show!
Will my grandchildren ever see all this?
Feels like being transformed…
Is it the 15,- euro I paid for …my ticket?  economics
At least ...I am not alone here.  participation
And I‘ve seen some real masterpieces.  access
But happy not all of their stuff is on show!
Will my grandchildren ever see all this?
Feels like being transformed…
Is it the 15,- euro I paid for …my ticket?  economics
At least ...I am not alone here.  participation
And I‘ve seen some real masterpieces.  access
But happy not all of their stuff is on show!  supply
Will my grandchildren ever see all this?
Feels like being transformed…
Is it the 15,- euro I paid for …my ticket?  economics
At least ...I am not alone here.  participation
And I‘ve seen some real masterpieces.  access
But happy not all of their stuff is on show!  supply
Will my grandchildren ever see all this?  sustainability
Some data from ENUMERATE
The only large scale digital collections
monitoring effort.
The only one that is EU wide.
The only one where the surveys are part of a
series.
•And it is part of Europeana.
The challenge is finding a few
measures that represent progress
in general…
• What’s in it for institutions?
• What’s in it for (EU) countries?
• What’s in it for Europeana?
The Museum of Best Practice as compared to
other institutions
genuine raw
Core Survey 2015
data!
fake data
Growth of (Born) Digital Collections & Digital
Collection Policies in the NL
(Expected) Growth of access channels over the
years
Feels like
being
transformed…
Feel transformed too? Talk to me!
• gerhard.jan.nauta@den.nl
Feel transformed too? Talk to me!
• gerhard.jan.nauta@den.nl
Thank you!
LIBER:
Do you see what I see?
LIBER’s vision for 2022
Riga, 8 November, 2016
Melanie Imming, EU Projects Manager, LIBER
We’re Europe’s largest
research library network.
400+ libraries
University, national and
special libraries.
2022
Libraries powering
sustainable knowledge
in the digital age.
WHAT WE SEE
2022
DRAFT!
20222022
2022
ARE YOU WITH US?
Let’s work together to improve
skills and services for
Digital Cultural Heritage!
2022
All of us working in the areas of
digital humanities and digital
cultural heritage face the same
issues.
ARE YOU WITH US?
2022
ARE YOU WITH US?
Join the new LIBER Digital Humanities
Working Group…
..or the connected DARIAH Working
Group.
2022
ARE YOU WITH US?
Work together in H2020 projects:
as partners
as stakeholders
2022
ARE YOU WITH US?
Forum for Digital Cultural Heritage,
a LIBER – CERL cooperation
Propose a theme for an topical event
2022
ARE YOU WITH US?
Lets turn our vision into a reality for
2022!
2022
CONTACTS
LIBER EU projects @melimming
LIBER CERL Forum @MRL57
LIBER DH WG (under construction) @lottewilms
DARIAH WG (under contruction) @schambers3
Melanie.imming@kb.nl
2022

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LIBER's Vision for Research Libraries in 2022

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  • 26. Using small collections for teaching: A case study from the Ure Museum Professor Amy C. Smith Curator, Ure Museum of Greek Archaeology Classics Department, University of Reading a.c.smith@reading.ac.uk
  • 27. • Departmental museum: Classics @ University of Reading • Established between 1911 and 1922 • Founded by Prof. Percy & curated by Annie Ure from 1920s-1976 • www.reading.ac.uk/ure The Ure Museum of Greek Archaeology
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  • 30. With our new interface you can • Collect objects from Europeana • Connect them to the Ure collection • Organise them into projects • Share these projects with others • Upload & work on other people’s projects
  • 31. How does it work? • Log into Google plus • Create a new project on the projects page • Drag relevant objects onto the project bar • Etc.
  • 32. What we need from you • Better metadata • More consistent provider information, e.g. where/what is the Louvre? • An encapsulation standard, for using Europeana for learning
  • 34. The happy story of Europeana and... ENUMERATE Gerhard Jan Nauta (den Foundation) 8 November 2016, Riga
  • 36. We transform the world with culture! • …but how do we know that?
  • 37.
  • 39. Is it the 15,- euro I paid for …my ticket?
  • 40. At least... I am not alone here.
  • 41. And I‘ve seen some real masterpieces!
  • 42. But happy not all of their stuff is on show!
  • 43. Will my grandchildren be able to see all this?
  • 44. Feels like being transformed… Is it the 15,- euro I paid for …my ticket? At least ...I am not alone here. And I‘ve seen some real masterpieces. But happy not all of their stuff is on show! Will my grandchildren ever see all this?
  • 45. Feels like being transformed… Is it the 15,- euro I paid for …my ticket?  economics At least ...I am not alone here. And I‘ve seen some real masterpieces. But happy not all of their stuff is on show! Will my grandchildren ever see all this?
  • 46. Feels like being transformed… Is it the 15,- euro I paid for …my ticket?  economics At least ...I am not alone here.  participation And I‘ve seen some real masterpieces. But happy not all of their stuff is on show! Will my grandchildren ever see all this?
  • 47. Feels like being transformed… Is it the 15,- euro I paid for …my ticket?  economics At least ...I am not alone here.  participation And I‘ve seen some real masterpieces.  access But happy not all of their stuff is on show! Will my grandchildren ever see all this?
  • 48. Feels like being transformed… Is it the 15,- euro I paid for …my ticket?  economics At least ...I am not alone here.  participation And I‘ve seen some real masterpieces.  access But happy not all of their stuff is on show!  supply Will my grandchildren ever see all this?
  • 49. Feels like being transformed… Is it the 15,- euro I paid for …my ticket?  economics At least ...I am not alone here.  participation And I‘ve seen some real masterpieces.  access But happy not all of their stuff is on show!  supply Will my grandchildren ever see all this?  sustainability
  • 50. Some data from ENUMERATE The only large scale digital collections monitoring effort. The only one that is EU wide. The only one where the surveys are part of a series. •And it is part of Europeana.
  • 51. The challenge is finding a few measures that represent progress in general… • What’s in it for institutions? • What’s in it for (EU) countries? • What’s in it for Europeana?
  • 52. The Museum of Best Practice as compared to other institutions genuine raw Core Survey 2015 data! fake data
  • 53. Growth of (Born) Digital Collections & Digital Collection Policies in the NL
  • 54. (Expected) Growth of access channels over the years
  • 56. Feel transformed too? Talk to me! • gerhard.jan.nauta@den.nl
  • 57. Feel transformed too? Talk to me! • gerhard.jan.nauta@den.nl Thank you!
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  • 82. LIBER: Do you see what I see? LIBER’s vision for 2022 Riga, 8 November, 2016 Melanie Imming, EU Projects Manager, LIBER
  • 84. 400+ libraries University, national and special libraries.
  • 85. 2022 Libraries powering sustainable knowledge in the digital age. WHAT WE SEE
  • 88. 2022
  • 89. ARE YOU WITH US? Let’s work together to improve skills and services for Digital Cultural Heritage! 2022
  • 90. All of us working in the areas of digital humanities and digital cultural heritage face the same issues. ARE YOU WITH US? 2022
  • 91. ARE YOU WITH US? Join the new LIBER Digital Humanities Working Group… ..or the connected DARIAH Working Group. 2022
  • 92. ARE YOU WITH US? Work together in H2020 projects: as partners as stakeholders 2022
  • 93. ARE YOU WITH US? Forum for Digital Cultural Heritage, a LIBER – CERL cooperation Propose a theme for an topical event 2022
  • 94. ARE YOU WITH US? Lets turn our vision into a reality for 2022! 2022
  • 95. CONTACTS LIBER EU projects @melimming LIBER CERL Forum @MRL57 LIBER DH WG (under construction) @lottewilms DARIAH WG (under contruction) @schambers3 Melanie.imming@kb.nl 2022