ANTH398D Draft of Meeting 4

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ANTH398D Draft of Meeting 4

  1. 1. ANTH398D - Ethnomusicology Meeting 4 September 25, 2007
  2. 2. Appropriation <ul><li>Critique and criticism </li></ul><ul><li>Follow on enthusiasm </li></ul><ul><li>Trends </li></ul><ul><li>Ethical/legal </li></ul>
  3. 3. Sleeping Lion <ul><li>Solomon Linda and Evening Birds Mbube 2:45 </li></ul><ul><li>Ladysmith Black Mambazo The Lion Sleeps Tonight 4:38 </li></ul><ul><li>Yma Súmac Wimoweh 2:42 </li></ul><ul><li>http: //fridayfishwrap .com/? p=1108 </li></ul><ul><li>http://www.3rdearmusic.com/forum/mbube2.html </li></ul>
  4. 4. French Style <ul><li>Serge Gainsbourg New-York, USA 2:16 </li></ul><ul><li>Babatunde Olatunji Akiwowo (Ah-Key-Woh-Woh) 4:44 </li></ul>
  5. 5. Cooley Reactions <ul><li>Format </li></ul><ul><li>Writing style </li></ul><ul><li>Endnotes </li></ul><ul><li>Terminological bent </li></ul><ul><li>History of discipline </li></ul><ul><li>Text situated in disciplinary history </li></ul>
  6. 6. Techniques and Methods <ul><li>Learning How To Ask </li></ul><ul><li>Sensory </li></ul><ul><li>Non-exotic field </li></ul>
  7. 7. Fieldworkers <ul><li>Dressing Up for Part </li></ul><ul><li>Listing fieldworkers </li></ul><ul><li>“ Reviving” de Léry </li></ul><ul><li>Jean-Jacques Rousseau ( Ranz des vaches ) </li></ul><ul><li>Nicole Beaudry (at UQÀM, went w/ Jean-Jacques Nattiez) </li></ul><ul><li>Jean During </li></ul>
  8. 8. PoMo <ul><li>Crisis representation </li></ul><ul><li>Reflexive, interpretive </li></ul><ul><li>Rejection positivism </li></ul><ul><li>How-to vs. critical thinking </li></ul><ul><li>PoCo </li></ul><ul><li>Experiential </li></ul><ul><li>Field as idea-locale </li></ul>
  9. 9. Musical Ethnography <ul><li>“ Classic&quot; ethnomusicology </li></ul><ul><li>Clear academic Other (musicologists) </li></ul><ul><li>Fieldwork On Music </li></ul>
  10. 10. Ethnographic disciplines <ul><li>Cultural Anthropology </li></ul><ul><li>Linguistic Anthropology </li></ul><ul><li>Folkloristics </li></ul><ul><li>Ethnomusicology </li></ul><ul><li>Ethnohistory </li></ul><ul><li>Defining ethnomusicology through ethnography </li></ul>
  11. 11. Differences with Cultural Anthropology? <ul><li>Play together </li></ul><ul><li>Reciprocity through music </li></ul><ul><li>Recordings </li></ul><ul><li>Transcription </li></ul><ul><li>Defending armchair? </li></ul>
  12. 12. Disciplinary Differences <ul><li>Relationship to psychology, folkloristics </li></ul><ul><li>Non-academic researchers </li></ul><ul><li>SEM/ICTM (vs. AAA) </li></ul><ul><li>Technology and material culture (including instruments) </li></ul><ul><li>Less on current social issues </li></ul><ul><li>Moving on with inequalities </li></ul>
  13. 13. Exchange About Music? <ul><li>TAMILDAA </li></ul><ul><li>Talk about tastes </li></ul><ul><li>Communicate with people through music </li></ul><ul><li>Dance? </li></ul><ul><li>Shared experience, community of experience (Gadamer, Wittgenstein, Eckert) </li></ul>
  14. 14. Participation and Performance <ul><li>Hood </li></ul><ul><li>Bi-musicality </li></ul><ul><li>Aesthetics </li></ul><ul><li>Dialogue </li></ul><ul><li>Competence </li></ul>
  15. 15. Defining Ethnomusicology <ul><li>Historical parallels with anthro </li></ul><ul><ul><li>Often Lag </li></ul></ul><ul><li>Traditional, oral, ethnic </li></ul><ul><li>Performance </li></ul><ul><li>Genres </li></ul><ul><li>Dance </li></ul><ul><li>Ethnography </li></ul>
  16. 16. How Become Ethno? <ul><li>Musician </li></ul><ul><li>Frustrated or not </li></ul><ul><li>Discovered other music </li></ul><ul><li>Exposure to Culture </li></ul><ul><li>Learn about anthropology </li></ul><ul><li>Bi-musicality </li></ul><ul><li>Inclusive (women, non-US, practitioners) </li></ul>
  17. 17. Credo <ul><li>Holism (Total musical systems) </li></ul><ul><li>Music in a culture </li></ul><ul><li>Fieldwork </li></ul><ul><li>All musics </li></ul>
  18. 18. Changes Credo <ul><li>Holism as backdrop </li></ul><ul><li>Studies on specific issues </li></ul><ul><li>Cultures not bound </li></ul><ul><li>Return non-fieldwork? </li></ul><ul><li>Include any music </li></ul>
  19. 19. World Music <ul><li>Creation of Otherness </li></ul><ul><li>West/Non-West </li></ul><ul><li>Broad View of Music </li></ul><ul><li>Music itself </li></ul><ul><li>Music and/as/in culture </li></ul>
  20. 20. <ul><li>Music industry </li></ul><ul><li>Appropriation </li></ul><ul><li>Empress of Russia </li></ul><ul><li>http://arts.guardian.co.uk/features/story/0,11710,1249391,00.html </li></ul>“ World Music”

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