Successfully reported this slideshow.
We use your LinkedIn profile and activity data to personalize ads and to show you more relevant ads. You can change your ad preferences anytime.

2.mise enscene,cinematography,editing

539 views

Published on

Loyola's Intro to Cinema Mise-en-Scene, Editing PPT 2

  • Be the first to comment

2.mise enscene,cinematography,editing

  1. 1. Mise-en-Scene <ul><li>Setting </li></ul><ul><li>e.g. Caligari; Avatar </li></ul><ul><li>Lighting-- </li></ul><ul><li>3 point: key, fill, back; frontal, top, side, under, high </li></ul><ul><li>Costumes-- </li></ul><ul><ul><li>e.g. Pan’s Labyrinth </li></ul></ul><ul><li>Staging-- </li></ul><ul><li>Performance, movement, gesture </li></ul><ul><li>Screen space--aspect ratios; Deep space </li></ul><ul><li>Color ( or absence of it… ) </li></ul>
  2. 2. Eisenstein--Montage <ul><li>“ Conflicts within the form, with the shot…as well as between colliding shots or montage”: </li></ul><ul><li>1.Graphic conflict </li></ul><ul><li>2. Conflict of planes </li></ul><ul><li>3. Conflict of volumes </li></ul><ul><li>4. Spatial conflict </li></ul><ul><li>5. Light conflict, tempo conflict, etc… </li></ul><ul><li>Dialectical thinking=synthesis from conflict </li></ul><ul><li>(thesis +antithesis=synthesis) Sergei Eisenstin, 1929 </li></ul>
  3. 3. Italian Neo-Realism 1942-1951 <ul><li>“ Faithfulness to everyday life in the scenario, truth to his part in an actor.” </li></ul><ul><li>Andre Bazin, What is Cinema? </li></ul>
  4. 4. Bazin--Realism <ul><li>“ Only the impassive lens, stripping its object of all those ways of seeing it, those piled-up preconceptions, that spiritual dust and grime with which my eyes have covered it, is able to present it in all its virginal purity to my attention and consequently to my love.” Andre Bazin 1967 </li></ul>
  5. 5. “ The attempt to cheat or outlast death through the preservation of one’s image and world seems very close to Bazin.” A.R. Duckworth
  6. 6. Experimental Films <ul><li>Avant-garde, alternative, collage, experimental documentaries, exp. narratives; Exploring--rhythm, music, sound, space, light, cognition, perception, structure </li></ul>
  7. 7. Experiential elements of cinema--Sound <ul><li>Loudness--breadth of vibrations </li></ul><ul><li>Pitch--frequency of vibrations </li></ul><ul><li>Timbre--harmonic components </li></ul><ul><li>Dimensions: rhythm--coordination/disparities, fidelity </li></ul><ul><li>Space: Diegetic/Non or extra-diegetic </li></ul><ul><li>Time: Synchronous/Asynchronous </li></ul><ul><li>Score, sound effects, dialogue </li></ul><ul><li>sound bridge, sound mix, dialogue hook </li></ul>

×