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Digitale Kunstgeschichte an der LMU München (DHMuc Site Visit, 03.06.2016)

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Präsentation über die digitalen Aktivitäten des Instituts für Kunstgeschichte von Harald Klinke zur Site Visit der Digital Humanities München am 3. Juni 2016

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Digitale Kunstgeschichte an der LMU München (DHMuc Site Visit, 03.06.2016)

  1. 1. Dr. Harald Klinke, M.Sc. • h.klinke@lmu.de Institut für Kunstgeschichte • LMU München Was ist digitale Kunstgeschichte? 03.06.2016, DHMuc Site Visit, Institut für Kunstgeschichte, LMU München
  2. 2. 1. Geschichte digitaler Kunst 2. Digitalisierung der Kunstwissenschaft 3. Beitrag der Kunstgeschichte zur Gegenwart
  3. 3. Digitalisierung der Kunstwissenschaft
  4. 4. Eine Forschungsumgebung für die Digitale Kunstgeschichte Forschungsumgebung für Digitalisierte
  5. 5. Eine Forschungsumgebung für die Digitale Kunstgeschichtedi Digitale
  6. 6. Manovich 2011 Mondrian: X-date, Y-saturation-median
  7. 7. www.artigo.org
  8. 8. MuseumofModernArt/collection/Artworks.csv Kräutli 2015
  9. 9. Helen D. Wall 2016 MuseumofModernArt/collection/Artworks.csv
  10. 10. Artemis Image Database (LMU Munich)
  11. 11. Computers and the History of Art Group (1985) MA in Computer Applications for the History of Art, Birkbeck College, London (1990)
  12. 12. Digitale Kunstgeschichte an der LMU München
  13. 13. www.artigo.org
  14. 14. Lehre • Dürer Digital • History of Digital Art • Digital Cultural Entrepreneurship • Software für Kunsthistoriker • Theorien und Methoden der Kunstgeschichte • Big Image Data erzeugen, verarbeiten, visualisieren und deuten • Methoden der Kunstwissenschaft. Wege der Erkenntnis • Geschichte und Zukunft des Bildes und seiner Medien • Digitale Methoden der Kunstgeschichte • Digital Entrepreneurship • Hubertus Kohle: Museum und Internet • Stephan Hoppe: Ortsbasierte mobile digitale Kunstvermittlung in Theorie und Praxis
  15. 15. dhvlab.gwi.uni-muenchen.de
  16. 16. Videoreihe zur Digitalen Kunstgeschichte
  17. 17.  Matthias Arnold und Eric Decker: Annotationssysteme für Bild- und Videomedien  Mark Hengerer und Gerhard Schön: Kaiser und Höfe. Digitale Erfassung und Analyse adelig-höfischer Repräsentation  Gerd Hirzinger, Bernhard Strackenbrock und Jürgen Dudowits (DLR): Hochgenaue 3D-Modellierung und interaktive Visualisierung von Bauwerken  Marian Dörk und Katrin Glinka (Potsdam): Visualisierung Kultureller Sammlungen. Exploration und Vermittlung von digitalisierten Beständen  Piotr Kuroczyński, Digitale Rekonstruktionen in Virtuellen Forschungsumgebungen – Aktuelle Herausforderungen und Lösungsansätze  Stefan Heidenreich: Post-Internet Art, Post-Netz Kunstgeschichte  Matthias Zipp: Von der Vision zur Mission - Realisierung wissenschaftlicher Online-Präsentationen  Marc Grellert: Architektur und Erinnerung im digitalen Zeitalter. Synagogen in Deutschland  Robert Tolksdorf: Informatik und Kunst - Technologien, Verfahren und Synergien Vortragsreihe zur Digitalen Kunstgeschichte
  18. 18. www.dah-journal.org
  19. 19. Dr. Harald Klinke, M.Sc. • h.klinke@lmu.de Institut für Kunstgeschichte • LMU München Was ist digitale Kunstgeschichte? 03.06.2016, DHMuc Site Visit, Institut für Kunstgeschichte, LMU München www.kunstgeschichte.uni-muenchen.de/ forschung/digitalekg

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