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OVERVIEW OF FORM & STYLE

• Lyrical poetry (as most featured in Indie Poetry)
  – Characterized by short or average poem length
  – Often expresses the personal feelings or reflections of the
    author
  – Is directed towards the reader
  – Originated from musical lyric where words were sung to the
    tune of a lyre or other musical instrument around the time
    of the 7th century
  – See also, steps for poetry analysis handout for a more
    detailed summary
OVERVIEW OF FORM & STYLE

• Narrative poetry (another common form)
 – The author will usually reflect on a moment in time.
 – Focuses on a single event in time, or a series of events
 – The narration of any event unfolds slowly, particularly if
   focusing on a single moment or happening, and is often
   detailed.
 – Written from the perspective of an observant speaker.
INDIE POETRY & SOCIAL
CONSCIOUSNESS
     CONSIDERING POETRY'S POTENTIAL FOR
        RAISING SOCIAL AWARENESS
WHAT IS INDIE POETRY?

• Indie poetry has an affinity for social awareness
  and is written by musical performers that often
  associate this term with their genre of music.
• The term “indie” rose out of the strong sense of
  independence that these artists take when
  creating their music-- which includes their lyrical
  process, subject inspiration, & occasionally record
  publication.
• Indie poetry demonstrates the ways in which
  writing can be emotionally exploratory, and how
  it can create a meaningful dialogue concerning
  different aspects of social awareness.
COMMON QUALITIES OF INDIE POETRY


• Often has unconventional traits concerning sound
  and structure.
• It can create meaningful dialogue within the
  boundaries of a poem.
• Indie poetry is a creative outlet that justifies
  incorporating social awareness into our lives, as it
  expands upon it with unique, individualized content.
INDIE POETS WRITE CONCERNING
VARIOUS TOPICS RELEVANT TO SOCIAL
           AWARENESS
• Social intimacy and disclosure
• Extended metaphor
• Confront both positive and negative
  emotions
• Are confessional, dramatic, theoretical
• Bold and opinionated
• Introspective
STRUCTURE AND FORM

• These poems can be lyrically terse, or can dedicate
  30 or more lines to narration.
• Some poets are very experimental in their use of
  structure
   • Visual and graphic poems
   • Concrete poems
• Indie poems often exhibit a conversational tone
INDIE POETRY

• The writing styles of these artists are unconventional
  and casual, and their word choice unexpected
  and unusual as they present something tangible
  and overall, very relative to the reader.

• Their poetry falls somewhere between lyrical and
  narrative, but also creates an understandable
  dialogue and willingness to identify with the reader.
ASSOCIATED TEXTS

• Balling, Rich. Revolution On Canvas: Poetry from The
       Indie Music Scene. Grand Central Publishing,
       2009.
• Perloff, Marjorie and Craig Dworkin. The Sound of
       Poetry/The Poetry of Sound. University of
  Chicago Press, 2009.
• Tenzer, Michael. Analytical Studies in World Musics.
       Oxford University Press USA, 2006.

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Overview of lyrical and narrative poetry forms

  • 1. OVERVIEW OF FORM & STYLE • Lyrical poetry (as most featured in Indie Poetry) – Characterized by short or average poem length – Often expresses the personal feelings or reflections of the author – Is directed towards the reader – Originated from musical lyric where words were sung to the tune of a lyre or other musical instrument around the time of the 7th century – See also, steps for poetry analysis handout for a more detailed summary
  • 2. OVERVIEW OF FORM & STYLE • Narrative poetry (another common form) – The author will usually reflect on a moment in time. – Focuses on a single event in time, or a series of events – The narration of any event unfolds slowly, particularly if focusing on a single moment or happening, and is often detailed. – Written from the perspective of an observant speaker.
  • 3. INDIE POETRY & SOCIAL CONSCIOUSNESS CONSIDERING POETRY'S POTENTIAL FOR RAISING SOCIAL AWARENESS
  • 4. WHAT IS INDIE POETRY? • Indie poetry has an affinity for social awareness and is written by musical performers that often associate this term with their genre of music. • The term “indie” rose out of the strong sense of independence that these artists take when creating their music-- which includes their lyrical process, subject inspiration, & occasionally record publication. • Indie poetry demonstrates the ways in which writing can be emotionally exploratory, and how it can create a meaningful dialogue concerning different aspects of social awareness.
  • 5. COMMON QUALITIES OF INDIE POETRY • Often has unconventional traits concerning sound and structure. • It can create meaningful dialogue within the boundaries of a poem. • Indie poetry is a creative outlet that justifies incorporating social awareness into our lives, as it expands upon it with unique, individualized content.
  • 6. INDIE POETS WRITE CONCERNING VARIOUS TOPICS RELEVANT TO SOCIAL AWARENESS • Social intimacy and disclosure • Extended metaphor • Confront both positive and negative emotions • Are confessional, dramatic, theoretical • Bold and opinionated • Introspective
  • 7. STRUCTURE AND FORM • These poems can be lyrically terse, or can dedicate 30 or more lines to narration. • Some poets are very experimental in their use of structure • Visual and graphic poems • Concrete poems • Indie poems often exhibit a conversational tone
  • 8. INDIE POETRY • The writing styles of these artists are unconventional and casual, and their word choice unexpected and unusual as they present something tangible and overall, very relative to the reader. • Their poetry falls somewhere between lyrical and narrative, but also creates an understandable dialogue and willingness to identify with the reader.
  • 9. ASSOCIATED TEXTS • Balling, Rich. Revolution On Canvas: Poetry from The Indie Music Scene. Grand Central Publishing, 2009. • Perloff, Marjorie and Craig Dworkin. The Sound of Poetry/The Poetry of Sound. University of Chicago Press, 2009. • Tenzer, Michael. Analytical Studies in World Musics. Oxford University Press USA, 2006.