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L’APPRENDIMENTO BLENDED
A SUPPORTO
DELL’ESPRESSIONE
DEMOCRATICA DEL SÈ
F. Feldia Loperfido, G. Ritella
Università di Bari, University of Helsinki
E-mail: feldialop@gmail.com; gritella@gmail.com
Theoretical perspective (1)
–Dialogism (Bakhtin, 1930/1981, 1941/1965, trans.
1986) as a lens to understand the dynamic and
intersubjective structure of the Self;
–Concepts of polyphony (simultaneous association
of voices) and chronotope (the inseparable
connection between space and time, always
colored by values and emotions);
–Magistral, Socratic and Menippean dialogue
(Bakhtin, 1961/1986) representing the power
relations among the first, the second and the third
voice;
Theoretical perspective (2)
–Magistral dialogue  asimmetry of
interlocutors due to the asimmetry of power,
discourse toward a correct meaning;
–Socratic dialogue  questionning and
challenging of voices;
–Menippean dialogue  the third voice is
completely mocked and rejected by the
second one.
–The Dialogical Self. The multiple, dynamic,
and polyphonic presence of several I-positions
and the unity of the Self (Hermans, 2002;
Hermans, Kempen, 1993);
Aim
• To investigate how the three forms of dialogue feature the
Self over a blended learning experience
The context
• Two blended learning courses held at the University of
Bari, involving 52 burgeoning psychologists (42 females,
14 males)
• The course was based on the Blended Collaborative and
Constructive Participation (BCCP) model (Ligorio &
Cucchiara, 2011)
The BCCP model
Data collection
• Eight focus group discussions about learning and identity
– First course: one discussion held at the beginning (N=10) and
another at the end (N= 5);
– Second course: three discussions conducted at the beginning (N =
36) and three at the end (because of the higher number of
students) (N = 34).
All of the discussions have been audio-recorded and transcribed by
using the Jefferson notation system.
Data analysis
• Dialogical discourse analysis (DDA) (Wortham, 2001) looking at
both narrated (what people say)and storytelling (what people act
when they narrate) events;
• Two steps:
• 1) reading the whole data corpus to have a global view of the utterances
context and to detect indexical clues (references and predication,
metapragmatic descriptors, quotations, evaluative indexicals, and
epistemic modalization)
• 2) re-reading the data looking for interpretative inferences taking into
account the context of the discourse
• Two researchers first performed the two steps of analysis
independently, later they compared and discussed the analysis
involving a third researcher in case of divergence (about 15%).
Overview of the results
Beginning End
Narrated
event
- Actual positions: passive, not practical,
traditional – other learning contexts;
- Potential positions: critique,
collaborative, active learners – the
blended context;
- The first voice requires how and what
the second voice has to learn and to
behave;
-The second voice recognizes the third
voice as a system to be criticized
- Actual positions: Individual, independent
and traditional learners – traditional
learning chronotopes; collaborative, active
and critical learners – the blended course;
-The first voice decides how and what the
second voice has to learn. The teacher of
the blended course allows the group
positions and a critique approach to
learning;
- Contradiction between learning
chronotopes, similarity between blended
and job chronotopes
Storytelling
event
- Power relations researcher/students
defined by the researcher
When students talk about the university
system they enact a collective actor
against the system (a “Menippean-We-
Position)
Individual positions;
When students talk about the blended
learning strategies they enact supportive
and collective voices
Beginning of the course 2008 – 09, narrated event;
The second voice against the first and the third one
End of the course 2009 – 10, narrated event;
A collaborative second voice against the
individualism
End of the course 2009 – 10, storytelling event;
A collective voice in the learning course
Conclusions (1)
• The Magistral dialogue is associated to the previous
learning experiences;
• System of the Self constituted by the first voice
(teachers), the second one (students) and the third one
(the university system);
• The Menippean dialogue is related to the blended course
and allows students to position themselves as more
collaborative, active, and able to self-defined their own
learning activities;
Conclusions (2)
• The first voice of the teacher of the blended course is
perceived as opposite to the third voice;
• Both narrated and storytelling events change over the
course as, at the end, students refer to a new structure of
voices and enact at the interactional level those
collaborative, critique, and active positions related to the
blended course;
• The participation in the course based on the BCCP model
sustained the formation of more democratic relationships
and the distribution of power among the three voices

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L'apprendimento blended a supporto dell'esperienza democratica del se

  • 1. L’APPRENDIMENTO BLENDED A SUPPORTO DELL’ESPRESSIONE DEMOCRATICA DEL SÈ F. Feldia Loperfido, G. Ritella Università di Bari, University of Helsinki E-mail: feldialop@gmail.com; gritella@gmail.com
  • 2. Theoretical perspective (1) –Dialogism (Bakhtin, 1930/1981, 1941/1965, trans. 1986) as a lens to understand the dynamic and intersubjective structure of the Self; –Concepts of polyphony (simultaneous association of voices) and chronotope (the inseparable connection between space and time, always colored by values and emotions); –Magistral, Socratic and Menippean dialogue (Bakhtin, 1961/1986) representing the power relations among the first, the second and the third voice;
  • 3. Theoretical perspective (2) –Magistral dialogue  asimmetry of interlocutors due to the asimmetry of power, discourse toward a correct meaning; –Socratic dialogue  questionning and challenging of voices; –Menippean dialogue  the third voice is completely mocked and rejected by the second one. –The Dialogical Self. The multiple, dynamic, and polyphonic presence of several I-positions and the unity of the Self (Hermans, 2002; Hermans, Kempen, 1993);
  • 4. Aim • To investigate how the three forms of dialogue feature the Self over a blended learning experience
  • 5. The context • Two blended learning courses held at the University of Bari, involving 52 burgeoning psychologists (42 females, 14 males) • The course was based on the Blended Collaborative and Constructive Participation (BCCP) model (Ligorio & Cucchiara, 2011)
  • 7. Data collection • Eight focus group discussions about learning and identity – First course: one discussion held at the beginning (N=10) and another at the end (N= 5); – Second course: three discussions conducted at the beginning (N = 36) and three at the end (because of the higher number of students) (N = 34). All of the discussions have been audio-recorded and transcribed by using the Jefferson notation system.
  • 8. Data analysis • Dialogical discourse analysis (DDA) (Wortham, 2001) looking at both narrated (what people say)and storytelling (what people act when they narrate) events; • Two steps: • 1) reading the whole data corpus to have a global view of the utterances context and to detect indexical clues (references and predication, metapragmatic descriptors, quotations, evaluative indexicals, and epistemic modalization) • 2) re-reading the data looking for interpretative inferences taking into account the context of the discourse • Two researchers first performed the two steps of analysis independently, later they compared and discussed the analysis involving a third researcher in case of divergence (about 15%).
  • 9. Overview of the results Beginning End Narrated event - Actual positions: passive, not practical, traditional – other learning contexts; - Potential positions: critique, collaborative, active learners – the blended context; - The first voice requires how and what the second voice has to learn and to behave; -The second voice recognizes the third voice as a system to be criticized - Actual positions: Individual, independent and traditional learners – traditional learning chronotopes; collaborative, active and critical learners – the blended course; -The first voice decides how and what the second voice has to learn. The teacher of the blended course allows the group positions and a critique approach to learning; - Contradiction between learning chronotopes, similarity between blended and job chronotopes Storytelling event - Power relations researcher/students defined by the researcher When students talk about the university system they enact a collective actor against the system (a “Menippean-We- Position) Individual positions; When students talk about the blended learning strategies they enact supportive and collective voices
  • 10. Beginning of the course 2008 – 09, narrated event; The second voice against the first and the third one
  • 11. End of the course 2009 – 10, narrated event; A collaborative second voice against the individualism
  • 12. End of the course 2009 – 10, storytelling event; A collective voice in the learning course
  • 13. Conclusions (1) • The Magistral dialogue is associated to the previous learning experiences; • System of the Self constituted by the first voice (teachers), the second one (students) and the third one (the university system); • The Menippean dialogue is related to the blended course and allows students to position themselves as more collaborative, active, and able to self-defined their own learning activities;
  • 14. Conclusions (2) • The first voice of the teacher of the blended course is perceived as opposite to the third voice; • Both narrated and storytelling events change over the course as, at the end, students refer to a new structure of voices and enact at the interactional level those collaborative, critique, and active positions related to the blended course; • The participation in the course based on the BCCP model sustained the formation of more democratic relationships and the distribution of power among the three voices

Editor's Notes

  1. Aggiungi apprendimento sostenibile
  2. Five analytic tools for dialogical analysis can be described: 1) reference and predication; 2) metapragmatic descriptors; 3) quotations; 4) evaluative indexicals; 5) epistemic modalization (Wortham, 2001);