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GANGSTER FILMS
Goodfellas 
 Brief plot: Henry Hill is a 
small time gangster, who 
takes part in a robbery with 
Jimmy Conway and Tommy 
De Vito, two other gangsters 
who have set their sights a bit 
higher. His two partners kill 
off everyone else involved in 
the robbery, and slowly start 
to climb up through the 
hierarchy of the Mob. Henry, 
however, is badly affected by 
his partners success, but will 
he stoop low enough to bring 
about the downfall of Jimmy 
and Tommy? 
Tagline: As far back as I can 
remember, I've always wanted to 
be a gangster.
Mean Streets 
 Basic plot: The future is set for 
Tony and Michael - owning a 
neighbour- hood bar and making 
deals in the mean streets of New 
York city's Little Italy. For Charlie, 
the future is less clearly defined. A 
small-time hood, he works for his 
uncle, making collections and 
reclaiming bad debts. He's probably 
too nice to succeed. In love with a 
woman his uncle disapproves of 
(because of her epilepsy) and a 
friend of her cousin, Johnny Boy, a 
near psychotic whose trouble-making 
threatens them all - he can't 
reconcile opposing values. A failed 
attempt to escape (to Brooklyn) 
moves them all a step closer to a 
bitter, almost preordained future. 
Tagline: You don't make up 
for your sins in church. You do 
it in the streets.
Pulp Fiction 
 Basic Plot: Jules Winnfield and 
Vincent Vega are two hitmen who 
are out to retrieve a suitcase stolen 
from their employer, mob boss 
Marsellus Wallace. Wallace has also 
asked Vincent to take his wife Mia 
out a few days later when Wallace 
himself will be out of town. Butch 
Coolidge is an aging boxer who is 
paid by Wallace to lose his next 
fight. The lives of these seemingly 
unrelated people are woven 
together comprising of a series of 
funny, bizarre and uncalled-for 
incidents. 
Tagline: You won’t know the facts 
until you’ve seen the fiction.
Reflection 
 Ambition- This is an important part of the gangster film genre. I have 
noticed that they are mostly always small time gangsters aspiring to 
make it big and become somebody powerful rich and extremely 
respected amongst their community. 
 Violence – there is always some type of brutal violent scene whether it 
be torture scene or a gun fight its essential. 
 Money& Power – These are the cause of all disputes in gangster films. 
 Costumes- This element of mise en scene is vitally important in making 
a gangster film, it is how you are able differentiate the levels of 
hierarchy. And what helps define to the audience the genre. 
 Envy– This is normally the drive in motive for most characters in the 
genre. 
Overall to create a good gangster film trailer I will need to incorporate all 
from what I've found in the different films I've researched to create an 
accurate representation and portrayal of the genre.

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Gangster films

  • 2. Goodfellas  Brief plot: Henry Hill is a small time gangster, who takes part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who have set their sights a bit higher. His two partners kill off everyone else involved in the robbery, and slowly start to climb up through the hierarchy of the Mob. Henry, however, is badly affected by his partners success, but will he stoop low enough to bring about the downfall of Jimmy and Tommy? Tagline: As far back as I can remember, I've always wanted to be a gangster.
  • 3. Mean Streets  Basic plot: The future is set for Tony and Michael - owning a neighbour- hood bar and making deals in the mean streets of New York city's Little Italy. For Charlie, the future is less clearly defined. A small-time hood, he works for his uncle, making collections and reclaiming bad debts. He's probably too nice to succeed. In love with a woman his uncle disapproves of (because of her epilepsy) and a friend of her cousin, Johnny Boy, a near psychotic whose trouble-making threatens them all - he can't reconcile opposing values. A failed attempt to escape (to Brooklyn) moves them all a step closer to a bitter, almost preordained future. Tagline: You don't make up for your sins in church. You do it in the streets.
  • 4. Pulp Fiction  Basic Plot: Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Tagline: You won’t know the facts until you’ve seen the fiction.
  • 5. Reflection  Ambition- This is an important part of the gangster film genre. I have noticed that they are mostly always small time gangsters aspiring to make it big and become somebody powerful rich and extremely respected amongst their community.  Violence – there is always some type of brutal violent scene whether it be torture scene or a gun fight its essential.  Money& Power – These are the cause of all disputes in gangster films.  Costumes- This element of mise en scene is vitally important in making a gangster film, it is how you are able differentiate the levels of hierarchy. And what helps define to the audience the genre.  Envy– This is normally the drive in motive for most characters in the genre. Overall to create a good gangster film trailer I will need to incorporate all from what I've found in the different films I've researched to create an accurate representation and portrayal of the genre.