Storyboard

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storyboard of my media

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Storyboard

  1. 1. Storyboard By Annabel Martin
  2. 2. <ul><li>Shot 1 </li></ul><ul><li>Shot type: aerial shot </li></ul><ul><li>Movement: zooms and turns clockwise </li></ul><ul><li>Notes: Girl must lie on side as not to see her bruise as it would ruin the rest of the opening and take the psychological aspect away </li></ul>
  3. 3. C:UsersAnnabelVideosIMx3SEVer6IMx_AVCHD2012022120120221.jpg Shot 2 <ul><li>Shot Type: Extreme close up </li></ul><ul><li>Movement: zooms out </li></ul><ul><li>Notes: Starts at extreme close up o the camera lens, then zooms out to establish he’s filming her, this is shown through a high angle side shot of him turning the camera on. </li></ul>
  4. 4. <ul><li>Shot 3 </li></ul><ul><li>Shot Type: Mid-shot </li></ul><ul><li>Movement: none </li></ul><ul><li>Notes: must capture lights turning on one after another </li></ul>
  5. 5. <ul><li>Shot 4 +17 </li></ul><ul><li>Shot type: long shot </li></ul><ul><li>Movement: none </li></ul><ul><li>Noted: Camcorder effect to show him filming her and he wakes her up and travels behind her, searches through tools and in shot 17 we see him hold a tool to her. </li></ul>
  6. 6. <ul><li>Shot 5 +11 </li></ul><ul><li>Shot type: close up of eye </li></ul><ul><li>Movement: still </li></ul><ul><li>Notes: shot of her looking around, to see the worry in her eye. </li></ul>
  7. 7. <ul><li>Shot 6 +10 </li></ul><ul><li>Shot type: close up of tied up hand </li></ul><ul><li>Movement: still </li></ul><ul><li>Notes: hand gradually struggles faster and faster </li></ul>
  8. 8. <ul><li>Shot 7+13 </li></ul><ul><li>Shot Type: Side shot </li></ul><ul><li>Movement: still </li></ul><ul><li>Notes: He turns to keep looking at man behind </li></ul>
  9. 9. <ul><li>Shot 8+12 </li></ul><ul><li>Shot type: aerial shot </li></ul><ul><li>Movement: still </li></ul><ul><li>Notes: see struggling in chair </li></ul>
  10. 10. <ul><li>Shot 9 </li></ul><ul><li>Shot type: mid-shot </li></ul><ul><li>Movement: still </li></ul><ul><li>Notes: Focus more on face so you can see worry and really connect with audience </li></ul>
  11. 11. <ul><li>Shot 14 </li></ul><ul><li>Shot type: mid-shot on an angle </li></ul><ul><li>Movement: none </li></ul><ul><li>Notes: Loud bangs while ‘testing’ out the tools to be intimidating. </li></ul>
  12. 12. <ul><li>Shot 15+38 </li></ul><ul><li>Shot type: close up </li></ul><ul><li>Movement: still </li></ul><ul><li>Notes: confusion in eyes to mirror the audiences confusion at this point. </li></ul>
  13. 13. <ul><li>Shot 16+18 </li></ul><ul><li>Shot type: mid shot </li></ul><ul><li>Movement: none </li></ul><ul><li>Notes: to give a 360◦ shot of girl in chair. </li></ul>
  14. 14. <ul><li>Shot 19 </li></ul><ul><li>Shot type: close up </li></ul><ul><li>Movement: Still </li></ul><ul><li>Notes: flashes out to extenuate the hit </li></ul>
  15. 15. <ul><li>Shot 20 </li></ul><ul><li>Shot Type: close up </li></ul><ul><li>Movement: arc, follow body </li></ul><ul><li>Notes: Transition from to this scene is a blank screen with music still underneath, then the handheld movement creates a distorted feel to the shot. </li></ul>
  16. 16. <ul><li>Shot 21 </li></ul><ul><li>Shot type: Point of view </li></ul><ul><li>Movement: still </li></ul><ul><li>Notes: edited so comes out fuzzy to symbolise her just waking up </li></ul>
  17. 17. <ul><li>Shot 22 </li></ul><ul><li>Shot type: point of view </li></ul><ul><li>Movement: tilts upwards </li></ul><ul><li>Notes: point of view of her waking up so still slightly unclear. </li></ul>
  18. 18. <ul><li>Shot 23 </li></ul><ul><li>Shot type: high angle </li></ul><ul><li>Movement: still </li></ul><ul><li>Notes: low angle creates feel of someone watching her to create the nervous atmophere </li></ul>
  19. 19. <ul><li>Shot 24+26 </li></ul><ul><li>Shot type: point of view </li></ul><ul><li>Movement: pans round, dolly </li></ul><ul><li>Notes: handheld to symbolise her walking. </li></ul>
  20. 20. <ul><li>Shot 25 </li></ul><ul><li>Shot type: mid shot </li></ul><ul><li>Movement: none </li></ul><ul><li>Notes: on floor like an ants eye view. </li></ul>
  21. 21. <ul><li>Shot 27 </li></ul><ul><li>Shot type: mid shot, pan </li></ul><ul><li>Movement: pan </li></ul><ul><li>Notes: to symbolise someone watching her, to create tension. </li></ul>
  22. 22. <ul><li>Shot 28 </li></ul><ul><li>Shot type: high angle shot </li></ul><ul><li>Movement: none </li></ul><ul><li>Notes: forbounding her, looking down on a victim. </li></ul>
  23. 23. <ul><li>Shot 29 </li></ul><ul><li>Shot type: extreme close up </li></ul><ul><li>Movement: still </li></ul><ul><li>Notes: door handle creak sound over the top </li></ul>
  24. 24. <ul><li>Shot 30 </li></ul><ul><li>Shot type: tilted eye level shot </li></ul><ul><li>Movement: none </li></ul><ul><li>Notes: shot of her opening door </li></ul>
  25. 25. <ul><li>Shot 31 </li></ul><ul><li>Shot type: over the shoulder </li></ul><ul><li>Movement: track </li></ul><ul><li>Notes: follow her to steamed up mirror </li></ul>
  26. 26. <ul><li>Shot 32+34 </li></ul><ul><li>Shot type: side close up </li></ul><ul><li>Movement: none </li></ul><ul><li>Notes: reflection of carefully places Colgate in tap. </li></ul>
  27. 27. <ul><li>Shot 33+35 </li></ul><ul><li>Shot type: over the shoulder </li></ul><ul><li>Movement: none </li></ul><ul><li>Notes: quick cuts between shots builds tension. </li></ul>
  28. 28. <ul><li>Shot 36 </li></ul><ul><li>Shot type: over the shoulder </li></ul><ul><li>Movement: slightly zooms at end </li></ul><ul><li>Notes: long length shot to contrast to quick cuts before, fade to text after scream. </li></ul>
  29. 29. <ul><li>Shot 37, 39, 40, 41 + 42 </li></ul><ul><li>Shot type: extreme close up </li></ul><ul><li>Movement: none </li></ul><ul><li>Notes: shots fades in and out of black screen to present eerie atmosphere. Text on top of images. Voicemail can be heard underneath. </li></ul>
  30. 30. <ul><li>Shot 43 </li></ul><ul><li>Shot type: aerial shot </li></ul><ul><li>Movement: none </li></ul><ul><li>Notes: to mirror shot at the beginning of film, shot will be fast-forwarded with music underneath and text over the top. </li></ul>

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