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Frosty and slightly smoky
background photo of the
palace of Westminster
with a blue tint to it all.
This ties in with the
setting of the film, 1891
London, and to not take
the main focus away from
the character.
The front cover sticks to
a blue and white colour
scheme throughout to
make it consistent. The
font colour is kept to
blue and white with the
information about what
else is inside and the
details of the magazine
written in black.
Mid-shot of the
character with his eyes
looking straight into
the camera, creating
eye contact with the
audience.
The main image is
overlapping the title of
the film “Total Film” as
the magazine is well
known and people will
still be able to recognise
the title.
Barcode is in the bottom
right corner, not covering
anything important.
No text overlaps the
characters face. Only the
anchorage text overlaps
the image and stops just
below his shoulders. The main image
doesn’t give anything
about the film away.
Picture boost along the
top to show readers
other stories they may
be interested in
Sell lines written around the
outsides, not overlapping the
main image with the buzzwords
in blue font and in capital letters.
The serif font of the title is
consistent with the font that is
used for the film.
No text overlaps the characters face.
Only the anchorage text overlaps
the image and stops just below his
shoulders.
Sell lines written around
the outsides, not
overlapping the main
image. As they are written
in black they are very
difficult to read against the
dark background.
The main image is
overlapping the title of
the film “SFX” as the
magazine is well known
and people will still be
able to recognise the
title.
Picture boost along the bottom to
show readers other stories they may
be interested in. It is written over a
scroll to also tie in with the context
of the film.
The serif font of the title of the
film and the swirl above gives it a
fantasy feel and looks like the
actual title of the film so it ties in
with the context of the film.
The front cover sticks to a
red and white colour
scheme throughout to
make it consistent. The
font colour is kept to red
and white with the
information about what
else is inside and the
details of the magazine
written in black.
Barcode is in the bottom
right corner, not covering
anything important.
The puff is written in a
golden ring to tie in
with the narrative of
the film.
Mid-shot of the character
with his eyes looking slightly
off camera as the main
image.
The main image
doesn’t give anything
about the film away.
Two shot of the main
characters, both with their
eyes looking straight into the
camera, creating eye contact
with the audience.
The front cover sticks to a blue and
yellow colour scheme throughout
to make it consistent. The font
colour is kept to yellow and white
with the information about what
else is inside and the details of the
magazine written in white.
Barcode is in the bottom
right corner, not covering
anything important.
The main image is
overlapping the title of the
film “SFX” as the magazine
is well known and people
will still be able to
recognise the title.
The Star Trek logo is
used on the top left
corner so it can be
easily seen when the
magazine is on the
shelves in a store.
The blue background gives
a futuristic look to the
poster which connects to
the narrative. The
superimposed visual effect
over the two shot implies
that he is teleporting in,
which connects with the
narrative of the film.
The sans serif font
of the featured film
is consistent with
the font that is
actually used for
the film.
Sell lines written around the
outsides, not overlapping
the main image with the
buzzwords in yellow font and
in capital letters.

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Textual analysis of magazine front covers

  • 1. Frosty and slightly smoky background photo of the palace of Westminster with a blue tint to it all. This ties in with the setting of the film, 1891 London, and to not take the main focus away from the character. The front cover sticks to a blue and white colour scheme throughout to make it consistent. The font colour is kept to blue and white with the information about what else is inside and the details of the magazine written in black. Mid-shot of the character with his eyes looking straight into the camera, creating eye contact with the audience. The main image is overlapping the title of the film “Total Film” as the magazine is well known and people will still be able to recognise the title. Barcode is in the bottom right corner, not covering anything important. No text overlaps the characters face. Only the anchorage text overlaps the image and stops just below his shoulders. The main image doesn’t give anything about the film away. Picture boost along the top to show readers other stories they may be interested in Sell lines written around the outsides, not overlapping the main image with the buzzwords in blue font and in capital letters. The serif font of the title is consistent with the font that is used for the film.
  • 2. No text overlaps the characters face. Only the anchorage text overlaps the image and stops just below his shoulders. Sell lines written around the outsides, not overlapping the main image. As they are written in black they are very difficult to read against the dark background. The main image is overlapping the title of the film “SFX” as the magazine is well known and people will still be able to recognise the title. Picture boost along the bottom to show readers other stories they may be interested in. It is written over a scroll to also tie in with the context of the film. The serif font of the title of the film and the swirl above gives it a fantasy feel and looks like the actual title of the film so it ties in with the context of the film. The front cover sticks to a red and white colour scheme throughout to make it consistent. The font colour is kept to red and white with the information about what else is inside and the details of the magazine written in black. Barcode is in the bottom right corner, not covering anything important. The puff is written in a golden ring to tie in with the narrative of the film. Mid-shot of the character with his eyes looking slightly off camera as the main image. The main image doesn’t give anything about the film away.
  • 3. Two shot of the main characters, both with their eyes looking straight into the camera, creating eye contact with the audience. The front cover sticks to a blue and yellow colour scheme throughout to make it consistent. The font colour is kept to yellow and white with the information about what else is inside and the details of the magazine written in white. Barcode is in the bottom right corner, not covering anything important. The main image is overlapping the title of the film “SFX” as the magazine is well known and people will still be able to recognise the title. The Star Trek logo is used on the top left corner so it can be easily seen when the magazine is on the shelves in a store. The blue background gives a futuristic look to the poster which connects to the narrative. The superimposed visual effect over the two shot implies that he is teleporting in, which connects with the narrative of the film. The sans serif font of the featured film is consistent with the font that is actually used for the film. Sell lines written around the outsides, not overlapping the main image with the buzzwords in yellow font and in capital letters.