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The Reemergence of the Courtyard in Kuwaiti Housing Design - عودة ظهور الفناء في تصميم المساكن الكويتية
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The Reemergence of the Courtyard in Kuwaiti Housing Design - عودة ظهور الفناء في تصميم المساكن الكويتية

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  • 1. The Reemergence of the Courtyard in Kuwaiti Housing DesignBy: Dr. Yasser MahgoubDate written: 2003IntroductionAfter its disappearance for more than 40 years, the courtyard house designreemerged in Kuwait. The reemergence of the courtyard is evident in the currentdesign of many new houses in Kuwait. Prestigious villas and middle classhouses are being designed using the traditional courtyard concept found inKuwait during the first half of the 20th century. This article discusses thephenomenon of the reemergence of the courtyard in new houses design inKuwait and the factors influencing its reemergence as a viable design concept.It also focuses on the meaning and functions of the courtyard as a traditionaland modern phenomenon. The study investigates the intentions of the architectswho produce and promote the use of the courtyard to their clients. It questionswhether the new courtyard similar or different than the old courtyard.Theoretical FrameworkThe article explores the phenomenon of the reemergence of the courtyard housedesign from the theoretical framework of “core/peripheral aspects of the builtenvironment” proposed by Rapoport. (Rapoport, 1989) In his paper “On theCultural Responsiveness of Architecture, JAE 41/1”, Rapoport distinguishedbetween the core of a culture and its periphery, particularly in conditions ofrapid cultural change. The theory states that "certain elements (peripheral) aregiven up not only willingly but eagerly for new ones, but that others (core) areretained until the latter end. What these are needed to be discovered."(Rapoport, A. (1987)Previous studies indicated that the theory has proved valid in the architecture ofthe Gulf countries which witnessed rapid development and change during thesecond half of the 20th century following the discovery of oil and economicwealth generated by its sales. Many cultural and architectural elements werereplaced by modern elements and ways of life; for example; the traditionalcourtyard houses were replaced by modern villas, the narrow alleys werereplaced by wide vehicular streets, and the traditional building materials werereplace by concrete and steel. On the other hand, other elements were retainedwith their original form or with new form; for example the men’s gatheringroom called Diwan was retained in many the design of new houses as symbol ofsocial status and cultural exchange setting, the high level of required privacywas not reduced suddenly, and the costumes of men and women were notcompletely abandoned.In addition, a new phenomenon is currently taking place which is thereemergence of several elements of traditional architecture in contemporaryarchitecture design. The hypothesis of this paper states that some elements of
  • 2. the traditional built environment are now reappearing as practical solutions thatsatisfy social needs in the modern environment. The paper attempts to trace thedevelopment of one of these elements, namely the courtyard, and the reasonsbehind its reemergence in the contemporary house design.Background: The courtyardAccording to Davis, The courtyard can be traced back to 2000 B.C. inMesopotamia and spread throughout what is modern day Syria. When theMoslems conquered the Middle East in the third century, they carried thecourtyard concept throughout the Mediterranean region. Thats how thearchitectural style reached Spain, which then centuries later took the idea toMexico. The courtyard served three purposes. First, it allowed high density inancient cities which needed to be surrounded by walls to protect against enemyattacks. In those cramped cities, the courtyard also offered privacy. In the desertclimates of the Middle East, the design provided solar protection by havingeverything open toward a mostly shaded courtyard. For the Islamic culture, thecourtyard had another benefit: a sheltered place for plants and fountains,fulfilling a religious purpose of creating paradise in the midst of arid country. Inaddition, the plants and water helped cool the house. The flat roof of an ancientcourtyard house was more than a convenient means of construction. It was afamily living area, rather like the contemporary family room or patio. Inaddition to serving as a sitting area on hot summer nights, it also was a sleepingarea in good weather. (Davis, 1996)The courtyard houseThe relatively static cooling system used in a courtyard house can provide thebasis for understanding modifications that can generate air movement byconvection. In hot dry zones, air temperature drops considerably after sunsetfrom re-radiation to the night sky. The air is relatively free of water vapor thatwould reflect the heat or infrared radiation back toward the ground, as occurs inwarm humid regions. To enhance thermal comfort, this phenomenon has beenused in the architectural design of houses by employing the courtyard concept.Nature is hostile at ground level in these zones, especially in the deserts. Peoplelearned to close their houses to the outside and open them inwardly ontointernal courtyards called sahn, which are open to the sky. This arrangementprovides drops in air temperature of 10-20 C° (18-36 F°) at night. This mightexplain why the lunar crescent as a symbol of the night sky is so meaningful toArab people and ultimately to all Muslims, to the point of appearing on the flagsof eight predominantly Muslim nations. As evening advances, the warm air ofthe courtyard, which was heated directly by the sun and indirectly by the warmbuildings, rises and is gradually replaced by the already cooled night air fromabove. This cool air accumulates in the courtyard in laminar layers and seepsinto the surrounding rooms, cooling them. In the morning, the air of the
  • 3. courtyard, which is shaded by its four walls, and the surrounding rooms heatslowly and remain cool until late in the day when the sun shines directly into thecourtyard. The warm wind passing above the house during the day does notenter the courtyard but merely creates eddies inside, unless baffles have beeninstalled to deflect the airflow. In this way, the courtyard serves as a reservoir ofcoolness. The courtyard concept is universally applied in the traditionalarchitecture of countries in hot arid regions stretching from Iran in the East tothe shores of the Atlantic Ocean in the West, and in both rural and urbanhousing design.The courtyard in Kuwaiti architectureThe courtyard in Kuwaiti traditional architectureThe courtyard was an important feature of traditional architecture in Kuwait. Itwas recognized by Saleh Al Mutawa as the first element of the “Elements ofOld Kuwaiti Architecture”, as he called them. (Al-Mutawa, 1994) He describedit as: The (internal) courtyard, surrounded by rooms from all sides. The courtyard, in that manner, secured full ventilation to all rooms, to reduce the intense heat during the summer nights. As parts of the courtyard were in shade, its temperature was cool, because the sun did not fill it. Those created places to sit in. During the night, temperature reduced due to thermal exchange with outer space. Evaporative cooling took place when the courtyard was sprayed with water.The courtyard was used a place where activities such as family sitting childrenplaying take place. It was not an open are to “look at” but rather a place “to bein.” The design of the house started by the courtyard and then surrounded by therooms.
  • 4. The courtyard satisfied many functional, environmental, social, and culturalrequirements including: - Provided space for family to conduct their daily activities - Satisfied privacy requirement away from visual contact with the street - Provided a protected space from harsh natural environment - Secured an safe place for children to play
  • 5. The courtyard in Kuwaiti modern architecture The disappearance of the courtyard house design was the result of modern planning of Kuwait during the second half of the 20th century. After the discovery of oil in the 1940’s and the economic wealth associated with it, the government of Kuwait decided to modernize the country. The ruler of Kuwait invited the British firm Monoprio, Spencely and Macfarlane in 1952 to develop a new plan for Kuwait using the state of the art theories of planning at that time. In their Report on the Plan for the Town of Kuwait, Minoprio et al called attention to the need to develop “a simple set of rules to govern the way in which buildings shall be erected, their height, the amount of land which each can occupy, and the distance between buildings, will be necessary.”(Minoprio, 1951) The establishment of modern zoning and building regulations, the introduction of new building materials and construction methods, and the desire to modernize and upgrade the living conditions of the citizens during the fifties gave way to the modern villa to replace the traditional courtyard house. The individual villa on a lot of land with setbacks from all sides became the ideal image for family living. It became the icon of modernization and modern life in Kuwait. Building regulations of the design of private houses in Kuwait encouraged the establishment of the individual villa as the only form of acceptable house design. (Mahgoub, 2002) The absence of native Kuwaiti architects during the fifties and sixties allowed for the construction of many villas by foreign architects from neighboring Arab or foreign countries. Ignorant about local culture and traditional practices, and following only the newly established building regulations, the expatriate architects were produced repetitive images of modern villas enforcing the image of villa replace the traditional courtyard house. Even public housing projects were designed according to the same standards that introduced the villa as the ideal image for a house.
  • 6. The courtyard in Kuwaiti contemporary architectureThe reemergence of the courtyard in modern house designs in Kuwait could beattributed to the following reasons: 1. The return of many young Kuwaiti architects from education abroad with consciousness of the value of traditional architecture as heritage of architectural solutions. 2. The development of building regulations and the reduction of setbacks reducing privacy between neighboring houses to levels intolerable to residents. 3. The increased level of education and intellectualism of house owners to the level of accepting traditional architecture as wealth of architecture solutions and not mere relics of the past. 4. A post-modern trend to return to traditional architecture as a source of solutions and expression of identity especially after the crisis of the invasion by Iraq which generated a strong need for a sense of cultural identity in architecture and the built environment. 5. The slow paste of change in family and social relationships that facilitated the constant need for high levels of privacy in the house. For example, the large terrace of the villa are seldom used for sitting by family members and large windows are always closed.The following are examples of contemporary courtyard houses:
  • 7. ConclusionsIn many traditional-turned-modern environments we found elements oftraditional environment reemerging to satisfy modern needs. According toNawangwe “Modernism could be combined with local “reworked” vernacularelements in order to achieve local or national identity. … Another majorshortcoming of modernism, which also needs to be addressed is the failure toproduce living environments that are psychologically and socially fulfilling.Studies of vernacular architecture in Uganda have revealed that certain designaspects that were ignored by modernism actually have a lot to offer. Thethreshold, recurring theme in Ugandan vernacular architecture, can add a usefulpsychological dimension to the experience of moving from one place to thenext.” (Nawangwe ,2002, p. 11)The reemergence of the courtyard in current Kuwait houses supports Rapoport’stheory and adds to it that certain elements might reemerge in the future astraditional solutions reworked to satisfy new needs. It is important to understandthe change in meaning of the reemerged element when compared to itstraditional use. While other traditional elements are still absent from the moderndesign they can reemerge, as the courtyard did, when circumstances and socio-cultural needs exist.ReferencesAbarkan, Abdellah and Salama, Ashraf (2000) Courtyard housing in Northern Africa: changing paradigms, Paper presented at the ENHR 2000 Conference, Housing in the 21st century: Fragmentation and Reorientation, 26-30 June 2000, Gavle, Sweden.
  • 8. Aghil M. Barbar. Monticello, Ill., Architecture of the Arabian house, Vance Bibliographies, 1979. Architecture series--bibliography; A-85. EnvDsgn NA200.A12.A7 no.85Al-Mutawa, S. (1994) History of Architecture in Old Kuwait City, Al-Khat, Kuwait.Caroline Lobo, Cool Built Forms: The Design/Planning Dilemma of Courtyards, Ph.D.Program in Environmental Design and Planning, Arizona State University, http://www.caed.asu.edu/msenergy/Neeraj/Lobo.pdfDavis, C.F. (1996) “Courtyards make desert a home”, Communication Strategies. http://desert-horizons.com/realty/courtyd.htmlHassan Fathi. 1986. Natural Energy and Vernacular Architecture: Principles and Examples with Reference to Hot Arid Climates, edited by Walter Shearer and Abd-el-rahman Ahmed Sultan, Published for The United Nations University by The University of Chicago Press , Chicago and LondonMINOPRIO, SPENCELY AND P.W. MACFARLANE (1951) Report on the Plan for the Town of Kuwait, London.Mahgoub, Yasser (2002) The Development of Private Housing in Kuwait: The Impact of Building Regulations. Open House International (ISSN 0168- 2601) Vol 27 No 2, 2002.Nawangwe, B., Vestbro, D. and Sanya, T. (2002) Architecture Modernism as a Tool for Development, A paper presented at the IAPS conference, La Coruna, Spain, 22-27 July 2002)Rapoport, A. (1987). On the Cultural Responsiveness of Architecture, JAE 41/1.Rapoport, A. (1999) A Framework for Studying Vernacular Design, Journal of Architectural and Planning Research, 16:1, Spring 1999.Khattab, Omar, 2001. Globalization Versus Localization: Contemporary Architecture and the Arab City. CTBUH REVIEW, Vol.1:3.

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