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Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
Color (Design Fundamentals)
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Color (Design Fundamentals)

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  • 1. Color
  • 2. HUE• A name of a color family or an area on the colorwheel.
  • 3. White Light Refracted by a Prism.
  • 4. SUBTRACTIVE COLOR PROCESS• The mixing of pigments and dyes so that all colorsof light except the color are absorbed (subtracted).
  • 5. Pigment Primaries: Subtractive color mixture.
  • 6. ADDITIVE COLOR PROCESS• The mixing of colored lights so that they shine on asurface, they combine (add) to make other colors.
  • 7. PRIMARY COLORS• In a color system, the basic colors that cannot bebroken down into other colors and that can becombined to create other colors.
  • 8. Hue – the color wheel.
  • 9. SECONDARY COLORS• The product of mixing two primary colors.
  • 10. TERTIARY COLORS• The products of mixing a primary and secondarycolor.
  • 11. Hue – the color wheel.
  • 12. KEY• Used synonymously with value. In a scale ofvalues, high-key colors are lighter than colors in themiddle of the scale; low-key colors are darker thanthe colors in the middle of the scale.
  • 13. High key
  • 14. Low key
  • 15. TONE• A color that has gray added to it.
  • 16. TINT• A color that has white added to it.
  • 17. SHADE• A color that has black added to it.
  • 18. INTENSITY, SATURATION• The strength or weakness of a color.
  • 19. OPTICAL COLOR MIXING• Placement of different colors in such a way that thehuman eye mixes them to form new colors.
  • 20. Sandro Botticelli. Detail of Birth of Venus. 1486.Color Printing: yellow.
  • 21. Sandro Botticelli. Detail of Birth of Venus. 1486.Color Printing: magenta.
  • 22. Sandro Botticelli. Detail of Birth of Venus. 1486.Color Printing: yellow and magenta.
  • 23. Sandro Botticelli. Detail of Birth of Venus. 1486.Color Printing: cyan.
  • 24. Sandro Botticelli. Detail of Birth of Venus. 1486.Color Printing: yellow, magenta, and cyan.
  • 25. Sandro Botticelli. Detail of Birth of Venus. 1486.Color Printing: black.
  • 26. Sandro Botticelli. Detail of Birth of Venus. 1486.Color Printing: yellow, magenta, cyan, and black.
  • 27. Sandro Botticelli. Detail of Birth of Venus. 1486.Color printing detail.
  • 28. OPTICAL COLOR MIXING• Placement of different colors in such a way that thehuman eye mixes them to form new colors.
  • 29. Color Schemes• Monochromatic, Analogous, andComplementary• Triads, Tetrads, and Hexads• Warm and CoolColors• Earth Tones• PolychromaticSchemes
  • 30. MONOCHROMATIC COLOR SCHEME• Variations in color based on one hue.
  • 31. ANALOGOUS COLOR SCHEME• Variations in color between hues adjacent to oneanother on the color wheel.
  • 32. COMPLIMENTARY COLOR SCHEME• Variations in color based on colors opposite eachother on the color wheel.
  • 33. SIMULTANEOUS CONTRAST• An effect achieved by placing highly contrastingcolors (complements), values, and intensities nextto each other.
  • 34. TRIAD• Three colors that are equidistant from one another(form an equilateral triangle) on the color wheel.
  • 35. HEXAD• Six colors obtained by choosing every other coloron the color wheel.
  • 36. TETRAD• Four colors that are equidistant from one another(form a square or rectangle) on the color wheel.
  • 37. Polychromatic Color Scheme• Having many colors; random or intuitive use of colorcombinations as opposed to color selection basedon a specific color scheme.
  • 38. Earth Tones
  • 39. Analysis:• Color temperature• Color Scheme• Key• Mood

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