AH 2 Gothic to Renaissance pt2

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  • 1. Gothic to Renaissance pt 2 1
  • 2. SAINT FRANCIS MASTER, Saint Francis Preaching to the Birds, upper church, San Francesco,Assisi, Italy, ca. 1290–1300. Fresco, ?’ ?” high. 2
  • 3. BONAVENTURABERLINGHIERI, panel from the SaintFrancis Altarpiece, SanFrancesco, Pescia, Italy, 1235.Tempera on wood, 5’ x 3’ x 6”. 3
  • 4. 5
  • 5. CIMABUE, Madonna Enthroned with Angels andProphets, from Santa Trinità, Florence, Italy, ca. 1280–1290. Tempera and gold leaf on wood, 12’ 7” x 7’ 4”.Galleria degli Uffizi, Florence. 6
  • 6. GIOTTO DI BONDONE, Madonna Enthroned, fromthe Church of Ognissanti, Florence, Italy, ca. 1310.Tempera and gold leaf on wood, 10’ 8” x 6’ 8”.Galleria degli Uffizi, Florence. 7
  • 7. 9
  • 8. Giotto di Bondone, Arena Chapel(Cappella Scrovegni; interior lookingwest), Padua, Italy, 1305–1306. 10
  • 9. GIOTTO DI BONDONE, Lamentation, Arena Chapel, (Cappella Scrovegni), Padua, Italy, ca. 1305. Fresco, 6’ 63/4” x 6’ 3/4”. 11
  • 10. GIOTTO DI BONDONE, Entry into Jerusalem, Arena Chapel (Cappella Scrovegni), Padua, Italy,ca. 1305. Fresco, 6’ 6 3/4" X 6’ 3/4". 14
  • 11. GIOTTO DI BONDONE, Betrayal of Jesus, Arena Chapel (Cappella Scrovegni), Padua, Italy, ca.1305. Fresco, 6’ 6 3/4" X 6’ 3/4". 15
  • 12. 20
  • 13. BARTOLOMEO DIFRUOSINO
Inferno, from the DivineComedy by Dante (Folio 1v)
1430-35 21
  • 14. 22
  • 15. DUCCIO DI BUONINSEGNA, Virgin and Child Enthroned with Saints, principal panel of the Maestà altarpiece, fromthe Siena Cathedral, Siena, Italy, 1308–1311. Tempera and gold leaf on wood, 7’ x 13’ (center panel). Museodell’Opera del Duomo, Siena. 23
  • 16. DUCCIO DI BUONINSEGNA, Life of Jesus, 14 panels from the back of the Maestà altarpiece, from Siena Cathedral, Siena, Italy, 1308–1311. Tempera and gold leaf on wood, 7’ X 13’. Museo dell’Opera del Duomo, Siena. 24
  • 17. DUCCIO DI BUONINSEGNA, Betrayal of Jesus, detail from the back of the Maestà altarpiece, from SienaCathedral, Siena, Italy, 1309–1311. Tempera and gold leaf on wood, detail 1’ 10 1/2” x 3’ 4”. Museo dell’Opera delDuomo, Siena. 25
  • 18. DUCCIO DI BUONINSEGNA, Entry into Jerusalem, panel from the back of the Maestà altarpiece, from Siena Cathedral, Siena, Italy, 1308–1311.Tempera and gold leaf on wood, 3’ 4 1/2" X 1’ 9 1/8”. Museo dell’Opera del Duomo, Siena. 27
  • 19. SIMONE MARTINI AND LIPPO MEMMI(?), Annunciation, altarpiece, from Siena Cathedral, Siena, Italy, 1333 (framereconstructed in the19th century). Tempera and gold leaf on wood, center panel 10’ 1” x 8’ 8 3/4”. Galleria degliUffizi, Florence. 28
  • 20. PIETRO LORENZETTI, Birthof the Virgin, from the altar ofSaint Savinus, SienaCathedral, Siena, Italy, 1342.Tempera on wood, 6’ 1” x 5’11”. Museo dell’Opera delDuomo, Siena. 29
  • 21. • INSERT FIGURE 19-15Aerial view of the Campo with the Palazzo Pubblico, Siena, Italy, 1288–1309. 30
  • 22. Ambrogio Lorenzetti, Peaceful City, detail from Effects of Good Government in the City and in the Country, Saladella Pace, Palazzo Pubblico, Siena, Italy, 1338–1339. Fresco. 31
  • 23. AMBROGIO LORENZETTI, Allegory of Good Government, north (left) and east (right) walls of the Sala dellaPace, Palazzo Pubblico, Siena, Italy, 1338–1339. Fresco, north wall 25’ 3” wide, east wall 46’ wide. 34
  • 24. Ambrogio Lorenzetti, Peaceful Country, detail from Effects of Good Government in the City and in the Country, Sala dellaPace, Palazzo Pubblico, Siena, Italy, 1338–1339. Fresco. 35
  • 25. Francesco Traini, Triumph of Death. 36
  • 26. Francesco Traini, Triumph of Death. 37
  • 27. Francesco Traini, Triumph of Death. 38
  • 28. Francesco Traini, Triumph of Death. 39