Performing Arts / Cultural Clusters by Livia Andrea Piazza and Federica Taccari

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    Performing Arts / Cultural Clusters by Livia Andrea Piazza and Federica Taccari - Presentation Transcript

    1. Performing Arts & Cultural Clusters
    2. PRODEC
      • Programa de desenvolvimento da economia da cultura is:
      • born in 2006
      • goal: implementation of projects aimed at the development of the main segments of the Brazilian Cultural Economy
      • main dynamic cultural segments: artistic segment (Music – Performing arts - Visual arts ) others ( Media content Industry - Telecommunication) ‏
    3. Funarte
      • Fundação Nacional de Artes is:
      • an administrative body of the ministry of Culture, responsible for the public policies regarding visual and performing art sector
      • objectives :enhacement of the artistic production, incentives for the artistic innovation, educational programs
    4. Funarte – Artes cenicas
      • Works in four different areas : Sao Paulo, Rio de Janeiro, Minas Gerais, Distrito Federal.
      • Activities
      • awards and grants allocation for acting companies to produce inedited dramatic works; theatrical production consulting service
      • direct administration of theatres and cultural spaces in the main cities, mainly located in Rio de Janeiro
    5. Funarte theatres in Rio
      • Funarte runs four theatres in Rio de Janeiro: Teatro Glauce Rocha, Teatro Cacilda Becker, Casa de Paschoal Carlos Magno(Teatro Duse), Aldeia de Arcozelo
      • This allows to cover different disciplines of the performing art sector, to have a strong presence in the city and to focus on diverse organizational and artistical ways of production
    6. Focus on...
      • innovation
      • quality
      • internationality
      • socio-political and topical content
      • strong link with tradition
      • attention to contemporary playwriting
      • attention to young acting companies
    7. Funarte - Music
      • Enhacement of the popular and contemporary music
      • Collaboration with the cultural hotspot for:
      • Music produced in the cultural hotspot for the Carnival
      • Coordination of radio programs released in the cultural hotspot
      • Offer grants for learning capoeira, percussions , candomblè and typical instrument in the cultural hotspots
    8. Pontos da Cultura
      • an 2005 initiative of the Cultura Viva programme of the brazilian Ministry of Culture Gilberto Gil
      • is aiming at enhacement of culture through Pontos da Cultura
      • 1000 local-scale cultural centers equipped with free-software multimedia studios,auto governed, selected by government’s open call for projects (top down-buttom up approach) ‏
      • Main aim is :
      • Creation of new languages, klowledge sharing, capacity-building
      • empower communities trough broadband access to Internet and digital contents creation using Creative Common
      • tools to create employment for the new generation innovating the local economy(impact on labour policy) ‏
      • http://www.cultura.gov.br/
    9. Programa Cultura Viva
      • Cultura Digital : Phd's ,researchers and scientists employed in each cultural hotspot to help people dealing with the technological devices ( New job opportunities )‏
      • Escola Viva : to make children familiar with the use of digital technology, school are obliged once per week to spend a day in the cultural hotspot supported by experts and scientists.( Fight the digital divide as in 175.000 public schools, 30% have computers , 51% have telephone access and 13% have acess to the Internet)‏
      • Agente Cultura Viva : People btw 16-24 that are actively producing cultural products in the hotspot receive a grant of 180 reais per day.( Economic support to production of culture )‏
      • Pontoes : Possibility to create a district of several Pontos da Cultura creating a Pontoes (Big Cultural hotspot) receiving annual fundings from the government fot the realization of joint activities ( Creation of cultural clusters )‏
    10. Telecentro Perus
    11. Telecentro Curuça Velha
    12. Richard Stallman visit Pontos de Cultura
    13.  
    14.  
    15.  
    16. Now the question is..
      • Are this cultural hotspots really working and integrating in the territory??
        • In 3 weeks we'll have the answer..
    17. Useful links and readings:
      • www.cultura.gov.br
      • www.funarte.com
      • “ Synergies between Pontos da cultura and Ecosystems ” edited in Digital Business Ecosystem,European Commision, Brussel 2007

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