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Early Renaissance 
in Italy 
(1400-1490)
Introduction 
 Focus on history of art in Early Italian 
Renaissance 
 It was a very remarkable period of time 
 It would lead into a period called High 
Renaissance 
 Important in our visual literacy
City State 
 Spirit of 
competition 
 Importance 
of humans
1.1Florence
Early Renaissance in Italy
Medici Family 
 The biggest accomplishments of the Medici 
were in the sponsorship 
of art and architecture, mainly early and High 
Renaissance art and architecture.
Medici Family 
The Medici were responsible for the majority 
of Florentine art during their reign. Their 
money was significant because during this 
period, artists generally only made their 
works when they received commissions in 
advance.
2. Paintings 
Art based on heaven to being based on the 
natural world 
 Inspired by humanism 
Appeared 3D to the human eyes
Paolo Uccello 
1397 – 1475 
Italian painter 
Notable for his pioneering work on visual 
perspective in art 
He used perspective 
 His style is best described as idiosyncratic
Paolo Uccello
Paolo Uccello 
Saint George and the 
Dragon c. 1470
Paolo Uccello 
Battle of San Romano
Fra Angelico 
2.2 
 c. 1395 – February 18, 1455 
 Early Italian Renaissance painter 
 "Blessed Giovanni of Fiesole, known as 'the 
Angelic' “ 
Works within the framework of the Early 
Renaissance style embody a serene religious 
attitude and reflect a strong Classical 
influence.
2.2 Fra Angelico
Fra Angelico 
2.2 
The Last Judgment,1425-1430
Fra Angelico 
2.2 
The Virgin of the Annunciation,1437-1446
Masaccio 
2.3 
 Italian: [maˈzattʃo]; December 21, 1401 – 
autumn 1428) 
 The first great painter of 
the Quattrocento period of the Italian 
Renaissance 
 He was one of the first to use linear 
perspective in his painting, employing 
techniques such as vanishing point in art for 
the first time
Masaccio 
2.3 
Masaccio, Self-Portrait
Masaccio 
2.3 
San Governable Triptych ,1422
Masaccio 
2.3 
Crucifixion,1426
Masaccio 
2.3 
Madonna and Child with St. Anne ,1424
Fra Filippo Lippi 
2.4 
 1406-1469 
Pupil of Masaccio 
 Recorded as a painter in 1430 
 Fra Filippo Lippi's later painting style is 
linear, lyrical, and decorative, a product 
of his own fantastic imagination. 
 Fra Filippo Lippi was more interested in 
nature and landscape depiction
Fra Filippo Lippi 
2.4 
Self-portrait
2.4Fra Filippo Lippi 
Portrait of a Man and Woman at a 
Casement (c. 1440)
Fra Filippo Lippi 
2.4 
Madonna with Child Enthroned
Sandro Botticelli 
2.5 
 c 1445-1510 
Italian Painter 
Used oil to make paintings of figures 
Figures of his work tended to be of sculptural 
roundness and strength 
Used mythological figures in his art work
Sandro Botticelli 
2.5 
Painted his self - from his painting the 
“Adoration of Magi”
Sandro Botticelli 
2.5 
Adoration of the Magi is a painting by 
the Italian Renaissance master Sandro 
Botticelli, dating from 1475 or 1476. It is 
housed in the Uffizi of Florence.
Sandro Botticelli 
2.5 
The birth of Venus, 1486
Sandro Botticelli 
2.5 
The Mystical Nativity ,1500-1501
Sandro Botticelli 
2.5 
Primavera ,1482
Pietro Perugino 
2.6 
 1445-1524 
 Early Renaissance Painter of the Umbrian 
school 
 His style is characterized by dazzling colors, 
spatial clarity of his compositions and a 
harmonious union between figure and 
landscape.
2.6Pietro Perugino
Pietro Perugino 
2.6 
The Delivery of the Keys fresco, 1481– 
1482, Sistine Chapel, Rome.
Pietro Perugino 
2.6 
Gonfalone with Pietà, c. 1472
Domenico Ghirlandaio 
1480 
2.7 
 (1449-94) 
 Ghirlandaio had always used a slightly 
anachronistic approach, placing portraits of 
contemporaries alongside religious figures. 
 His settings are pastiches of classicizing 
fictions and real places.
Domenico Ghirlandaio 
2.7 
self-portrait
Domenico Ghirlandaio 
2.7 
An Old Man and his Grandson(ca. 
1490) Louvre, Paris
Domenico Ghirlandaio 
2.7 
Portrait of Giovanna 
Tornabuoni(1488). Thyssen-Bornemisza 
Museum, Madrid; formerly in. theMorgan 
Library
Domenico Ghirlandaio 
2.7 
The Crossing of the Red Sea 
between 1481 and 1482
2.8 Piero della Francesca 
Piero della Francesca ( 1415– 1492) was a 
painter of the Early Renaissance 
Appreciated for his art. 
 His painting was characterized by its 
serene humanism, its use of geometric forms 
and perspective.
Piero della Francesca 
2.8 
A self-portrait, detail 
from Resurrection
Piero della Francesca 
2.8 
The Baptism of Christ,1450
Piero della Francesca 
2.8 
The Flagellation of Christ ,1455–1460
Piero dellaFrancesca 
2. 8 
The Montefeltro Altarpiece,1472
Andrea Mantegna 
2.9 
 born 1431-died 1506 
Northern Early Italian Renaissancepainter 
and engraver best known for painting heroic 
figures depicted in sharpperspective through 
the use of dramaticforeshortening. 
Andrea Mantegna often placed the subject of 
his work high up in the picture plane to give 
the illusion that the viewer is looking up from 
down below.
2.9Andrea Mantegna 
St. James led to his execution c. 1455
2.9 Andrea Mantegna 
St. Sebastian,1456-1459
3. Architecture 
Mathematics gave an insight into Classical 
methods of proportion and structure 
Defined by flat surfaces and strong lines 
 Important part symmetry 
Palazzi
Filippo Brunelleschi 
2.10 
(Italian: [fiˈlippo brunelˈleski]; 1377 – April 
15, 1446) 
One of the foremost architects and engineers 
of the Italian Renaissance. 
He is perhaps most famous for his discovery 
of perspective
2.10Filippo Brunelleschi 
Presumed depiction in Resurrection of the 
Son of Theophilus, Masaccio
2.10Filippo Brunelleschi 
1436 Basilica of Saint Mary of the Flower
2.10Filippo Brunelleschi 
Section of the dome
2.11Leon Battista Alberti 
Nave of the Santo Spirito, 1441–1481
Leon Battista Alberti 
2.11 
(February 14, 1404 – April 20, 1472) 
Italian author, 
artist, architect, poet,priest, linguist, philosop 
her, cryptographer and general Renaissance 
humanist polymath. 
He is often characterized as an "architect“.
2.11Leon Battista Alberti 
Self-portrait
2.11Leon Battista Alberti 
Tempio Malatestiano,1450-1468
2.11Leon Battista Alberti 
Palazzo Rucellai,1446-1451
4.Sculpture 
Early Renaissance sculptors took inspiration 
directly from Classical Roman and Greek 
sculptor. 
 They imbued their free-standing figures with 
a range of emotions and filled them with 
energy and thought.
Lorenzo Ghiberti 
2.12 
Lorenzo Ghiberti (Italian: [loˈrɛntso giˈbɛrti]) 
(1378 – 1 December 1455), born Lorenzo di 
Bartolo, was anFlorentine 
 Italian sculptor of the Early Renaissance 
Trained as a goldsmith and sculptor, he 
established an important workshop for 
sculpture in metal.
2.12Lorenzo Ghiberti 
Lorenzo Ghiberti on Gates of 
Paradise,Baptistery, Florence
2.12Lorenzo Ghiberti 
Gates of Paradise
2.12Lorenzo Ghiberti 
Adam and eve
2.12Lorenzo Ghiberti 
In Flagellation, one of the panels on the North Doors
Donatello 
2.13 
Donato di Niccolò di Betto Bardi (circa 1386 – 
December 13, 1466), better known 
as Donatello, 
 An early Renaissance Italian sculptor 
Known for his work in bas-relief
2.13Donatello 
Donatello's statue outside of 
the Uffizi Galleria.
2.13Donatello 
Gattamelata,1453
2.13Donatello 
bronze statue of David (circa 1440s)
Andrea del Verrocchio 
2.14 
Andrea del Verrocchio (Italian 
pronunciation: [anˈdrɛa del verˈrɔkkjo] 
Italian sculptor, goldsmith and painter who 
worked at the court of Lorenzo de' 
Medici in Florence in the early renaissance. 
His greatest importance was as a sculptor
2.14Andrea del Verrocchio 
Self-portrait
2.14Andrea del Verrocchio 
Christ and Saint Thomas,1467-1483
2.14 Andrea del Verrocchio 
Christ and St. Thomas (Orsanmichele, 
Florence)
2.14Andrea del Verrocchio 
Winged boy with Dolphin 
(Palazzo Vecchio, Florence)

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Early Renaissance in Italy