Music mobile

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  • Music mobile

    1. 1. <ul><li>Atau Tanaka </li></ul><ul><li>Sony CSL Paris </li></ul>Malleable Mobile Music
    2. 2. <ul><li>Deploying music on mobile infrastructures </li></ul><ul><ul><li>Not for musicians…for music listeners </li></ul></ul><ul><ul><li>Go beyond Kazaa and iPod </li></ul></ul><ul><li>New modes of music listening using: </li></ul><ul><ul><li>Social dynamic </li></ul></ul><ul><ul><li>Wireless networks </li></ul></ul><ul><ul><li>Sensor embedded devices </li></ul></ul>Mobile Music Making
    3. 3. Talk Overview <ul><li>Background </li></ul><ul><li>The System </li></ul><ul><li>Demo/video </li></ul>
    4. 4. Backgrounds: Music and Research <ul><li>Network music </li></ul>
    5. 5. Backgrounds: Music and Research <ul><li>Network music </li></ul><ul><ul><li>Remote concerts </li></ul></ul>
    6. 6. Backgrounds: Music and Research <ul><li>Network music </li></ul><ul><ul><li>Remote concerts </li></ul></ul><ul><ul><li>Netmusic </li></ul></ul>
    7. 7. Backgrounds: Music and Research <ul><li>Network music </li></ul><ul><ul><li>Remote concerts </li></ul></ul><ul><ul><li>Netmusic </li></ul></ul><ul><ul><li>Installations </li></ul></ul><ul><ul><ul><li>Global String (Ars Electronica 2002) </li></ul></ul></ul>
    8. 8. Backgrounds: Music and Research <ul><li>Network music </li></ul><ul><ul><li>Remote concerts </li></ul></ul><ul><ul><li>Netmusic </li></ul></ul><ul><ul><li>Installations </li></ul></ul><ul><ul><ul><li>Global String (Ars Electronica 2002) </li></ul></ul></ul><ul><li>Research </li></ul>
    9. 9. Backgrounds: Music and Research <ul><li>Network music </li></ul><ul><ul><li>Remote concerts </li></ul></ul><ul><ul><li>Netmusic </li></ul></ul><ul><ul><li>Installations </li></ul></ul><ul><ul><ul><li>Global String (Ars Electronica 2002) </li></ul></ul></ul><ul><li>Research </li></ul><ul><ul><li>P2P + adhoc </li></ul></ul>
    10. 10. Backgrounds: Music and Research <ul><li>Network music </li></ul><ul><ul><li>Remote concerts </li></ul></ul><ul><ul><li>Netmusic </li></ul></ul><ul><ul><li>Installations </li></ul></ul><ul><ul><ul><li>Global String (Ars Electronica 2002) </li></ul></ul></ul><ul><li>Research </li></ul><ul><ul><li>P2P + adhoc </li></ul></ul><ul><ul><li>Bootstrapping Trust </li></ul></ul>
    11. 11. Backgrounds: Music and Research <ul><li>Network music </li></ul><ul><ul><li>Remote concerts </li></ul></ul><ul><ul><li>Netmusic </li></ul></ul><ul><ul><li>Installations </li></ul></ul><ul><ul><ul><li>Global String (Ars Electronica 2002) </li></ul></ul></ul><ul><li>Research </li></ul><ul><ul><li>P2P + adhoc </li></ul></ul><ul><ul><li>Bootstrapping Trust </li></ul></ul><ul><ul><li>Location Sensitive Audio </li></ul></ul>
    12. 12. Objectives <ul><li>How to leverage wireless networks for music? </li></ul><ul><ul><li>The infrastructure can do more than file sharing </li></ul></ul><ul><ul><li>Enhance sense of community via music </li></ul></ul><ul><li>Making a new music listening experience </li></ul><ul><ul><li>Draw upon musician’s experience </li></ul></ul><ul><ul><li>Dynamic and new, yet familiar songs </li></ul></ul><ul><li>Could this point to new content models? </li></ul>
    13. 13. The System <ul><li>Mobile terminal </li></ul><ul><ul><li>PDA </li></ul></ul><ul><ul><li>Wireless network </li></ul></ul>
    14. 14. The System <ul><li>Mobile terminal </li></ul><ul><ul><li>PDA </li></ul></ul><ul><ul><li>Wireless network </li></ul></ul><ul><ul><li>Sensor subsystem </li></ul></ul>
    15. 15. The System <ul><li>Mobile terminal </li></ul><ul><ul><li>PDA </li></ul></ul><ul><ul><li>Wireless network </li></ul></ul><ul><ul><li>Sensor subsystem </li></ul></ul><ul><ul><ul><li>FSR </li></ul></ul></ul><ul><ul><ul><li>Accelerometer </li></ul></ul></ul><ul><ul><ul><li>GPS (in simulation) </li></ul></ul></ul>
    16. 16. The System <ul><li>Mobile terminal </li></ul><ul><ul><li>PDA </li></ul></ul><ul><ul><li>Wireless network </li></ul></ul><ul><ul><li>Sensor subsystem </li></ul></ul><ul><ul><ul><li>FSR </li></ul></ul></ul><ul><ul><ul><li>Accelerometer </li></ul></ul></ul><ul><ul><ul><li>GPS (in simulation) </li></ul></ul></ul><ul><li>Music engine </li></ul><ul><ul><li>Server-side </li></ul></ul><ul><ul><li>Network control in </li></ul></ul><ul><ul><li>Stream out </li></ul></ul>
    17. 17. Malleable Music <ul><li>Take a hit song, and make it interactive </li></ul>
    18. 18. Malleable Music <ul><li>Take a hit song, and make it interactive </li></ul><ul><ul><li>Bjork: I miss you (1995) </li></ul></ul>
    19. 19. Malleable Music <ul><li>Take a hit song, and make it interactive </li></ul><ul><ul><li>Bjork: I miss you (1995) </li></ul></ul><ul><ul><li>The Meters: Look-ka Py Py (1970) </li></ul></ul>
    20. 20. Malleable Music <ul><li>Take a hit song, and make it interactive </li></ul><ul><ul><li>Bjork: I miss you (1995) </li></ul></ul><ul><ul><li>The Meters: Look-ka Py Py (1970) </li></ul></ul><ul><li>Shaping </li></ul><ul><ul><li>Mixing </li></ul></ul><ul><ul><li>filtering </li></ul></ul><ul><li>Familiar song, new experience </li></ul><ul><ul><li>Instantaneous “versions” following your mood </li></ul></ul><ul><ul><li>Flexible time - 3 min hit song now fits your train ride time </li></ul></ul>
    21. 21. Malleable Music <ul><li>Familiar song, new experience </li></ul><ul><ul><li>Instantaneous “versions” following your mood </li></ul></ul><ul><ul><li>Flexible time - 3 min hit song now fits your train ride time </li></ul></ul><ul><li>Mobility and participatory listening </li></ul><ul><li>Musical content reflecting social dynamic </li></ul>
    22. 22. Malleable Music Engine <ul><li>Time domain segmentation and reconstruction </li></ul><ul><li>Generalized temporal reorganization model </li></ul><ul><ul><li>Song structure (song level) </li></ul></ul><ul><ul><li>Variations (measure level) </li></ul></ul><ul><ul><li>Melodic/rhythmic (sub-measure level) </li></ul></ul>
    23. 23. Malleable Social Dynamic <ul><li>Community Navi Re-mix </li></ul><ul><ul><li>Group participation in a single musical piece </li></ul></ul><ul><ul><li>Collective Mobility - moving about town </li></ul></ul><ul><li>Intuitive, subconscious input </li></ul><ul><ul><li>Actions while listening </li></ul></ul><ul><ul><ul><li>swinging along </li></ul></ul></ul><ul><ul><ul><li>gripping the Walkman </li></ul></ul></ul><ul><ul><li>Remote yet collective </li></ul></ul><ul><li>Future content model? </li></ul>

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