Perspective
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  • SASSETTA Italian painter, Sienese school (b. 1394, Siena, d. 1450, Siena) National Gallery of Art, Washington
  • Note color oppositions and alternation in Angel wings

Transcript

  • 1. PERSPECTIVE
  • 2. Perspective – the illusion that an image has depth and 3-dimensional space (volume)
  • 3. TRICKS/TECHNIQUES OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT)
  • 4. VERTICAL PLACEMENT & OVERLAPPING INTERPRETED AS 3 RECTANGLES
  • 5. NOT
  • 6. RELATIVE SIZE
  • 7. SASSETTA The Meeting of St. Anthony and St. Paul about 1440 Wood
  • 8. TRICKS/TECHNIQUES OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT)
  • 9. Atmospheric Imitation of atmospheric effects: hues more bluish & more pale outlines less precise small details lost color contrasts muted sfumato (“vaporous”) gradual transition
  • 10. David Hockney, Portrait of an Artist (Pool with Two Figures) , 1971
  • 11. astronauts got disoriented on the moon because of . . .
  • 12. the lack of atmospheric perspective.
  • 13. TRICKS/TECHNIQUES OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT)
  • 14. LINEAR PERSPECTIVE One point; central Vanishing point
  • 15. Canaletto (Giovanni Antonio Canal) , The Campo di Rialto c. 1758-63 Oil on canvas, 46 7/16 x 72 1/2 in
  • 16. Canaletto (Giovanni Antonio Canal) , The Campo di Rialto c. 1758-63 Oil on canvas, 46 7/16 x 72 1/2 in
  • 17. Vanishing points at horizon picture frame
  • 18. After 600 years of perspectivist tricks, a return to the flat surface in the 20 th Century . . .
  • 19.  
  • 20. Frank Stella, Wolfeboro II, 1966
  • 21. Frank Stella, Wolfeboro II, 1966 a hint of perspective . . .
  • 22. Gustav Klimt Portrait of Adele Bloch-Bauer I 1907 138 x 138 cm
  • 23. The dawn of perspective
  • 24. Cimabue, Madonna Enthroned , 1280-90 TEXTBOOK p. 185 NO PERSPECTIVE flat pictorial space similar to Ancient & Byzantine works
  • 25. GIOTTO Madonna in Glory c. 1311 Tempera on panel 128 x 90 1/2 in. suggestions of PERSPECTIVE in a GOTHIC ERA work; PERSPECTIVE is a major development of the RENAISSANCE (key words in BOLD )
  • 26. . . . in music? Yes! Can you tell the difference between a loud sound far away and soft sound nearby? Psycho-acoustic effects of near and far (reverb, TDOA, spectral roll-off, timbre, etc.) - used in film music, electronic music, and some orchestral music, particularly MAHLER
  • 27. In retrospect . . .
    • notice perspective, lack of perspective, and suggestions of perspective in 2-D work