Formal Elements Elements of Art Principles of Art

What makes up an art work? The Elements of art

Elements of Art The composition of an art work is made up of the arrangement of the elements. These are known as the Elements of Art Color line texture tone shape /form

Color

line

texture

tone

shape /form

C O L O U R Colour is very expressive and an exciting element of art. It appeals strongly to the senses and emotions. Colour can communicate in all different ways, it can be very powerful thing in art work. Art works can communicate by colour alone. It can cause emotional reactions.

Colour is very expressive and an exciting element of art. It appeals strongly to the senses and emotions.

Colour can communicate in all different ways, it can be very powerful thing in art work. Art works can communicate by colour alone. It can cause emotional reactions.

C O L O U R Primary colours-yellow, red and blue. (colours that can not be made by mixing other colours. Secondary colours- purple, green and orange (colours mixed from a combination of any two primary colours) Complimentary colours (colours found on the opposite on the colour wheel.)

Primary colours-yellow, red and blue.

(colours that can not be made by mixing other colours.

Secondary colours- purple, green and orange (colours mixed from a combination of any two primary colours)

Complimentary colours (colours found on the opposite on the colour wheel.)

Monochromatic colour scheme (uses only one colour and tints and shades) Harmonious colours- colours that have something in common. One colour will be in harmony with another.

Monochromatic colour scheme (uses only one colour and tints and shades)

Harmonious colours- colours that have something in common. One colour will be in harmony with another.

Primary colours Lichtenstein

Secondary colours

Complementary colours Gauguin

Monochromatic colour scheme Escher

Colour Schemes

Colour schemes

Complementary colours scheme

Communicating with colour Cool colours go away from you Van Gogh

Cool colours go away from you

Van Gogh

Van Gogh

Rothko Warm colours come towards you

Warm colours come towards you

Rothko

Lines Line in art may mean a single thin stroke It may signify the meeting edge of two areas It may refer to the contours – as in sculpture Line can display strong suggestion of Movement Line can produce a sense of tranquility

Line in art may mean a single thin stroke

It may signify the meeting edge of two areas

It may refer to the contours – as in sculpture

Line can display strong suggestion of

Movement

Line can produce a sense of tranquility

Line Clement Meadmore

Line can create volume Escher

Lines can create movement they can move through an art work Escher

Lines can create movement Brett Whiteley

Brett Whiteley

Brett Whiteley

Brett Whiteley Larger lines in the foreground Smaller lines in the back ground give an illusion of distances, space and perspective.

Larger lines in the foreground

Smaller lines in the back ground give an illusion of distances, space and perspective.

Lines create pattern and shape John Olsen

Tone Tone can be flat or graduated Can be created by using shading, line or dots. Lines can be used to create tone in hatching or cross-hatching Dots can be used to create tone.

Tone can be flat or graduated

Can be created by using shading, line or dots.

Lines can be used to create tone in hatching or cross-hatching

Dots can be used to create tone.

Rick Amor

Tone Tone can be subdued Strong Contrasting Rick Amor

Tone can be subdued

Strong

Contrasting

Rick Amor

Tone Rembrandt Hatching and cross-hatching

Tone Dramatic use of tone. Mattia Preti Tone used to attract out attention to the most important part of the painting Spot light shining on the painting

Dramatic use of tone. Mattia Preti

Tone used to attract out attention to the most important part of the painting

Spot light shining on the painting

Texture Read or Simulated Real texture are the textures that actually exist – they are what you actually feel Simulated textures

Read or Simulated

Real texture are the textures that actually exist – they are what you actually feel

Simulated textures

Texture Grained Rough Corrugated Smooth Furry Shiny prickly

Grained

Rough

Corrugated

Smooth

Furry

Shiny

prickly

Texture Van Gogh

Texture When we actually touch and feel a surface we experience real texture Real texture; the feel of a surface Cactus, feathers, scales When we look at a photograph or a painting of the texture of a surface such as glass or velvet leather, we see patterns of light and dark that create the effect of texture Simulated texture; a two dimensional surface that imitates real texture, simulated textures copy or imitate real textures.

When we actually touch and feel a surface we experience real texture

Real texture; the feel of a surface

Cactus, feathers, scales

When we look at a photograph or a painting of the texture of a surface such as glass or velvet leather, we see patterns of light and dark that create the effect of texture

Simulated texture; a two dimensional surface that imitates real texture, simulated textures copy or imitate real textures.

Simulated texture imitates real texture Max Ernst

Oldenburg real texture, the feel of a surface

Shape / Form A shape is an area that is defined in some way by a line, an edge, a colour or a texture. If we traced around its outline we would have a shape, silhouette Shapes are flat they have only two dimensions – height and width Shapes can be geometric – look as if they were made with a ruler. Organic – irregular, uneven shapes of nature.

A shape is an area that is defined in some way by a line, an edge, a colour or a texture. If we traced around its outline we would have a shape, silhouette

Shapes are flat they have only two dimensions – height and width

Shapes can be geometric – look as if they were made with a ruler.

Organic – irregular, uneven shapes of nature.

Shape

Shape / Form Forms, like shapes have height and width but they also have the third dimension depth. They are solid. They have volume and occupy space. Two dimension - painting Three dimension - a sculpture

Forms, like shapes have height and width but they also have the third dimension depth. They are solid. They have volume and occupy space.

Two dimension - painting

Three dimension - a sculpture

Elements of Art These five elements are the primary aspects of visual perception. Every artwork can be described by reference to these elements. For example, a work will have the presence of strong lines or absence of line. A work may be full of tone or a complete lack of tone.

These five elements are the primary aspects of visual perception. Every artwork can be described by reference to these elements.

For example, a work will have the presence of strong lines or absence of line. A work may be full of tone or a complete lack of tone.

Principles of Design These are the nine main principles of design Contrast Repetition Movement Rhythm Direction Space Balance Proportion Emphasis Unity

Contrast

Repetition

Movement

Rhythm

Direction

Space

Balance

Proportion

Emphasis

Unity

Principles of Art The artists use the principles to combine the elements in a satisfying way.

The artists use the principles to combine the elements in a satisfying way.

Ways to create space Divide the picture into the fore-ground, middle ground and background Strong details is used in the foreground, with gradual loss of detail as the image fades into the back ground Large objects in the fore ground graduating to smaller objects in the back ground Overlapping of objects give the appearance of objects being in front of each other Warm colours in the foreground and cool colours in the back ground

Divide the picture into the fore-ground, middle ground and background

Strong details is used in the foreground, with gradual loss of detail as the image fades into the back ground

Large objects in the fore ground graduating to smaller objects in the back ground

Overlapping of objects give the appearance of objects being in front of each other

Warm colours in the foreground and cool colours in the back ground

Degas Space

Balance Refers to the distribution of weight in an art work so that no one part overpowers another or seems heavier that another. Artists may choose to create imbalance of a particular purpose. Sydney Long

Refers to the distribution of weight in an art work so that no one part overpowers another or seems heavier that another.

Artists may choose to create imbalance of a particular purpose. Sydney Long

Proportion The relationship between the size of the objects within an artwork. Eugene von Guerard

The relationship between the size of the objects within an artwork.

Eugene von Guerard

Emphasis An artist can create a centre of interest by allowing one area of an art work to dominate. Picasso

An artist can create a centre of interest by allowing one area of an art work to dominate.

Picasso

Contrast Picasso “Girl Mirror”

Repetition John Brack - “Collins St 5pm”

John Brack - “Collins St 5pm”

Rhythm Richard Mock

Richard Mock