• Share
  • Email
  • Embed
  • Like
  • Save
  • Private Content

Loading…

Flash Player 9 (or above) is needed to view presentations.
We have detected that you do not have it on your computer. To install it, go here.

Like this presentation? Why not share!

Mise en scene (part 2)

on

  • 859 views

First year undergraduate introduction to mise en scene

First year undergraduate introduction to mise en scene

Approaches to Film (1): Film Language and Form, Kingston University

Statistics

Views

Total Views
859
Views on SlideShare
735
Embed Views
124

Actions

Likes
1
Downloads
51
Comments
0

11 Embeds 124

http://leighmediaasfilm.blogspot.co.uk 78
http://asinduction.blogspot.com 9
http://www.leighmediaasfilm.blogspot.co.uk 9
http://leighmediaasfilm.blogspot.com 8
http://asinduction.blogspot.co.uk 7
http://leighmediaasfilm.blogspot.pt 5
http://leighmediaasfilm.blogspot.nl 3
http://leighmediaasfilm.blogspot.co.nz 2
http://leighmediaasfilm.blogspot.sg 1
http://leighmediaasfilm.blogspot.com.au 1
http://leighmediaasfilm.blogspot.ca 1
More...

Accessibility

Categories

Upload Details

Uploaded via as Microsoft PowerPoint

Usage Rights

© All Rights Reserved

Report content

Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
  • Full Name Full Name Comment goes here.
    Are you sure you want to
    Your message goes here
    Processing…
Post Comment
Edit your comment

    Mise en scene (part 2) Mise en scene (part 2) Presentation Transcript

    • Approaches to Cinema 1: Film Language and Form Week 7: mise en scene (2)
    • elements of mise en scene week 5 week 7
    • looking at setting and decor what is the role of the production designer? do they try to reflect the real world? is the set design invisible or visible ? or do they invent a new world? can the setting be considered a character?
    • key functions of set design expresses emotional states connotes fantasy recreates the past reinforces characterisation generates atmosphere
    • location shooting location or studio? location as marker of authenticity Italian Neorealism French New Wave Contemporary TV crime drama
    • cinematic landscapes landscape and national identity landscape and genre
    • cinematic cities city as labyrinth city as territory city as freedom
    • studio as landscape: the matte shot a matte shot is where different areas of image are photographed separately and combined during post-production
    • colour and film stock first Technicolor film: Becky Sharp (Mamoulian, 1935) first Eastmancolor film: Royal Journey ( Bairstow, 1951) Soviet film stock
    • colour and realism unlike sound, adoption of colour was a gradual process colour was ‘inauthentic’ and connoted excess and spectacle
    • interpreting colour depends on cultural context meaning is unstable filters used to create a melancholy colour scheme colours can evoke the past colours create thematic contrast
    • functions of costume constructs character signals transformation creates contrast between characters
    • costume and identity fashion and identification costume as ‘ spectacle’