Village of the Arts+Mata Ortiz

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    Village of the Arts+Mata Ortiz - Presentation Transcript

    1. Art & Community Development
    2. Can the arts save a village?
    3. Lily Yeh (1941- ) “ When I see brokenness, poverty and crime in inner cities, I also see the enormous potential and readiness for transformation and rebirth. We are creating an art form that comes from the heart and reflects the pain and sorrow of people's lives. It also expresses joy, beauty, and love. This process lays the foundation of building a genuine community in which people are reconnected with their families, sustained by meaningful work, nurtured by the care of each other and will together raise and educate their children. Then we witness social change in action.”
    4. In 1986, Lily Yeh was asked by the dancer and educator Arthur Hall to create a park in an abandoned lot next to his building in North Philadelphia. With a small grant, a few shovels, and little else, Lily invited children and adults in this ravaged inner city neighborhood to join her in clearing the rubble-filled lot. They then transformed the lot into an art park with brilliant mosaics and sculpted trees, creating an oasis of safety and peace. The park blossomed into The Village of Arts and Humanities, a community-based art organization that Lily co-founded in 1989. Lily, neighborhood residents, and staff have transformed more than 120 abandoned lots into gardens and parks. They also have renovated abandoned homes, and created educational programs, art workshops, after-school programs, a youth theater, and joyful community celebrations. Today, the Village of Arts and Humanities serves thousands of low-income people every year. Lily’s vision has rippled out far beyond North Philadelphia’s borders. She inspires and collaborates with prison inmates to create beauty and art, and does the same with thousands of adults and children who live in some of the world’s most broken communities. She has collaborated with residents of the Korogocho slum near Nairobi to transform a barren churchyard with murals and sculptures and traveled to Ghana, Ecuador, The Ivory Coast and the Republic of Georgia to work on similar projects. Her most endeavor is the Rwanda Healing Project, in which she worked with hundreds of children and families to transform their bleak village into a place of beauty and joy. Born in China, Lily emigrated to the United States in the early 1960s to attend the University of Pennsylvania’s Graduate school of Fine Arts. A successful painter and professor at Philadelphia’s University of the Arts, Lily traveled to Beijing in 1989 to show her work at the Central Institute of Fine Art. There, she witnessed the tragic events of Tianamen Square. Over the 1980s, Lily gradually realized that being an artist “is not just about making art…It is about delivering the vision one is given…and about doing the right thing without sparing oneself.” She continues pursuing her vision through her new organization, Barefoot Artists, Inc., which teaches residents and artists how to replicate the Village model in devastated communities around the world.
    5. Can the arts save a village?
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    7. Can the arts save a village?
    8. https://oll.depaul.edu/webapps/portal/frameset.jsp?tab=courses&url=/bin/common/course.pl?course_id=_89715_1 Watch video profile of Lilly Yeh and The Village of Arts & Humanities From “Edens Lost and Found”
    9. Juan Quezada, Master Artisan Mata Ortiz, Mexico Can the arts save a village?
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    11. http://www.pbs.org/frontlineworld/stories/mexico403/watch.html Watch video profile of Juan Quezada and the story of Mata Ortiz From “FrontlineWorld”
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    19. Power of the arts…
      • INSPIRATION
        • meaning
        • voice
        • pride/passion
        • beauty
      • ECONOMY
        • creative economy skill acquisition
        • sales
        • property values
        • locally driven economic development
      • DEMOCRACY
        • develops new leaders
        • brings different people together
        • raises questions, triggers new visions
        • helps solves pressing problems
        • builds solidarity, trust, civic capital
      PERSONAL COMMUNAL

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