New Media, New Stage: Taking The Second City Online by Tom Yorton, Second City Communications

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    The Second City Communications.

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    New Media, New Stage: Taking The Second City Online by Tom Yorton, Second City Communications - Presentation Transcript

    1.  
    2. New Media, New Stage Taking The Second City Online or Late to the party, looking for a drink
    3.  
    4. The Second City—More Than a Stage
      • Multi-faceted entertainment & learning company
        • Theatres in Chicago and Toronto
        • Four Touring Companies
        • Training Centers: over 10,000 students/year
        • Fast growing TV & Digital business
        • Corporate group: 400+ engagements/year with F1000 companies
      • Create content and develop talent
      • Web has become our next stage
      • We know short form comedy
      • Interactivity and audience co-creation core to our brand and improv
      • Another outlet for our people
      Why Second City in this Space?
    5. Creating our own properties
      • Quarantine: Second City branded comedy site
      • Developed with Media Rights Capital (MRC)
      • Ad/sponsor driven model
      • Q4 launch
    6. Creating content for others
      • Online marketing campaigns for blue chip clients
        • Web development
        • Short form videos
        • Interactive games, satiric quizzes
        • User generated elements
      • Clients include:
        • McDonald’s
        • The Economist
        • Motorola
        • Careerbuilder.com
        • Norwegian Cruise Lines
    7.  
    8.  
    9. Creating new teaching tools
      • Bringing humor to corporate training and internal communications
      • Using the media and tone that younger employees value
    10. Creating business intelligence tools
      • Partnered with Northwestern Technology Labs to create “The Intelligence Engine” an online consumer insights tool
        • Finds, filters and organizes consumer stories
        • Tells us what people like, hate and want
      • Digital version of an “audience suggestion” that informs the content we create for clients
    11. What we’re learning
      • It’s not a lay-up
        • Online audiences are fickle and bore easily
        • What works on stage won’t work online
        • Funny videos aren’t enough…it’s noisy out there
      • What we don’t know could fill volumes
      • We can’t do it alone—partners will be key
      • Our best attributes play well: authenticity, satiric sensibility, willingness to co-create with audiences, ability to find the funny
    12.  
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    + John PattersonJohn Patterson, 2 years ago

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