몬드리안 달력
Upcoming SlideShare
Loading in...5
×
 

몬드리안 달력

on

  • 306 views

 

Statistics

Views

Total Views
306
Views on SlideShare
183
Embed Views
123

Actions

Likes
0
Downloads
1
Comments
0

3 Embeds 123

http://gallerysu.blogspot.kr 67
http://gallerysu.blogspot.com 34
http://www.gallerysu.blogspot.kr 22

Accessibility

Categories

Upload Details

Uploaded via as Adobe PDF

Usage Rights

© All Rights Reserved

Report content

Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
  • Full Name Full Name Comment goes here.
    Are you sure you want to
    Your message goes here
    Processing…
Post Comment
Edit your comment

    몬드리안 달력 몬드리안 달력 Presentation Transcript

    • 2011 Calendar Artist MONDRIAN
    • SUJIN Designed bySOOKMYUNGWOMEN’ UNIVERSITY S
    • 2011 CalendarJAN FEB MAR APRS M T W T F S S M T W T F S S M T W T F S S M T W T F S 1 1 2 3 4 5 1 2 1 2 3 4 5 6 72 3 4 5 6 7 8 6 7 8 9 10 11 12 3 4 5 6 7 8 9 8 9 10 11 12 13 149 10 11 12 13 14 15 13 14 15 16 17 18 19 10 11 12 13 14 15 16 15 16 17 18 19 20 2116 17 18 19 20 21 22 20 21 22 23 24 25 26 17 18 19 20 21 22 23 22 23 24 25 26 27 2823 24 25 26 27 28 29 27 28 24 25 26 27 28 29 30 29 30 3130 31MAY JUN JUL AUGS M T W T F S S M T W T F S S M T W T F S S M T W T F S1 2 3 4 5 6 7 1 2 3 4 5 6 1 2 1 2 3 4 5 68 9 10 11 12 13 14 7 8 9 10 11 12 13 3 4 5 6 7 8 9 7 8 9 10 11 12 1315 16 17 18 19 20 21 14 15 16 17 18 19 20 10 11 12 13 14 15 16 14 15 16 17 18 19 2022 23 24 25 26 27 28 21 22 23 24 25 26 27 17 18 19 20 21 22 23 21 22 23 24 25 26 2729 30 31 28 29 30 31 24 25 26 27 28 29 30 28 29 30 31 31SEP OCT NOV DECS M T W T F S S M T W T F S S M T W T F S S M T W T F S 1 1 2 3 4 5 1 2 3 1 2 32 3 4 5 6 7 8 6 7 8 9 10 11 12 4 5 6 7 8 9 10 4 5 6 7 8 9 109 10 11 12 13 14 15 13 14 15 16 17 18 19 11 12 13 14 15 16 17 11 12 13 14 15 16 1716 17 18 19 20 21 22 20 21 22 23 24 25 26 18 19 20 21 22 23 24 18 19 20 21 22 23 2423 24 25 26 27 28 29 27 28 29 30 25 26 27 28 29 30 31 25 26 27 28 29 30 3130 31
    • S M T W T 2011 F 1 January S 12 3 4 5 6 7 89 10 11 12 13 14 1516 17 18 19 20 21 2223 24 25 26 27 28 2930 31
    • ABOUT _MONDRIAN Piet Mondrian (1872 ~ 1944) | Dutch Painter Mondrian He was an important contributor to the De Stijl art movement and group, which was founded by Theo van Doesburg. He evolved a non-representational form which he termed Neo-Plasticism. This consisted of white ground, upon which was painted a grid of vertical and horizontal black lines and the three primary colors. 12011 / JAN 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31
    • S M T W T 2011 F 2 Febrary S 1 2 3 4 56 7 8 9 10 11 1213 14 15 16 17 18 1920 21 22 23 24 25 2627 28
    • PARIS _C U B IS T Tableay no.1 (1913) Still Life with Gingerpot 2 (1912) 1912~ 1914 His various studies of trees from that year still contain a measure of representa- tion, but increasingly, they are dominated by the geometric shapes and interlocking planes commonly found in Cubism. While Mondrian was eager to absorb the Cubist influence into his work, 22011 / FEB 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28
    • S M T W T 2011 F 3 March S 1 2 3 4 56 7 8 9 10 11 1213 14 15 16 17 18 1920 21 22 23 24 25 2627 28 29 30 31
    • HOLLAND _L A T E C U B IS T Composite (1918) Pier and ocean 4 (1914) 1914 the late cubist phase Unlike the Cubists, Mondrian still attempted to reconcile his painting with his spiri- tual pursuits, and in 1913, he began to fuse his art and his theosophical studies into a theory that signaled his final break from representational painting. He increasingly emphasises the straigth and the horizontal- vertical. 32011 / MAR 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31
    • S M T W T 2011 F 4 April S 1 23 4 5 6 7 8 910 11 12 13 14 15 1617 18 19 20 21 22 2324 25 26 27 28 29 30
    • HOLLAND _EARLY NEOPLASTICISM Composition in line (1916) Composition in kleur B (1917) 1917 the early neoplasticism The first number of de stijl appears in October. The neo-plastic phase:composition in Line, begun in 1916 in the “plus-minus” manner, and completed in early 1917 in the new manner, can be regarded as the first work of the neoplasticism. This is the year in which Mondrian created his first geometric compositions in rectangular planes. Mondrian also calls his work Abstract-Real Art at this time. 42011 / APR 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30
    • S M T W T 2011 F 5 May S1 2 3 4 5 6 78 9 10 11 12 13 1415 16 17 18 19 20 2122 23 24 25 26 27 2829 30 31
    • HOLLAND-PARIS _EARLY NEOPLASTICISM Composition in line (1916) Composition in kleur B (1917) 1920 the early classic phase In the early paintings of this style the lines delineating the rectangular forms are rela- tively thin, and they are gray, not black. The lines also tend to fade as they approach the edge of the painting, rather than stopping abruptly. The forms themselves, smaller and more numerous than in later paintings, are filled with primary colors, black, or gray, and nearly all of them are colored; only a few are left white. 52011 / MAY 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31
    • S M T W T 2011 F 6 June S 1 2 3 45 6 7 8 9 10 1112 13 14 15 16 17 1819 20 21 22 23 24 2526 27 28 29 30
    • PARIS _EARLY CLASSIC NEOPLASTICISM Composition B (1920) Composition with yellow, red, black, blue, and gray (1920) 1920 the early classic phase During late 1920 and 1921, Mondrian’s paintings arrive at what is their definitive and mature form to casual observers. Thick black lines now separate the forms, which are larger and fewer in number, and more of them are left white than was previously the case. 62011 / JUN 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30
    • S M T W T 2011 F 7 July S 1 23 4 5 6 7 8 910 11 12 13 14 15 1617 18 19 20 21 22 2324 25 26 27 28 29 3031
    • PARIS _CLASSIC NEOPLASTICISM Tableau, with yellow, black, blue, red, and Composition no.5 (1930) gray (1923) 1923~ 1944 the classic neoplasticism Marks the period of classic neoplasticism. Mondrian wanted the infinite, and shape is finite. A straight line is infinitely extendable, and the open-ended space between two parallel straight lines is infinitely extendable. A Mondrian abstract is the most compact imaginable pictorial harmony, the most self-sufficient of painted surfaces. 72011 / JUL 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31
    • S M T W T 2011 F 8 August S 1 2 3 4 5 67 8 9 10 11 12 1314 15 16 17 18 19 2021 22 23 24 25 26 2728 29 30 31
    • PARIS _NEOPLASTICISM Composition de lignes et color (1937) Composition of red and white (1938) Composition A, with double line and yellow. (1935) 1932 neoplasticism Many of the black lines stop short at a seemingly arbitrary distance from the edge of the canvas, although the divisions between the rectangular forms remain intact. he rectangular forms remain mostly colored. As the years passed and Mondrian’s work evolved further, he began extending all of the lines to the edges of the canvas and he also began to use fewer and fewer colored forms, favoring white instead. 82011 / AUG 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31
    • S M T W 2011 T 9 F September S 1 2 34 5 6 7 8 9 1011 12 13 14 15 16 1718 19 20 21 22 23 2425 26 27 28 29 30
    • LONDON-NYC _NEOPLASTICISM Composition_unfinished (1938) 1938~1943 neoplasticism In some examples of this new direction, such as Composition (1938), he appears to have taken unfinished black-line paintings by adding short perpendicular lines of different colors, running between the longer black lines, or from a black line to the edge of the canvas. The newly-colored areas are thick, almost bridging the gap between lines and forms. 92011 / SEP 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30
    • S M T W 2011 T 10F October S 12 3 4 5 6 7 89 10 11 12 13 14 1516 17 18 19 20 21 2223 24 25 26 27 28 2930 31
    • NEW YORK _NEOPLASTICISM New York (1940~1941) 1940 neoplasticism Arriving in New York on October 3. Soon after his arrival. Mondrian becomes a member of the American Abstract Artists group. In New York Mondrian first works on canvases brought with him from Europe. Enhancing them with small palnes of primary colors unbounded by black. Bands of color that cross the entire format ap- pear in his first painting initiated in America titled : New York, 1941~ 1942. 102011 / OCT 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31
    • S M T W 2011 T 11 F November S 1 2 3 4 56 7 8 9 10 11 1213 14 15 16 17 18 1920 21 22 23 24 25 2627 28 29 30
    • NEW YORK _NEOPLASTICISM New York City 1_unfinished (1941) 1941~1942 neoplasticism Mondrian’s first on man show at the valintine Dudensing’s gallery (January~February). Of a series developed in colored paper tape(without black bands). with only one version(New York City 1)completed in paint. The availability of colored tape. en- courages Mondrian abandonment of the black lines found in his earlier neo-plastic paintings in favor of criss-crossing and overlapping colored bands. 112011 / NOV 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30
    • S M T W 2011 T 12 F December S 1 2 34 5 6 7 8 9 1011 12 13 14 15 16 1718 19 20 21 22 23 2425 26 27 28 29 30 31
    • NEW YORK _NEOPLASTICISM Broadway boogie woogie (1942~ 1943) 1943 neoplasticism His painting Broadway Boogie-Woogie (1942~1943) at The Museum of Modern Art in Manhattan was highly influential in the school of abstract geometric painting. The piece is made up of a number of shimmering squares of bright color that leap from the canvas, then appear to shimmer, drawing the viewer into those neon lights. In this painting and the unfinished Victory Boogie Woogie (1942~1944), 122011 / DEC 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31