Music Technology & Innovation

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    Music Technology & Innovation - Presentation Transcript

    1. music technology and innovation. stuart buchanan, communityengine.com.
    2. story in three parts.
    3. story in three parts. 1.where are we?
    4. story in three parts. 1.where are we? 2. who brought us here?
    5. story in three parts. 1.where are we? 2. who brought us here? 3. where do we go now?
    6. background.
    7. background. edinburgh festival fringe, goldfrapp, depeche mode, red hot chilli peppers, the delays, kid confucius, vassy, fbi radio, fat planet, noise, australian music online, community engine.
    8. 1. where are we?
    9. 1. where are we? for decades, the music industry has made large amounts of money selling physical products.
    10. question?
    11. question? what happens to your business when the products that make you money are suddenly available for free?
    12. answer?
    13. answer? change your business.
    14. how do we change?
    15. how do we change? we innovate.
    16. how do we change? we innovate. innovation got us into this mess and innovation can get us out of it.
    17. what do we mean by innovation?
    18. the innovation and revolution of the early 21st century has been the shift from analogue to digital.
    19. why is this so revolutionary?
    20. participation.
    21. participation. the digital revolution has put the means of production in the hands of the masses.
    22. participation. we no longer passively consume, we create & engage.
    23. participation. we all fundamentally expect the right to paricipate.
    24. put fans into the picture:
    25. put fans into the picture: fans consume.
    26. put fans into the picture: fans consume. fans create.
    27. put fans into the picture: fans consume. fans create. fans engage.
    28. put fans into the picture: fans consume. fans create. fans engage. fans participate.
    29. the number one key point in today’s session:
    30. the number one key point in today’s session: more so than ever before, your fans are your biggest asset.
    31. in the new world order, power has shifted.
    32. no more top-down.
    33. no more top-down. it’s coming up from the ground.
    34. “the high watermark of corporate influence has already been reached.”
    35. you can no longer fake your own reality.
    36. two options:
    37. two options: 1. fight it.
    38. two options: 1. fight it. 2. embrace it.
    39. some numbers.
    40. some numbers. by december 2008, 90% of australians will be using broadband.
    41. some numbers. 84% of australians have used web 2.0 to upload content.
    42. some numbers. 78% of britons are active on a social network.
    43. some numbers. 95% of australians have a mobile, 25% are on 3G network.
    44. some numbers. 75% of americans consume over 3 hours of online video per month.
    45. some numbers. 75% of americans consume over 3 hours of online video per month. equivalent to 8.3 billion streams.
    46. some numbers. number of files available globally on peer to peer networks:
    47. some numbers. number of files available globally on peer to peer networks: 32 billion.
    48. time to innovate.
    49. 2. who brought us here?
    50. social networks,
    51. social networks, blogs,
    52. social networks, blogs, media sharing,
    53. social networks, blogs, media sharing, preference engines,
    54. social networks, blogs, media sharing, preference engines, podcasts,
    55. social networks, blogs, media sharing, preference engines, podcasts, e-tail
    56. social networks, blogs, media sharing, preference engines, podcasts, e-tail, peer to peer
    57. 3. where do we go now?
    58. david byrne asks the question: “what do record labels actually do?”
    59. the answer: “they fund recordings, manufacture product, distribute product and market the product.”
    60. the problem:
    61. the problem: “recording costs are next to zero, manufacturing and distribution are next to zero, and touring can make you a living.”
    62. “with all these changes, what happens to the label?”
    63. there is a growing school of thought that major music labels will not survive the revolution. why do people think that way?
    64. 1. sell your own music.
    65. 2. pick your own price.
    66. 3. treat your recordings as a ‘loss leader’.
    67. 4. let sponsors pay your dues.
    68. 5. build your own networks.
    69. 6. get straight to the hands of your fans.
    70. 7. make your own rules.
    71. 8. raise your own money.
    72. what can we do now to get ready?
    73. be flexible, be agile, ready to move at any moment.
    74. think the unthinkable.
    75. get to know your fans.
    76. get to know your fans. intimately.
    77. control your own information.
    78. be convenient.
    79. free your music.
    80. takeaway:
    81. takeaway: it’s your music.
    82. takeaway: it’s your music. you have the power.
    83. takeaway: it’s your music. you have the power. so use it.
    84. takeaway: it’s your music. you have the power. so use it. stuart buchanan, communityengine.com. presentation and links available at stuartbuchanan.com

    + Stuart BuchananStuart Buchanan, 2 years ago

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