Your SlideShare is downloading. ×
0
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Bom-vl Workshop Johan Oomen
Upcoming SlideShare
Loading in...5
×

Thanks for flagging this SlideShare!

Oops! An error has occurred.

×
Saving this for later? Get the SlideShare app to save on your phone or tablet. Read anywhere, anytime – even offline.
Text the download link to your phone
Standard text messaging rates apply

Bom-vl Workshop Johan Oomen

1,071

Published on

Johan Oomen @ Workshop "Towards Open and Dynamic Archives", 10 June 2008, Brussels. In the context of BOM-vl. see http://www.diagonalthoughts.com/?p=192

Johan Oomen @ Workshop "Towards Open and Dynamic Archives", 10 June 2008, Brussels. In the context of BOM-vl. see http://www.diagonalthoughts.com/?p=192

Published in: Technology, Business
0 Comments
1 Like
Statistics
Notes
  • Be the first to comment

No Downloads
Views
Total Views
1,071
On Slideshare
0
From Embeds
0
Number of Embeds
3
Actions
Shares
0
Downloads
4
Comments
0
Likes
1
Embeds 0
No embeds

Report content
Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
No notes for slide

Transcript

  • 1. Images for the Future in a wider context BOM-VL 10-06-2008 Johan Oomen Netherlands Institute for Sound and Vision ~ Nederlands Instituut voor Beeld en Geluid
  • 2.  
  • 3. Media Experience
  • 4. Creating Access - Context <ul><ul><li>Individual institutions </li></ul></ul><ul><ul><li>National (Images for the Future, Kulturav) </li></ul></ul><ul><ul><li>European </li></ul></ul><ul><ul><li>Global (UNESCO, FIAT/IFTA) </li></ul></ul><ul><ul><li>Online Video </li></ul></ul>
  • 5. Broadcast Professional Public Web Acces Education (Teleblik) Medialounge (import) metadata (import) content metadata (conversies) content (encoding) Digital Archive iMMix Digital Facility for Broadcasting YouTube and Open Licences platform
  • 6.  
  • 7. The archive as Application Service Provider
  • 8. <ul><li>European Context </li></ul>
  • 9. <ul><li>i2010- Digital libraries </li></ul><ul><ul><li>Europeana </li></ul></ul><ul><ul><li>The European Library; union catalogue </li></ul></ul><ul><ul><li>European Film Gateway (starts shortly) </li></ul></ul><ul><ul><li>Video Active </li></ul></ul><ul><li>Digital preservation </li></ul><ul><ul><li>Caspar: OAIS; scientific and artistic </li></ul></ul><ul><ul><li>Planets: DL tools planets- project.eu / </li></ul></ul><ul><ul><li>DPE = Digital Preservation Europe </li></ul></ul><ul><ul><li>SHAMAN </li></ul></ul>European Coordination Activities
  • 10. Providing Access to TV heritage <ul><li>eContentplus programme </li></ul><ul><li>36 months – start September 2006 </li></ul><ul><ul><li>First version of the portal is launched this month </li></ul></ul><ul><li>10.000 video items by 2009 </li></ul><ul><ul><li>Contextual data i.e. stills, programme guides </li></ul></ul><ul><ul><li>Licences with copyright holders </li></ul></ul>
  • 11. The Consortium <ul><li>14 members from 10 countries </li></ul><ul><li>11 content providers / 10 languages </li></ul>Associate partners
  • 12.  
  • 13. Content Selection Strategy <ul><li>Framework designed in collaboration with academics </li></ul><ul><li>Comparison is key: e xploring and showing the cultural and historical differences and similarities of television in Europe. </li></ul><ul><li>HISTORY OF TELEVISION IN EUROPE </li></ul><ul><li>+ </li></ul><ul><li>EUROPEAN HISTORY ON TELEVISION </li></ul>
  • 14.  
  • 15.  
  • 16.  
  • 17.  
  • 18. [4] Projects with a global view <ul><li>Audiovisual preservation and access: </li></ul><ul><li>FIAT – UNESCO </li></ul><ul><li>Archives at Risk </li></ul><ul><li>(there are other ‘endangered archive’ projects, but not primarily for audiovisual content: </li></ul><ul><li>UNESCO – www.unesco.org/webworld/mdm </li></ul><ul><li>British Library “Endangered Archives” </li></ul><ul><li>www.bl.uk/endangeredarchives ) </li></ul>
  • 19. [5] Online Video in General: <ul><li>YouTube, others </li></ul><ul><ul><li>where people can put anything </li></ul></ul><ul><ul><li>and nobody can find it </li></ul></ul><ul><ul><li>95% of all YouTube video is viewed every day! </li></ul></ul><ul><ul><li>YouTube has an excellent ‘contribution tool’, and provided free hosting </li></ul></ul><ul><ul><li>So: just add metadata, provide open infrastructure for exchange </li></ul></ul>Video Active
  • 20. Multilinguality and Semantic Web <ul><li>Video Active provides multilingual annotation, search and retrieval of the digital assets using the ThesauriX technology </li></ul><ul><li>ThesauriX is a web-based multilingual thesauri tool based on the IPTC standard </li></ul><ul><li>Semantic Web technologies are enabling automation, sophisticated query services and semantic interoperability with other heterogeneous digital archives. </li></ul>
  • 21. Semantic Technologies <ul><li>a semantic layer has been added through the representation of its metadata in Resource Description Framework (RDF) </li></ul><ul><li>The expressive power of RDF enables light reasoning services, merging/aligning metadata from heterogeneous sources and sophisticated query facility based on SPARQL RDF query language </li></ul>
  • 22. Annotation Process… <ul><li>In the Video Active system each archive has the ability to either insert the metadata manually using the web annotation tool or semi-automatically using a uniform (common for all the archives) XML schema. </li></ul><ul><li>The Video Active metadata schema has been based on the Dublin Core metadata schema with additional elements essential in capturing the cultural heritage aspect of the resources. </li></ul>
  • 23. Annotation Process
  • 24. Storing and Exchanging Metadata <ul><li>We used the Sesame metadata store </li></ul><ul><li>In order to transform the XML documents into RDF triples, we used the Jena Semantic Web Framework </li></ul><ul><li>All the metadata stored in Sesame, with the help of an OAI compliant repository are exposed to external systems/archives </li></ul>
  • 25. Future Work <ul><li>Translate the thesaurus in SKOS </li></ul><ul><li>Thesaurus alignment & Metadata Enrichment </li></ul><ul><li>Faceted browser (from Simile project) </li></ul><ul><li>Additional viewing services </li></ul><ul><ul><li>Use Google Maps </li></ul></ul><ul><ul><li>Timeline services </li></ul></ul>
  • 26. Annotation Tool
  • 27. Thank you <ul><li>Questions </li></ul>
  • 28.  
  • 29.  

×