1400-1600 stained glass
1400 1600 stained_glass
1400 1600 stained_glass
1400 1600 stained_glass
1400 1600 stained_glass
1400 1600 stained_glass
1400 1600 stained_glass
1400 1600 stained_glass
1400 1600 stained_glass
1400 1600 stained_glass
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1400 1600 stained_glass

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  • Creator: Circle of Peter Hemmel von Andlau (Lautenbach Meister)\nCulture: South German\nTitle: The Mater Dolorosa\nWork Type: Panel, stained-glass\nDate: ca. 1480\nMaterial: Pot-metal glass and colorless glass, silver stain, and vitreous paint\nMeasurements: 19 5/8 x 16 3/8 in. (49.8 x 41.6 cm)\nRepository: The Metropolitan Museum of Art\nRepository: http://www.metmuseum.org\nCollection: Metropolitan Museum of Art - Images for Academic Publishing\nID Number: 10325\nSource: Data From: The Metropolitan Museum of Art\nCredit Line: The Metropolitan Museum of Art, The Cloisters Collection, 1998 (1998.215.2)\nImage Copyright Notice: Image © The Metropolitan Museum of Art\nRights: This image was provided by The Metropolitan Museum of Art. Contact information: Image Library, The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028, (212) 396-5050 (fax), Scholars.License@MetMuseum.org\nRights: Image © The Metropolitan Museum of Art\nRights: This image is available for uses permitted under the ARTstor Terms and Conditions of Use, such as teaching and study, as well as for scholarly publications, through the Images for Academic Publishing (IAP) initiative. If you are seeking to use this image for scholarly publication, you should click on the IAP icon below the thumbnail image.
  • Culture: Italian\nTitle: Studiolo di Calliope: window\nWork Type: stained-glass window\nLocation: Palazzo Vecchio (Florence, Italy)\nCollection: Italian and other European Art (Scala Archives)\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\nSource: http://www.artres.com/c/htm/Home.aspx\nSource: http://www.scalarchives.com\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  • Title: Sainte-Chapelle, Rose Window\nWork Type: stained glass\nDate: 1490-95\nLocation: Sainte-Chapelle (Paris, France)\nMaterial: stained glass window\nStyle Period: Flamboyant Gothic Style\nDescription: west, upper chapel\nCollection: Italian and other European Art (Scala Archives)\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\nSource: http://www.artres.com/c/htm/Home.aspx\nSource: http://www.scalarchives.com\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  • Creator: Guglielmo de Marcillat, European; Southern European; Italian\nTitle: The Nativity\nWork Type: Decorative Arts and Utilitarian Objects\nDate: 1517\nMaterial: Stained glass: pot metal; white glass with silver stain and sanguine\nMeasurements: 269.24 cm x 167.64 cm\nDescription: Full view\nRepository: The Detroit Institute of Arts\nRepository: Detroit, Michigan, USA\nRepository: Founders Society Purchase, General Membership Fund\nRepository: 37.138\nRepository: http://www.dia.org/\nCollection: Detroit Institute of Arts Collection\nCollection: Formerly in The AMICO Library\nID Number: DIA_.37.138\nSource: Data from: The Detroit Institute of Arts\nRights: This image was provided by The Detroit Institute of Arts. Contact Info for Permissions: Sylvia Inwood, Manager, Rights and Reproduction, The Detroit Institute of Arts, 5200 Woodward Ave., Detroit, MI 48202, 313-833-7913, 313-833-9161, rhensleigh@dia.org\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  • Creator: German\nCulture: European; Northern European; German\nTitle: The Temptation of Saint Anthony\nWork Type: Architecture\nWork Type: Glass-Stained\nDate: 1532\nMaterial: Colorless glass, silver stain, vitreous paint\nMeasurements: Diam. 8 in. (20.3 cm)\nDescription: <P>Saint Anthony Abbot's test of faith at the hands of a clutch of demons is represented here in a charming, if somewhat naive, Late Gothic style. Dressed as an abbot, the saint holds a crosier, which terminates in a tau cross and a mendicant's bell; he is surrounded by fantastical beasts. The inscription suggests that the roundel was a donation by a local priest, who kneels before the saint next to his coat of arms.</P> <P>This roundel is stylistically consistent with other works known to have originated in southern Germany. The inscription names the village of Kappel and its priest in 1532.</P>\nDescription: Full View\nRepository: The Metropolitan Museum of Art\nRepository: New York, New York, USA\nRepository: The Cloisters Collection, 1982\nRepository: 1982.433.5\nRepository: http://www.metmuseum.org\nCollection: The Metropolitan Museum of Art Collection\nCollection: Formerly in The AMICO Library\nID Number: MMA_.1982.433.5\nSource: Data From: The Metropolitan Museum of Art\nRights: This image was provided by The Metropolitan Museum of Art. Contact information: Photograph and Slide Library, The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028, (212) 396-5050 (fax).\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  • Creator: Attributed to Joseph Gössler, Swiss (active Bern), active 1540 - 1585\nTitle: Allegory of Justice with the Coat of Arms of Anthoni Wyss (1531-1588)\nWork Type: Stained Glass\nDate: 1570\nLocation: Made in Switzerland\nMaterial: Stained glass, painted and leaded; yellow glass at upper left modern replacement\nMeasurements: 13 3/4 x 12 inches (34.9 x 30.5 cm)\nDescription: Front\nRepository: Philadelphia Museum of Art\nRepository: Philadelphia, Pennsylvania, USA\nRepository: Purchased with the Walter E. Stait Fund, 2005\nRepository: 2005-49-1\nRepository: http://www.philamuseum.org/main.asp\nCollection: Philadelphia Museum of Art\nID Number: 2005-49-1\nSource: Data From: Philadelphia Museum of Art\nRights: This image was provided by Philadelphia Museum of Art. Contact information: Ms. Conna Clark, Manager, Rights & Reproductions, Philadelphia Museum of Art, P.O. Box 7646, Philadelphia, PA 19101, (215) 684-7901 (ph), (215) 235-0034 (fax), cclark@philamuseum.org.\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  • Creator: design possibly after Georg Pencz, German, c.1500-1550\nCreator: glass possibly painted by Augustin Hirschvogel, German, 1503-1553\nTitle: Female Nude (Fortune?) Supporting Two Heraldic Shields\nWork Type: stained glass\nDate: c.1535\nLocation: Place made: Germany\nMaterial: pot-metal, flashed, and clear glass, yellow stain and black vitreous paint\nMeasurements: 8 x 5 3/4 in. (20.3 x 14.6 cm)\nRepository: Saint Louis Art Museum, Museum Purchase\nAccession Number: 9:1928\nCollection: Saint Louis Art Museum\nSource: Image and original data provided by Saint Louis Art Museum\nSource: http://www.slam.org/\nRights: Contact Information: Saint Louis Art Museum, One Fine Arts Drive, Forest Park, St. Louis, Missouri 63110; image.request@slam.org\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  • Creator: Designer: Attributed to Jean Perréal, French, ca. 1455-1530\nCreator: Artist: Anonymous (French)\nTitle: Portrait of King Louis XII of France at Prayer\nWork Type: stained glass;portraits\nPeriod: Early Modern\nDate: 1500-1510\nLocation: Place of Origin: France\nMaterial: stained glass\nMeasurements: 31 1/2 x 22 in. (80 x 55.9 cm)\nStyle: Renaissance\nDescription: The French king, Louis XII (1462-1515), clad in an ermine-trimmed mantel, kneels at his devotions and gazes at an unseen religious image or altar. If all the panels of this stained glass still existed, we would probably see a form of self-representation favored by French kings and their cousins, the dukes of Burgundy. The heavy textiles behind Louis function as one of the "walls" of what would be a little room created in a privileged location near the altar of a royal chapel or church. These textile walls would shield him from winter drafts as well as the inquisitive eyes of his courtiers. Jean Perréal was the court painter and famous as a portraitist, though few documented works by him remain.\nRepository: The Walters Art Museum\nRepository: Acquired by Henry Walters\nRepository: 46.34\nRepository: Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.\nRepository: http://thewalters.org\nCollection: The Walters Art Museum\nRights: For information on reproductions for publishing or commercial use, Contact Photographic Services at 410-547-9000 ext. 254 or email photoservices@thewalters.org.\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  • Creator: Artist: Anonymous (German)\nCreator: Artist: After Hans von Kulmbach, German, ca. 1485-1522\nTitle: Stained Glass Roundel with Jousting Scenes\nWork Type: roundels\nPeriod: Renaissance\nDate: 1508\nLocation: Place of Origin: Nuremberg, Germany\nMaterial: stained and clear glass, vitreous paint, pot metal, bottle glass\nMeasurements: 25 3/16 x 19 5/16 in. (64 x 49 cm)\nDescription: Round or rectangular panels of stained glass added decoration as well as changing colored light patterns to a room. They were set into larger windows made up of small segments of clear glass in either a diamond or round (bull's-eye or bottle) pattern, held together with strips of metal.Within the quatrefoil (four-lobe design) are jousting knights, who bear the coats of arms of the Geuder and Rieter von Kronburg families, with their heralds gathered below. The centrally featured coats of arms are the Habsburg double-headed eagle with the combined arms of the houses of Austria and Burgundy on its breast, the Nuremberg "virgin eagle" (municipal emblem) with (to the right) the arms of Nuremberg as an imperial city, and, below, the stars of the Geuder family.\nRepository: The Walters Art Museum\nRepository: Museum purchase, 1951\nRepository: 46.76\nRepository: Gender von Heroltsberg family, by commission; H. G. Gutekunst, Stuttgart, 1877 [mode of acquisition unknown]; Felix, Leipzig, 1911 [mode of acquisition unknown]; Stillwell, New York [date and mode of acquisition unknown]; Arnold Seligmann, Rey and Co. [date and mode of acquisition unknown]; Walters Art Museum, 1951, by purchase.\nRepository: http://thewalters.org\nCollection: The Walters Art Museum\nRights: For information on reproductions for publishing or commercial use, Contact Photographic Services at 410-547-9000 ext. 254 or email photoservices@thewalters.org.\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  • 1400 1600 stained_glass

    1. 1. 1400-1600 stained glass

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