Your SlideShare is downloading. ×
Auteur theory
Upcoming SlideShare
Loading in...5

Thanks for flagging this SlideShare!

Oops! An error has occurred.

Saving this for later? Get the SlideShare app to save on your phone or tablet. Read anywhere, anytime – even offline.
Text the download link to your phone
Standard text messaging rates apply

Auteur theory


Published on

Published in: Education
  • Be the first to comment

No Downloads
Total Views
On Slideshare
From Embeds
Number of Embeds
Embeds 0
No embeds

Report content
Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

No notes for slide


  • 1. Auteur Theory By Stacey Hall
    The term auteur originates from France which translates as author, which means that a director’s film reflects their creative vision.
    The Auteur theory was introduced in the 1950’s by French film directors like Francois Truffaut who advocated a focus on the contribution directors made on the style and form of film, he quoted...
    “A true film auteur is someone who brings something genuinely personal to his subject instead of producing a tasteful, accurate but lifeless rendering of the original material”
    An auteur is a film maker whose style and practise is distinctive which creates a signature auteur status for them. It is also a film maker who has a personal, signature style and keeps creative control over his or her work. Making any film or in this case a music video the director is the auteur but it would not be possible for them to create the whole production on their own, instead they collaborate with others and team up with; writer, cinematographer and actors but the director is still an auteur in a sense as they control everyone and everything in the production.
  • 2. Genre and Auteur Theory
    The auteur theory is different to the genre theory as auteur draws our attention towards what is different between film, rather than what is similar.
    The table below is from page 7 of the hand out given to me.
    Many media texts are meant to be consider as a product of individuals creativity and many are simply ‘products’ for instants, Tim Burtons Nightmare before Christmas is an auteur as you recognise his individual style of gothic tones where as Heat magazine writer is not an auteur as it is a generic product.
  • 3. Chris Cunningham
    Chris Cunningham is a British music video film director and video
    artist. Chris has worked on many projects and has produced;
    music video’s, video art, short films, commercials, music
    production, photography, and a novel.
    Cunningham is known for his warped style and disturbing imagery, he has worked and
    produced music videos for the likes of; Aphex Twins, Bjork, Placebo and Madonna. He
    Won multiple awards, including break through video at the MTV awards for his video
    ‘All in love.’
    As well as producing music video he has also produced commercials for; Gucci, Play
    station and orange.
  • 4. After watching several music videos and also commercials that Chris Cunningham has directed I believe that I can establish his distinctive auteur signature style which is;
    • Fast paced editing and sharp cuts are used in nearly all of his videos he has produced, this disorientates the audience as it creates; confusion, mystification and a non-linear narrative.
    • 5. It reflects the horror genre by using gothic imagery such as; black crows.
    • 6. Lots of canted camera angles are used and nearly all the camera work seem to be
    • 7. hand held to create more dramatic, dizzying movement to illustrate the aggression in the video’s maybe?
    • 8. All of his video’s I certainly believe are entropic, as he uses strange, unrealistic objects, sequences and people. The CGI editing used to morph people into horror characters creates entropy as this is not typical of a mainstream music video such as; creepy children.
  • Aphex Twins- Come to Daddy
    In class we altogether analysed Chris Cunningham’s music video for the Aphex Twins, this video is a
    great example of Cunningham’s auteur signatures.
    This music video is a perfect example of
    Cunningham's signature auteur;
    -There is fast pace editing to reflect
    and illustrate the action and also to
    build tension and confuse and create
    excitement for the audience.
    • This video seems to be inspired by
    the horror genre as there are several
    Elements to the video which reflect it such as; creepy children, the evil spirit, the gaunt creature
    and also the settings are; grungy, derelict, gloomy because of the low light and shadows created.
  • 9. - Canted camera angles are used which I have print screed an example of above, the shot is
    rotated to it’s side, this creates confusion for the audience but it also looks; creative and arty as
    Cunningham has used editing software to create a TV image with bad signal which mesmerises
    the audience. As well as canted camera angles Cunningham uses nearly all hand held camera
    work as this creates the illusion of; chaos, thrill and excitement.
    -This particular video by Cunningham is incredibly entropic as it contains main unsuspecting
    imagery in a music video. What makes this video so entropic is it contains main shocking
    Elements which include; an old lady, evil spirit on the TV who then with special effects make up
    comes out of the TV and transforms in a gaunt creature and finally children are represented as
    demon which is scary but instead of just being scary child Cunningham has morphed everyone to
    look like the Aphex Twins.
  • 10. Madonna- Frozen by Chris Cunningham
    As I am investigating auteur’s I have decided to look at ‘Frozen’ music video to see if
    there are any similarities to Come to daddy which suggests that Chris Cunningham is
    an auteur of music videos as he will have signature things which makes him
    - The most distinctive auteur signature of Cunningham is the horror genre inspiration. Horror is obvious a big influence on him as both Frozen and Come to daddy have horror tones to them. This video particularly represents this by using; Madonna becoming ravens, dark imagery is shown, the lighting is very dark but also calming in a sense. Finally the way Madonna is dressed is rather gothic as you can see she is wearing black floating garments.
  • 11.
    • The camera angles are not completely unusual, unlike Come to daddy which is very
    obvious that hand held canted camera work had been used in this video but there seem
    that steady camera work maybe on a tripod has been used to create either very; high,
    low, long close up shots.
    • The editing is illustrated by the beats and rhythm of the song, so when the song sped
    up so did the video which creates, tension and excitement.
    • Like Come to daddy this music videois very entropic and this could be a auteur
    signature from Cunningham. What makes Frozen entropic is the setting is unusual for a
    music video as Madonna seems to be in a disserted desert which is not glamorous which
    Madonna is famous for being. The special effects when Madonna turns into ravens and a
    dog are mesmerising and is once again a signature auteur of Cunningham.
  • 12. Samuel Bayer
    Samuel Bayer is a well respected American director of music
    videos but also over the past 15 years he has also produced
    commercials for Nike, directed films such as 2010’s Nightmare
    on Elm street and short video’s .
    Bayers has worked alongside some of the best, legendry music
    artists and has produced memorable music videos. His clients include;
    He has won several awards over his career and swept the floor at MTV’s music awards in 2007 with Greenday’s record ‘Boulevard of broken dreams which he collected 7 moon awards for, including; best rock music video.
  • After watching several music videos and also commercials that Samuel Bayer has
    directed I believe that I can establish his distinctive auteur signature style which is;
    The editing pace is in sync with the beat of the music, so when the music is slow less cuts and longer shots are used but when the beat becomes increased so do the shots and cuts. This mimicking editing illustrates the music which creates more emotions such as; excitement, tension and connection.
    Reflects the gothic horror genre as dark imagery and the look of the videos are quite depressing.
    Live performances from the artist and focus on them with close up shots.
    The shots are always moving, either panning, tracking or slight zooming in or out. By doing this it creates energy as if each shot was stationary it would be bland and boring. Even though the shots are always moving he uses a tripod and either manually with the camera zoom in or out or in the editing suite he does this with advanced technology.
    His videos are certainly entropic as he mixes up stereotypes and uses usual imagery but what is redundant is the locations he chooses to film them in e.g. school hall.
  • 20. Smells like teen spirit- Nirvana
    When talking about auteur it means if that the director has signature techniques used in his
    work. To investigate if Samuel Bayers is an auteur I have decided to look and analyse two of
    his music video’s; Smells like teen spirit and Disposable teens. Smells like teen spirit was his
    first ever music video he directed, it will be interesting if this music video has a similar style
    to his more contemporary videos.
    - The editing of this video is illustrative to the music as the cuts are in sync with the beat of the music.
    The beginning of the song is very slow paced and drab so the editing reflects this, long takes are used to
    emphasise the depressing tone to the music. When the chorus kicks in the editing becomes increased,
    more shots are used which creates a; fun, energetic vibe which is illustrated by the extras moshing. No
    shot is stationery through out this video each are either; panning tracking or zooming in or out. Slight
    canted camera angles are used when the music becomes more aggressive this creates abstract shots
    which are dissertating.
  • 21.
    • The mise en scene in this music video is reflective of the horror/ gothic genre as it is dark, murky and grungy. The lighting has a orange tint to it and is spotlighted on Kurt Cobain who is the lead singer, this makes the artist stand out from the merged crowd. Smoke is used which obscures frames at times, both the lighting and smoke combined create confusing effects in the frames e.g. the close up of Cobain (bottom right).
    • 22. This music video is entropic as certain stereotypes have been broken in this video. In the screen prints below I have focused on the cheerleaders. The set up of this video is at a school which Nirvana are performing at so cheerleaders are present to energises the crowd. In this case the cheerleaders are not your stereotypical American sweet heat, instead they are; ‘ugly,’ aggressive, tattooed and muscular. The extras who are destroying the instruments was entropic for the time the video was produced
    (1991) and has influenced other rock bands to do the something similar.
    • The redundancy aspect of
    this music video is the
    location in which it is set
    in. nirvana are performing
    at a school which is slightly
    boring but how the mise
    en scene is created makes
    it seem that it is set at a
    concert, the basket ball
    hoop in the background
    tells me that it is set in a
    school hall.
  • 23. Disposable teens-Marilyn Mason
    As I am investigating auteur’s I have decided to look at ‘Disposable teens’music video to
    see if there are any similarities to Smells like teen spirit which suggests that Samuel
    Bayer is an auteur of music videos as he will have signature things which makes him
    - The first similarity to Smells like teen spirit is the pace of editing, I mentioned that I found that Bayers tended to pace the edits to the beat of the music this is true for both music videos I have watched. Disposable is a mental rock song which tends to have several beats merged in the dong but Bayers focuses on singular beats e.g. A drum note. The edits in Disposable are not as fast a Smells like teen spirit but I would argue that there are more shots in this video as there is more characters being portrayed e.g. The Pope, A human piranha ect...
  • 24. -The gothic/ horror genre is
    definitely reflected in this
    music video both by the mise
    en scene and the artist
    himself. This include;
    spotlight and strobe lighting,
    misty smoke, religious
    imagery, blood, animal
    dissection and the colour black.
    -In both videos there are
    liveperformances from the
    artist which is redundant but
    in this video Marilyn Mason
    takes on different characters
    in each performance which
    makes itmore entropic than
    Kurt Cobain’s performance. In both videos they perform in front of what seems to be fans but by the end of
    the videos they become a riot which in Disposable is exaggerated as body/ police guards are geared up with
    protectors and batons.
    • The shots in this video have subtle movement but not as much as Smells like teen spirit, the camera once
    again either; pans, tracks, zooms in or out. The camera movement seems to kick in the chorus section as this
    is the most dramatic tone to the song as it is moshery, this is reflected in slight hand held camera work.