Michelangelo -  Capella Sistina
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Michelangelo - Capella Sistina

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  • Muchas gracias, Sotirio. Un extenso y documentado trabajo, muy educativo. Felicitaciones y un saludo. Gracias por compartirlo con nosotros.
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  • Maravilloso trabajo de este genio. Impresionantes imágenes en su trabajo. Mis felicitaciones por este maravilloso trabajo. Gracias por compartir. Le deseo una bonita fin de semana.
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  • http://commons.wikimedia.org/wiki/File:Creaci%C3%B3n_de_Ad%C3%A1n.jpg <br /> http://commons.wikimedia.org/wiki/Special:Contributions/1a2b3c%3F <br />
  • 1. Trascorse anni tristi, i più tristi e i più sublimi di tutta la sua vita. E&apos; il Michelangelo leggendario, l&apos;eroe della Sistina; il Michelangelo la cui figura maestosa è, e deve rimanere come ricordo indelebile nella memoria dell&apos;umanità. •Soffrì atrocemente. Le sue lettere di allora mostrano uno scoramento appassionato dal quale non bastavano a sollevarlo i suoi* pensieri sublimi. u Io ancora sono in fantasia grande, perchè è già uno anno che io non ò avuto un grosso da questo papa, e none chieggo perchè il lavoro mio non va inanzi i&apos; modo che a me ne paia me- ritare. E questa è la difìcultà del lavoro, e an- cora el non esser mia professione. E pur perdo el tempo mio senza frutto. Idio m&apos;aiuti v (1). Aveva appena finito di dipingere il Diluvio che l&apos;opera cominciò ad ammuffire in modo che non si distinguevano più le figure. Si rifiutò di continuare, ma il papa non ammise scuse e do- vette rimettersi al lavoro. E come se tanta fatica e tante preoccupazioni non bastassero, i suoi continuavano ad importu- (1) Lettera al padre, 27 gennaio 1509. <br /> 2. Rom, den 23. August 1787 <br /> Euren lieben Brief Nr. 24 erhielt ich vorgestern, eben als ich nach <br /> dem Vatikan ging, und habe ihn unterwegs und in der Sixtinischen <br /> Kapelle aber--und abermals gelesen, sooft ich ausruhte von dem Sehen <br /> und Aufmerken. Ich kann euch nicht ausdrücken, wie sehr ich euch zu <br /> mir gewünscht habe, damit ihr nur einen Begriff hättet, was ein <br /> einziger und ganzer Mensch machen und ausrichten kann; ohne die <br /> Sixtinische Kapelle gesehen zu haben, kann man sich keinen <br /> anschauenden Begriff machen, was ein Mensch vermag. Man hört und <br /> liest von viel großen und braven Leuten, aber hier hat man es noch <br /> ganz lebendig über dem Haupte, vor den Augen. Ich habe mich viel mit <br /> euch unterhalten und wollte, es stünde alles auf dem Blatte. Ihr <br /> wollt von mir wissen! Wie vieles könnt&apos; ich sagen! Denn ich bin <br /> wirklich umgeboren und erneuert und ausgefüllt. Ich fühle, daß sich <br /> die Summe meiner Kräfte zusammenschließt, und hoffe noch etwas zu tun. <br /> Über Landschaft und Architektur habe ich diese Zeit her ernstlich <br /> nachgedacht, auch einiges versucht und sehe nun, wo es damit hinaus <br /> will, auch wie weit es zu bringen wäre. <br />
  • http://allpoetry.com/poem/8532023-On-The-Painting-Of-The-Sistine-Chapel-by-Michelangelo <br /> http://www.casabuonarroti.it/it/wp-content/uploads/2011/07/Arte-affetti-conferenza.pdf <br /> http://it.wikisource.org/wiki/Rime_(Michelangelo)/5._I&apos;_ho_gi%C3%A0_fatto_un_gozzo_in_questo_stento <br /> http://www.wga.hu/html_m/m/michelan/4drawing/04/sonette.html <br />
  • http://4.bp.blogspot.com/-W-KnMncMY2U/T3Dq7kVgafI/AAAAAAAAAG8/lfXFtGsNANo/s1600/Sistine_chapel_ceiling_diagram_of_areas.PNG <br />
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  • http://www.desordre.net/accessoires/peinture/michel_ange_cappella_sistina.jpg <br />
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  • http://www.flickr.com/photos/18030640@N06/5480975349/ <br />
  • http://1.bp.blogspot.com/_SFCs1WYrqtY/TKJAUKAc_tI/AAAAAAAAAxQ/_2sO56geziM/s1600/2010-09-28_Cappella_Sistina.png <br />
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  • Fresco in the Sistine Chapel. The Creation of the Sun and the Moon (before the restoration) <br /> http://en.wikipedia.org/wiki/File:Michelangelo_Buonarroti_018.jpg <br />
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  • http://www.wga.hu/art/m/michelan/3sistina/1genesis/3sacrifi/03_2ce3f.jpg <br /> Sacrifice of Noah (with ignudi and medallions)1509 <br />
  • http://a-pollaiolo.livejournal.com/78702.html#cutid1 <br />
  • Sixtinische Kapelle, Michelangelo, Noahs Opfer (Noah&apos;s sacrifice) By HEN-Magonza <br /> http://farm9.staticflickr.com/8162/7584131286_111f115f10_o.jpg <br />
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  • http://resizer.elcorreo.com/resizer/resizer.php?imagen=/deliverty/demo/resources/jpg/6/8/1351624296486.jpg&nuevoancho=950&nuevoalto=570&copyright=conCopyright&encrypt=false <br />
  • http://sistinepuzzle.com/wp-content/uploads/2012/04/Michelangelo_Drunkenness_of_Noah_03.jpg <br />
  • http://shop.ecanvasart.com/ihost/25/1081/michelangelo_The_prophet_Zacharias.jpg <br /> http://images.zeno.org/Kunstwerke/I/big/1190008a.jpg <br />
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  • Erythraean Sibyl prophet Isaiah prophet Ezekiel Cumaean Sibyl prophet Daniel prophet Jeremiah <br />
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  • 2. http://www.amolenuvolette.it/root/image/abrupt_clio_team.folder/michelangelo%201504-1550.folder/011[amolenuvolette.it]1509%20voute%20de%20la%20chapelle%20sixtine%20couple%20au%20dessus%20de%20la%20sibylle%20d&apos;erythr%C3%A9e%20d%C3%A9tail%20d&apos;un%20ignudo.jpg <br />
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  • SALMON BOOZ OBETH <br />
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  • IOSIAS IECHONIAS SALATHIEL <br />
  • ZOROBABEL AVIVD ELIACHIM <br />
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Michelangelo -  Capella Sistina Michelangelo - Capella Sistina Presentation Transcript

  • Michelangelo - Capella Sistina • • • • • • Michelangelo Buonarroti (1475 – 1564), was an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance who exerted an unparalleled influence on the development of Western art. Today the name of Michelangelo is commonly known and is inseparably associated with the Sistine Chapel. Having the details of the ingenious sculptor’s life in mind, we are struck by the titanic force nested in Michelangelo – a short, thin man, the force that enabled him to surpass seemingly insurmountable obstacles and, sometimes, the fate’s mockeries – his life abounded in them. Michelangelo painted the Sistine Chapel in two stages. First he, doing the order of Pope Julius II (the nephew of Sixtus IV), was painting frescos on the Chapel plafond since 1508 until 1512. Twenty years later Pope Clement VII ordered the master to paint the altar wall. However, the work was only started at the time of the next pontiff – Paul III. In 1536–1541 the artist created his tremendous fresco “The Last Judgment”. Michelangelo glorified the Sistine Chapel, the Chapel immortalized the artist’s name. Probably, we cannot present the events that followed better than Stendhal did: “A unique case in the history of human spirit: an artist in the prime of life is made to quit the kind of art he has always been devoting all his forces to and set for working in an another field; they demand that his first experience should be a most difficult and large-scale work ever imagined in this sphere of art, and he fulfills the task in such a short period, not imitating anybody, creating something that is inimitable and taking the first place in the field of art he was not at all going to choose!
  • • • • • • • • • Since then, through all the three centuries nothing comparable, even partially, to Michelangelo’s exploit has been observed. Just imagine what could be going on in the soul of a man who was so scrupulous about his repute and so strict about himself when he set for that huge creation, without even knowing the techniques of fresco painting, and you will acknowledge his vigor which matches, if only this is feasible, grandiosity of his genius”. The artist committed his feat merely through 26 months (working with intervals since May 10, 1508 until October 31, 1512). He painted the ceiling, lying on his back or sitting, with his head thrown back. The paint was dropping onto his eyes; the body was lacerated with unbearable pains caused by his strained position. According to Condivi, long looking upward during the work made Michelangelo unable to see anything with his head held straight. He had to read letters and examine objects having them raised above his head. Michelangelo wrote in a letter to his father dated 27 January 1509 : "This is the difficulty of work, and yet is not my profession. And even I am wasting my time fruitless. God help me." In a humorous sonnet accompanied by a little sketch, composed in 1509, the artist described his physical state at that time. However, in spite of all hardships, Michelangelo created a masterpiece that, due to its grandiosity, content and perfection took the central place in the art of the High Renaissance. Goethe wrote: “Having not seen Capella Sistina, hardly can you obtain a visual idea about what a single man is capable of.” http://efetov.com/read-book-online/chapter-2/ Efetov, K. A. A shocking secret of the Sistine Chapel. – Simferopol: CSMU Press, 2006. – 84 pp Stendhal (1783-1842). Histoire de la peinture en Italie. – Paris: Didot l'aîné, 1817, p. 329 – 330 Johann Wolfgang Goethe. Italienische Reise-Teil 2 Rom, 23 August 1787
  • Michelangelo sonett 5 (1509) I’ ho già fatto un gozzo in questo stento, come fa l’acqua a’ gatti in Lombardia o ver d’altro paese che si sia, c’a forza ‘l ventre appicca sotto ‘l mento. I‘ve grown a goitre by dwelling in this den — as cats from stagnant streams in Lombardy, or in what other land they hap to be — which drives the belly close beneath the chin: La barba al cielo, e la memoria sento in sullo scrigno, e ‘l petto fo d’arpia, e ‘l pennel sopra ‘l viso tuttavia mel fa, gocciando, un ricco pavimento. My beard turns up to heaven; my nape falls in fixed on my spine: my breast-bone visibly grows like a harp: a rich embroidery bedews my face from brush-drips, thick and thin. E’ lombi entrati mi son nella peccia, e fo del cul per contrapeso groppa, e’ passi senza gli occhi muovo invano. My loins into my paunch like levers grind: my buttock like a crupper bears my weight; my feet unguided wander to and fro; Dinanzi mi s’allunga la corteccia, e per piegarsi adietro si ragroppa, e tendomi com’arco sorïano. In front my skin grows loose and long; behind, by bending it becomes more taut and strait; crosswise I strain me like a Syrian bow: Però fallace e strano surge il iuditio che la mente porta, ché mal si tra’ per cerbottana torta. Whence false and quaint, I know, must be the fruit of squinting brain and eye; for ill can aim the gun that bends awry. La mia pittura morta difendi orma’, Giovanni, e ‘l mio onore, non sendo in loco bon, né io pittore. Come then, Giovanni, try to succour my dead pictures and my fame; since foul I fare and painting is my shame. View slide
  • Scenes from the Genesis Year Dimensions 1. Separation of Light from Darkness 1511 180 x 260 cm 2. Creation of the Sun, Moon, and Plants 1511 280 x 570 cm 3. Separation of the Earth from the Waters 1511 155 x 270 cm 4. Creation of Adam 1510 280 x 570 cm 5. Creation of Eve 1509-10 170 x 260 cm 6. The Fall and Expulsion from Garden of Eden 1509-10 280 x 570 cm 7. Sacrifice of Noah 1509 170 x 260 cm 8. The Deluge 1508-09 280 x 570 cm 9. Drunkenness of Noah 1509 170 x 260 cm View slide
  • Prophets Year Dimensions 1.  Zechariah (ZACHERIAS)  1509 360 x 390 cm 2.  Joel (IOEL) 1509 355 x 380 cm 3.  Isaiah (ESAIAS) 1509 365 x 380 cm 4.  Ezekiel (EZECHIEL) 1510 355 x 380 cm 5.  Daniel (DANIEL) 1511 395 x 380 cm 6.  Jeremiah (HIEREMIAS)  1511 390 x 380 cm 7.  Jonah (IONAS)  1511 400 x 380 cm
  • Sibyls Year Dimensions 1.  Delphic Sibyl. (DELPHICA) 1509 350 x 380 cm 2.  Erythraean Sibyl. (ERITHRAEA) 1509 360 x 380 cm 3.  Cumaean Sibyl. (CVMAEA) 1510 375 x 380 cm 4.  Persian Sibyl  (PERSICHA) 1511 400 x 380 cm 5.  Libyan Sibyl  (LIBICA) 1511 395 x 380 cm
  • Ignudi in the scene of the above the Year 1 , 2. Drunkenness of Noah prophet Joel 1509 3 , 4. Drunkenness of Noah Delphic Sibul 1509 5 , 6. Sacrifice of Noah Erythraean Sibyl 1509 7 , 8. Sacrifice of Noah prophet Isaiah 1509 9 ,10. Creation of Eve prophet Ezekiel 1509-10 11,12. Creation of Eve Cumaean Sibyl 1509-10 13,14. Separation of the Earth from the Waters Persian Sibyl 1511 15,16. Separation of the Earth from the Waters prophet Daniel 1511 17,18. Separation of Light from Darkness prophet Jeremiah 1511 19,20. Separation of Light from Darkness Libyan Sibyl 1511
  • Last Judgment 1. Last Judgment Year Dimensions 1537-1541 1370 x 1220 cm
  • Ancestors of Christ Year Dimensions 1. Abraham-Isaac-Jacob-Judah 2. Perez-Hezron-Ram 3. Amminadab (AMINADAB) 1511-12 215 x 430 cm 4. Nahshon (NAASON) 1511-12 215 x 430 cm 5. Salmon - Boaz - Obed (SALMON - BOOZ - OBETH) 1511-12 215 x 430 cm 6. Jesse - David - Solomon (IESSE - DAVID - SALOMON) 1511-12 215 x 430 cm 7. Rehoboam - Abijah (ROBOAM - ABIAS) 1511-12 215 x 430 cm 8. Asa - Jehoshaphat - Joram (ASA - IOSAFAT - IORAM) 1511-12 215 x 430 cm 9. Uzziah - Jotham - Ahaz (OZIAS - IOATHAM - ACHAZ) 1511-12 215 x 430 cm 10. Hezekiah - Manasseh - Amon (EZECHIAS - MANASSES - AMON) 1511-12 215 x 430 cm 11. Josiah - Jechoniah - Shealtiel (IOSIAS - IECHONIAS - SALATHIEL) 1511-12 215 x 430 cm 12. Zerubbabel - Abiud - Eliakim (ZOROBABEL - ABIVD - ELIACHIM) 1511-12 215 x 430 cm 13. Azor - Zadok (AZOR - SADOCH) 1511-12 14. Achim - Eliud (ACHIM - ELIVD) 1511-12 215 x 430 cm 15. Eleazar - Matthan (ELEAZAR - MATHAN) 1511-12 215 x 430 cm 16. Jacob - Joseph (IACOB - IOSEPH) 1511-12 215 x 430 cm
  • Spandrels Year Dimensions 1. Judith and Holofernes 1509 570 x 970 cm 2. David and Goliath 1509 570 x 970 cm 3. Punishment of Haman 1511 585 x 985 cm 4. The Brazen Serpent 1511 585 x 985 cm
  • Spandrels above Year Dimensions 1. Jesse - David - Solomon 1509 245 x 340 cm 1. Zerubbabel - Abiud - Eliakim 1509 245 x 340 cm 2. Josiah - Jechoniah - Shealtiel 1509 245 x 340 cm 3. Uzziah - Jotham - Ahaz 1509 245 x 340 cm 4. Hezekiah - Manasseh - Amon 1509 245 x 340 cm 5. Rehoboam - Abijah 1509 245 x 340 cm 6. Asa - Jehoshaphat - Joram 1509 245 x 340 cm 7. Salmon - Boaz - Obed 1509 245 x 340 cm 8. Jesse - David - Solomon 1509 245 x 340 cm
  • Michelangelo - Capella Sistina Sources • • • • • • • • • • • • • • • • • • • • • • • http://en.wikipedia.org/wiki/Michelangelo http://it.wikipedia.org/wiki/Michelangelo_Buonarroti http://en.wikipedia.org/wiki/Sistine_Chapel_ceiling http://it.wikipedia.org/wiki/Volta_della_Cappella_Sistina http://efetov.com/read-book-online/chapter-2/ http://texni-zoi.blogspot.gr/2013/04/michelangelo.html http://www.wga.hu/frames-e.html?/html/m/michelan/3sistina/1genesis/3sacrifi/index.html http://commons.wikimedia.org/wiki/Special:ListFiles/1a2b3c%3F http://commons.wikimedia.org/wiki/File:Last_Judgement_(Michelangelo).jpg http://commons.wikimedia.org/wiki/File:Sistine_Chapel_ceiling_diagram.svg http://commons.wikimedia.org/wiki/File:Sistine_chapel_ceiling_diagram_of_areas.PNG http://upload.wikimedia.org/wikipedia/commons/4/4d/Sistine_Chapel_ceiling_diagram_overlay_composite.png http://www.desordre.net/accessoires/peinture/michel_ange_cappella_sistina.jpg http://a-pollaiolo.livejournal.com/78992.html http://a-pollaiolo.livejournal.com/78702.html#cutid1 http://www.amolenuvolette.it/root/image/abrupt_clio_team.folder/michelangelo%201504-1550.folder/ http://www.flickr.com/photos/18030640@N06/5480975349/ http://www.cappella-sistina.it/giudizio-universale.html http://laexuberanciadehades.wordpress.com/2012/11/28/capilla-sixtina/ http://chianti.in-travel.it/wp-content/gallery/sistina/cappella_sistina_03.jpg http://www.fotopedia.com/items/flickr-5788715531 http://www.slideshare.net/algargos/miguelngel-la-bveda-de-la-capilla-sixtina http://www.slideshare.net/sergisanchiz/07-renacimiento-pintura-de-miguel-ngelppt presentation by sotos