En Format Theory

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    En Format Theory - Presentation Transcript

    1. Formats Daphne Dijkerman (DDI02) [email_address]
    2. Format
      • Can be used several times (for example, the event Sensation of the TV show Big Brother)
      • It is non-linear and multiple, it can use of different media.
      • There is interaction with the audience because the concept may grow.
    3. Definitie Format
      • “… Format is the name of a crossmedia expression where characteristic elements are fixed , so that a distinctive and result-oriented contact with the target group is built. On the basis of which a balanced mix of content, entertainment and interaction can be produced …”
      • (Daphne Dijkerman)
    4. Formats
      • Big Brother
      • Idols
      • Serious Request
      • Radio 538
      • Volkskrant
      • NRC.Next
      • Sensation
      • Dance Valley
      • Unox nieuwjaarsduik
      • DE Burendag
      Television Radio Print Music Campaign
    5. Advantages
      • Development costs are spread over many productions.
      • Optimal use of accumulated knowledge and experience.
      • Productions repeating nationally and internationally.
    6. Format = formula
    7. Characteristics format
      • Program Title
      • Audience
      • Proposed time slot
      • Length in minutes
      • Example games / questions
      • Decor, set design
      • Marketing opportunities
      • Scenario
      • Theme
    8. Requirements
      • Simplicity
      • Revenu
      • Repeatable
      • Viral
      • multi platform c.q. crossmedia
      • Selfsustaining Cultural fit
    9. A good format can be explained in one minute!
    10. Legal protection
    11. Legal protection
      • Ideas that underlie television programs are completely free and have no copyright  'free flow of ideas‘
      • Copyright requirement: sensory observed
      • Idea sufficiently worked out: copyright claim might be possible.
    12. Legal protection
      • Copyright protection of formats is achieved if the original format is sufficiently worked out.
      • So, program proposal in combination with a pilot.
    13. Legal protection
      • Fully developed format = copyright.
      • However, when there are new elements, which is sufficiently original, to be added/changed by another, there is a new format, which was also protected by copyright. (By the person who adapts it)
    14. Registration
      • Tax / Post Office
      • www.file-reg.com
      • FRAPA (International Television Paper Format Registry)
      Make sure you can show the court, that on a certain date the format already have / have developed.
    15. Protected
      • Concept itself
      • Titles and logos
      • Slogan
      • Format components (eg Games)
      • Merchandising
    16. Protected : Concept
      • Get the Picture
      • Lingo
      • Wheel of Fortune
      • Expedition Robinson
    17. Tips
      • Copyright is no guarantee
      • Think of a catchy name (a brand) for your format. A good name for a format very important and valuable.
      • Send only a global description and not the whole programme or format
    18. Tips
      • Try to sign in advanced, before a pitch a Secrethoudings contract
      • Try in advance to register as much as possible components.
    19. Stages
    20. Stages
      • Idea
      • Concept
      • Programm proposal
      • Pilot
      • Format
    21. Idea
      • Idea = programm proposal
      • described in a detailed form and content in short
    22. Stages
      • Idea
      • Brainstorm
      • brainstorm to developing a concept
      • Research
      • Audience
      • Resources
    23. Stages
      • Concept to elaborate programm
      • Scenario;
        • Who
        • What
        • Where
      • Rules
      • Participants
      • Pitch
    24. Stages
      • Program proposal to format
      • Pilot
      • Production format / Format bible
      • Distribution & Sales
    25. Stages
      • The programme, + The production plan, + The findings of the broadcast
      • Programm format
    26.  
    27. Stages
      • Research into parts:
        • Type format?
        • Used resources / media
        • Target group research
        • Viewers group (who looks there?)
        • Commercial audience (who is buying products?)
        • Feasibility study
        • Competition analysis
        • Budget and finance
        • Genre
        • Timeslot
    28. Genres
      • Websites,
      • Printed media,
      • 3D,
      • Games,
      • DVD,
      • Events,
      • Mobiles
    29. Genres
      • Documentary,
      • Drama,
      • Reality TV,
      • Talk shows,
      • Infomercial (a contraction of the word information and commercial)
      • Soapserie
    30. program proposal
    31. program proposal
      • What is the baseline (logline) of the program?
      • What is the story?
      • Why does the viewer see it?
      • A good baseline / logline can be told in a sentence.
      • Good test: if you can tell the baseline in one SMS message.
    32. program proposal
      • How do you tell this story?
      • What is the format?
      • What steps take the viewer through to the program?
    33. program proposal
      • What is the USP (unique selling point) of this proposal?
      • What makes this proposal so unique?
      • Why should I buy this?
      • Is it an original idea?
    34. program proposal
      • What is the finale?
      • What remains hanging in the spotlight after the end of the program?
      • What will it?
      • What did it taught?
    35. program proposal
      • Who imagine as presenter / presenter?
      • What is the profile of the presenter presenter?
    36. program proposal
      • What should it cost (to produce)?
      • Which team do you want to make this?
      • Keep yourself involved in the project?
      • Do you see possibilities for this proposal to work it out in crossmedia?
      • What can be done with the same idea in radio, in print, online, mobile,…. ?
    37. anABC & BAVO
      • The BBC traced them until 4 criteria :
      • - audience need? - Approach? - Benefit? - Competition?
      • translated into Dutch, it is BAVO : - Behoefte? - Aanpak? - Voordeel? - Onderscheid?
    38. Pitch
    39. Format pitch
      • Synopsis
      • Extended summary of major elements
      • Atmosphere, look & feel
      • Intended target group
      • Intended Buget
      • Intended participants / contracts
      • Potential sponsors / collaborations
      • Merchandising / Sales opportunities
    40. OnePager
    41. Format Requirements
    42. Format Requirements
      • Sense & Simplicity
      • Emotions
      • Mood, Moment & Media
    43. Commercial format
      • Brand Presence,
      • Brand Performance,
      • Brand Personality
      • Brand Delivery
    44. Cases Which formats are there?
    45.  
    46.  
    47. The Phone
    48. Issues …….format questions….. © Indira Reynaert, Existenz
    49. Format questions
      • What makes this unique format?
      • What are the USPs for viewers?
      • Who is the target audience?
      • Is it a niche group?
    50. Format questions
      • Is it fast or slow presentation?
      • What type of presenter do you see before you?
      • Where and how is the program distributed?
      • Is there cooperation with events organizers possible? If so, how?
    51. Format questions
      • How is the brand / concept forward?
      • What would the cost per episode (indication) / event?
    52. Format questions
      • Can the format used for all ‘brand events'?
      • What is the design / style?
      • What is the title of the concept?
    53. Read more?
      • Televisiemaken: van idee tot programmaformat (only in dutch)
      • Televisiemaken: van programmaformat tot uitzending (only in dutch)
      • The Pitch, the essential guide to selling stories. Eileen Quinn & Judy Counihan
      • Format Fortunes – Is There Now a Copyright for the Television Format ?

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