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Making money from  premium journalism <ul><li>Skye Doherty April 2010 </li></ul>
exclusivity audience market content technology creativity storytelling experimentation advertising paywalls revenue beta j...
Content
<ul><li>Creative / Original </li></ul><ul><li>Professionally produced </li></ul><ul><li>Experimentation </li></ul><ul><li>...
Source: http://discussions.ft.com/longroom
Source: http://www.nytimes.com/interactive/2009/09/29/health/health-care-conversations.html?ref=health
Source: Electric Sheep Company via Tao Takashi on Flickr
“ If you have an idea, get out there and do it … there are no excuses” Suzanne Stefanac, AFI Digital Content Lab director
Made for consumption No Flash Multitasking Few pay for for news apps  Apps Growth of mobile Reinvent content Reinvent adve...
Revenue
<ul><li>Subscriptions </li></ul><ul><li>Advertising </li></ul>
Source: Nielsen , ‘Changing Models: A Global Perspective on Paying for Content Online’
Source: http://www.ft.com/cms/275bc334-3063-11dc-9a81-0000779fd2ac.html?segid=70011
Figures calculated monthly WSJ monthly subscriptions Online Mobile iPad $8.60 $8.60 $17.99
<ul><li>“ You can visit The New York Times twice a month, three times a month, perhaps even almost every day, and never ge...
Source:  Adrian Short on Flickr
http://www.mondaynote.com/2009/03/08/raw-data-comparing-arpus/
Source: http://www.liesdamnedlies.com/2008/11/online-ad-business-101-part-vi-ad-exchanges.html
<ul><li>Premium publishers have a choice: </li></ul><ul><li>Optimise for ad networks and remove the sales force </li></ul>...
Reach
http://skyedoherty.com
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Making money from premium journalism

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  • In the media business, high-quality journalism and content matter. It is everything that supports and surrounds it – the business model – that is changing and creating a challenge
  • Users are willing to pay for content if it is considerably better quality than what is available elsewhere Content they are most willing to pay for is professionally produced at relatively high cost
  • Some publishers are creating new, original content that is online only. At the FT things like the Long Room and Lex are premium products targetting niche readers
  • The NYT has transformed itself from an information company into a technology company. It has 100 technical staff that sit alongside reporters to create digital stories
  • At Reuters, Nic Fulton runs a department that is allowed to fail. He successfully sent two reporters into second life but no-so-successfully put news stories to dance music.
  • This is something that needs to be instilled in students. Suzanne gave several examples of young people with ideas who got in their cars and hit the road to record stories, or worked and worked at perfecting a technical skill. She says we are in an era of perpetual beta – don’t wait until it is perfect – get it out there.
  • Most online news sites are using a combination of these
  • Online people are less willing to pay for a whole package
  • That said, the FT and the WSJ have successful online subscriptions models. At the FT online now makes up 73 per cent of group revenue. At the WSJ the success of the paid model changed Murdoch’s thinking on the issue. WSJ editors had to convince the new owner not to open it up
  • At the WSJ, like the FT, some content is free. General news, which is now a commodity, is freely available. What you pay for is the premium content.
  • At the NYT the plan is to give some content away for free, and to ensure access by search engines and social networks. But to charge heavier users
  • The Times has just put up a paywall: £1 a day or £2 a week.
  • Will it pay? Frederic Filloux maintains that the business model is unable to sustain quality journalism and that newspapers are selling their inventory on the cheap through ad networks. Washington post is arpu per reader (not buyer) Sites such as TechCrunch and the Huffington Post generate less than $1 per user
  • One of the challengers to traditional publishers is the volume of competition online. And among those hundreds of millions of sites competing for audience and revenue, the small, niche sites are the biggest threat. That is because readers trust the advertising on these sites as much as they trust it on bigger, premium sites. The way around this is to embrace these publishers
  • The Guardian is good at this.
  • Transcript of "Making money from premium journalism"

    1. 1. Making money from premium journalism <ul><li>Skye Doherty April 2010 </li></ul>
    2. 2. exclusivity audience market content technology creativity storytelling experimentation advertising paywalls revenue beta journalism interaction
    3. 3. Content
    4. 4. <ul><li>Creative / Original </li></ul><ul><li>Professionally produced </li></ul><ul><li>Experimentation </li></ul><ul><li>Delivery platforms </li></ul>
    5. 5.
    6. 6. Source: http://discussions.ft.com/longroom
    7. 7. Source: http://www.nytimes.com/interactive/2009/09/29/health/health-care-conversations.html?ref=health
    8. 8. Source: Electric Sheep Company via Tao Takashi on Flickr
    9. 9. “ If you have an idea, get out there and do it … there are no excuses” Suzanne Stefanac, AFI Digital Content Lab director
    10. 10. Made for consumption No Flash Multitasking Few pay for for news apps Apps Growth of mobile Reinvent content Reinvent advertising Frictionless payments Portable Print qualities New experience Production processes Price Browser Class-based news STRENGTHS WEAKNESS OPPORTUNITY THREATS
    11. 11. Revenue
    12. 12. <ul><li>Subscriptions </li></ul><ul><li>Advertising </li></ul>
    13. 13. Source: Nielsen , ‘Changing Models: A Global Perspective on Paying for Content Online’
    14. 14. Source: http://www.ft.com/cms/275bc334-3063-11dc-9a81-0000779fd2ac.html?segid=70011
    15. 15. Figures calculated monthly WSJ monthly subscriptions Online Mobile iPad $8.60 $8.60 $17.99
    16. 16. <ul><li>“ You can visit The New York Times twice a month, three times a month, perhaps even almost every day, and never get charged for content. But if you're a really loyal user and you go every day, read multiple pages, the type of person who we think should be paying, should be subscribing, then we will ask you to subscribe. And we think that will work.” </li></ul><ul><li>Media Watch interview with Marc Frons (CTO Digital Operations, The New York Times), 17th February, 2010 </li></ul>
    17. 17. Source: Adrian Short on Flickr
    18. 18. http://www.mondaynote.com/2009/03/08/raw-data-comparing-arpus/
    19. 19. Source: http://www.liesdamnedlies.com/2008/11/online-ad-business-101-part-vi-ad-exchanges.html
    20. 20. <ul><li>Premium publishers have a choice: </li></ul><ul><li>Optimise for ad networks and remove the sales force </li></ul><ul><li>Sell premium branded content and maintain sales force / relationships with advertisers </li></ul><ul><li>Russ Fradin, Adify president </li></ul>
    21. 21. Reach
    22. 22.
    23. 23.
    24. 24. http://skyedoherty.com
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