Web Distribution for Makers of Film and Video

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    Web Distribution for Makers of Film and Video - Presentation Transcript

    1. Digital Distribution Opportunities for Makers of Film and Video - Scott Kirsner - B ased on the book The Future of Web Video , and delivered at the Apple Store, San Francisco, June 12, 2007 “… Scott Kirsner ’s The Future of Web Video is a must-read. It ’s a concise and comprehensive analysis of the viewer trends, distribution opportunities, and revenue schemes out there now and soon on the horizon that working filmmakers can ’t do without." – Scott Macaulay, Editor, Filmmaker magazine and producer, Forensic Films
    2. The First Apple Store? Holland Bros. Kinetosocope Parlor, 1894
    3. The Original Video iPod (Edison’s Kinetoscope)
    4.  
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    8. The Web Video Era
    9. Web Video Presents Two Kinds of Opportunities for Creatives
      • Exposure and potential “discovery” by mainstream media
      • Financial success on your own terms
    10. Economic Models
      • Paid download (Brightcove, GreenCine, Jaman, eventually iTunes?)
      • Ad-supported (Revver, Metacafe, YouTube … for some content creators)
      • DVD purchase (CustomFlix, IndieFlix, IndiePix, FilmBaby)
    11. Who’s Watching Web Video
      • 107.7 million people watched video on the Internet at least once per month, on average, in 2006
      • Apple’s iTunes store has sold over 50 million TV episodes ($1.99 each) and 2 million feature films ($9.99 to $14.99 each), as of April 2007
      • On YouTube, the most popular video, “Evolution of Dance,” has been seen 50 million times, and the average viewer spends 26 minutes per month on the site, according to Nielsen/NetRatings
    12. What are They Watching? “ Evolution of Dance” - 50 million views, $0 on YouTube
    13. What are They Watching? “ Extreme Diet Coke & Mentos Experiments” 7.5 million views, $35,000 on Revver
    14. What are They Watching? “ Matrix - For Real” by Joe Eigo 5.25 million views, $26,000 on Metacafe
    15. What are They Watching? “ 405” on iFilm 5.3 million views, $??
    16. What are They Watching? “ Ask a Ninja” $20,000 on Revver in 2006
    17. What are They Watching? “ The Landlord” 34 million views, $??
    18. What are They Watching? “ Back Massage Techniques” 1.4 million views, $7174 on Metacafe
    19. What are They Watching? “ the smiley intervention” 1.3 million views, $0 on YouTube
    20. Commonalities
      • Videos making money on the Net so far are:
        • Short (10 mins or less)
        • Entertaining, funny or instructive
        • Not reliant on dialogue
    21. Consumption Habits News: 72 percent Television or movie clips: 59 percent Music videos: 48 percent Sports highlights: 44 percent Amateur videos: 43 percent Concert highlights: 23 percent Full-length movies or TV shows: 22 percent Live sporting events: 17 percent Video podcasts: 17 percent Live concerts: 9 percent A September 2006 AP/AOL survey of 1,347 online video users reported on the types of videos they were consuming
    22. Where Consumption Happens Source: Nielsen/NetRatings
    23. Filmmaker Experiences $7 million budget….Digital download on AOL in October 2006: $2.49 for 5-day rental, $7.99 to own…AOL committed millions to promotion…Later released by Sony Home Entertainment on DVD
    24. Filmmaker Experiences Budget under $1 million…Director turned down $125K distrib offer…Debuted on Google video in Jan. 2006, with 70/30 revenue split at $3.99 per download…300 downloads, not 3000…About $1000 in revenue, but 22,000 DVDs shipped (MTI Home Video)
    25. Filmmaker Experiences Budget under $10 million…Distributed on Net two weeks after theatrical release, in December 2006 … $9.99 for rental, $19.99 for download to own…Released on DVD in February by First Look.
    26. Filmmaker Experiences Four Eyed Monsters on YouTube / Spout promotion Spout paying $1 bounty (up to $100,000) for every new user $16,399 earned as of Tuesday afternoon (6/12/07)
    27. Exposure and Reputation-Building
    28. In The Audience
      • Creatives and entrepreneurs in the audience who spoke about their work included:
      • Mark Day, YouTube content partner
      • Ondine Kilker, Kisser Productions
      • Jim Kerns, “Destination Bangalore”
      • Brett Levine, Dovetail.tv / “How to Behave”
      • Charles Choi, Caachi.com
      • Enric Teller, Cirne
    29. Challenges
      • iTunes not open to indie content
      • Aside from iTunes, no obvious second-tier player for paid rentals or downloads
      • No widely-used connection yet between Internet and TV (Apple TV, TiVo, MSFT Media Center all candidates)
      • Very few sites support HD content (Vuze, Dovetail)
      • “ Snacking” behavior; preference for short videos
      • Marketing in a noisy environment with near-infinite choice
    30. "A must-read for every filmmaker. A comprehensive look at an elusive emerging market that has the potential to change the way films are made and distributed.” – Lance Weiler, producer/ director, Head Trauma and The Last Broadcast http://stores.lulu.com/kirsner http://www.scottkirsner.com/ webvid/gettingpaid.htm http://cinematech.blogspot.com/ My e-mail: kirsner@pobox.com

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