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The Allure of
Gothic Markup
Simon St. Laurent
York Minster, by GuyHH
DISCLAIMER
•  O’Reilly Media, Inc. bears no responsibility for the
content of this presentation. This presentation in
no w...
Ten Years Ago
Montreal
August 5, 2013.
St. Leonard Cohen de Montreal
‘When they
said
“REPENT”
I wonder
what they
meant.’
“The Future”, 1992. Photo by Hyacinthe R...
We Are Fallen Creatures
Night Vigil, York Minster, photo by Catholic Church (England and Wales)
Don’t: Politics and Morality of Tech
John Ruskin, The Brezon and Alps of the Reposoir, seen from Mornex
The Problems Lie Deep
We Are Complicit – I Am Complicit
Electronic Frontier Foundation VersionPhoto by laughingsquid
WHAT HAS GOTHIC TO DO
WITH MARKUP?
Nice pictures, but…
Codex Argenteus, the Bible in Gothic. Photo by
Benutzer Signue, Wik...
Ruskin & The Nature of Gothic
•  The Stones of Venice (1851-3): a book on
architecture – evolves into a polemic about soci...
Savageness
Changefulness
Arches with variations. John Ruskin, The Stones of Venice.
William Morris
•  “it is possible for man to
rejoice in his work, for,
strange as it may seem to us
to-day, there have bee...
Christopher Alexander
•  A Pattern Language (1977), not Design
Patterns (1994).
•  Architect who wants to re-architect and...
System-A and System-B
•  Iterative
•  Drawings after
•  Includes builders and
clients at all stages
•  Continuous developm...
Depth, Not Quantity
•  “The architect-builder... has greater powers but
more limited domain. Any one architect builder
may...
BUT WHAT HAS THIS TO DO
WITH MARKUP?
You didn’t answer the question!
Markup as Architecture
In virtual world, markup:
•  Creates spaces in which we can talk
•  Builds structures in which we c...
XML as Industrialized Data
•  Automate as much as possible.
•  Prioritize predictability.
•  Versioning means remodeling t...
Validation
William Holman Hunt, The Scapegoat
We Fear That Work Is This
Ford Madox Brown, Work
Asynchronicity Works This Way
John Everett Millais, Christ in the House of His Parents (The Carpenter's Shop)
Data Transformation Flows
•  Changefulness shifts state.
•  Transformations traditionally
more forgiving than validators.
...
Douglas Crockford: JSON and
Functional Programming
•  JSON extracts existing syntax from JavaScript
– no invention.
•  Cro...
Human Transformers
•  Reading as a transformation from “what you gave
me” to “what I want to understand”, not just
“taking...
A FEW RECENT FINDS
After the paper…
John von Neumann
(1951)
Roger Costello: Fine-Grained Validation
•  “how to validate - in an automated fashion - each
item of an XML document and m...
Waterfall, Agile, Lean
•  Waterfall: Know problem, figure out solution,
implement.
•  Agile: Know problem, iterate over so...
The Importance of Wheedling
•  “When a programmer instructs a computer to
reject, or disregard, all input longer than 64
c...
SO….
Emphasize Markup
•  Markup as direct access to data.
•  Programming languages shift back –
transformations critical but no...
The Promised Land
Ford Madox Brown, An English Autumn Afternoon, Hampstead – Scenery in 1853
The Journey: Setting Out
Tapestry designed by Sir Edward Coley Burne-Jones, William Morris, and John Henry Dearle,
The Arm...
Welcoming: Entry Points
Standen Garden. Photo by UGArdener
Welcoming, Not Overwhelming
Kelmscott Manor, Lechlade, Gloucestershire. Photo by Tim Waters.
Teaching: Get Them First!
Konrad St.Laurent
Designing for Approachability
Mackintosh glass, Scotland Street School Museum. Photo by dalbera
Maximum Welcome
Angels, Jesus College Chapel. Photo by TheRevSteve
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The Allure of Gothic Markup

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Markup's data-centric human-readable approach offers a unique opportunity for us to build systems that are more than the usual automation. We haven't taken advantage of that power, however. Why? Because we've stayed on the in

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Transcript of "The Allure of Gothic Markup"

  1. 1. The Allure of Gothic Markup Simon St. Laurent York Minster, by GuyHH
  2. 2. DISCLAIMER •  O’Reilly Media, Inc. bears no responsibility for the content of this presentation. This presentation in no way reflects the official views of O’Reilly Media, Inc. No other O’Reilly employees were involved in its creation. It exclusively represents the individual perspective of Simon St.Laurent. •  I am extremely lucky to have an employer that allows these kinds of wanderings. You should find one too, if you don’t have one already.
  3. 3. Ten Years Ago
  4. 4. Montreal August 5, 2013.
  5. 5. St. Leonard Cohen de Montreal ‘When they said “REPENT” I wonder what they meant.’ “The Future”, 1992. Photo by Hyacinthe Rambault.
  6. 6. We Are Fallen Creatures Night Vigil, York Minster, photo by Catholic Church (England and Wales)
  7. 7. Don’t: Politics and Morality of Tech John Ruskin, The Brezon and Alps of the Reposoir, seen from Mornex
  8. 8. The Problems Lie Deep
  9. 9. We Are Complicit – I Am Complicit Electronic Frontier Foundation VersionPhoto by laughingsquid
  10. 10. WHAT HAS GOTHIC TO DO WITH MARKUP? Nice pictures, but… Codex Argenteus, the Bible in Gothic. Photo by Benutzer Signue, Wikimedia Commons
  11. 11. Ruskin & The Nature of Gothic •  The Stones of Venice (1851-3): a book on architecture – evolves into a polemic about social organization and craft. Ca D’Oro, Venice. Photo by Kenton Forshee
  12. 12. Savageness
  13. 13. Changefulness Arches with variations. John Ruskin, The Stones of Venice.
  14. 14. William Morris •  “it is possible for man to rejoice in his work, for, strange as it may seem to us to-day, there have been times when he did rejoice in it… unless man's work once again becomes a pleasure to him, the token of which change will be that beauty is once again a natural and necessary accompaniment of productive labour, all but the worthless must toil in pain, and therefore live in pain” The Nature of Gothic, Kelmscott Press Edition (1892).
  15. 15. Christopher Alexander •  A Pattern Language (1977), not Design Patterns (1994). •  Architect who wants to re-architect and re-orient architecture.
  16. 16. System-A and System-B •  Iterative •  Drawings after •  Includes builders and clients at all stages •  Continuous development from large features to small, unknown at start •  Meets budgets by dropping features as necessary •  Cost control through customization •  Planned (and corrections) •  Drawings before •  Hierarchy of designer to contractors to customers •  All features included in original plan, possibly with options •  Meets budgets by dropping quality or halting •  Cost control through standardization
  17. 17. Depth, Not Quantity •  “The architect-builder... has greater powers but more limited domain. Any one architect builder may control no more than twenty houses at a time, but he will take full responsibility for their design and construction, and he will work far more intensely with the individual families, and with the individual details of their houses. Thus, in this model of construction, both design and construction are decentralized....” The Production of Houses (1985) , 76-7
  18. 18. BUT WHAT HAS THIS TO DO WITH MARKUP? You didn’t answer the question!
  19. 19. Markup as Architecture In virtual world, markup: •  Creates spaces in which we can talk •  Builds structures in which we can work •  Lays out marketplaces in which we shop •  Offers a canvas on which to decorate •  Assembles structures into larger groups
  20. 20. XML as Industrialized Data •  Automate as much as possible. •  Prioritize predictability. •  Versioning means remodeling the factory. •  Standards about industrial collaboration. •  Human involvement driven to minimum. •  Contains anarchy by treating it as allowed but exceptional. Photo by Urban Garden
  21. 21. Validation William Holman Hunt, The Scapegoat
  22. 22. We Fear That Work Is This Ford Madox Brown, Work
  23. 23. Asynchronicity Works This Way John Everett Millais, Christ in the House of His Parents (The Carpenter's Shop)
  24. 24. Data Transformation Flows •  Changefulness shifts state. •  Transformations traditionally more forgiving than validators. •  XSLT as classic XML model, functional programming broader. •  Differentiate internal and external structures. •  “Data Pachinko” Pachinko machine photo by limetom.
  25. 25. Douglas Crockford: JSON and Functional Programming •  JSON extracts existing syntax from JavaScript – no invention. •  Crockford reorients developers toward functional JavaScript approaches. •  Practice avoids schemas, uses transformations from simple to massive. •  “Don’t be evil” license. Photo by niallkennedy
  26. 26. Human Transformers •  Reading as a transformation from “what you gave me” to “what I want to understand”, not just “taking in what is there”. •  Document creation as an especially flexible transformation. •  Even automated transformation tools should often be simpler even than “classic” XSLT 1.0, letting humans specify direction. CSS selectors a classic enabling tech, but should be more interfaces.
  27. 27. A FEW RECENT FINDS After the paper…
  28. 28. John von Neumann (1951)
  29. 29. Roger Costello: Fine-Grained Validation •  “how to validate - in an automated fashion - each item of an XML document and make validation decisions on a per-item basis rather than a per- document basis. The items to be validated may be as fine-grain or as course-grain as desired: the item may be a single element (or even just the text within a leaf element) or the item may be an element composed of many descendent elements. Validation may be done from the outside in (the root element to the leaf nodes) or the inside out (the leaf nodes to the root element).” (7/2013)
  30. 30. Waterfall, Agile, Lean •  Waterfall: Know problem, figure out solution, implement. •  Agile: Know problem, iterate over solutions. •  Lean: Figure out problem, test solutions. Minimum Viable Product (MVP) •  “Test solutions” makes it easy to put people into a system at least at the outset, for “concierge options” that make a lot more sense for testing than complete build out.
  31. 31. The Importance of Wheedling •  “When a programmer instructs a computer to reject, or disregard, all input longer than 64 characters, she effectively makes it impossible for a bureaucrat – however sympathetic – to accommodate a name that’s longer than she’s imagined names might be. With a human bureaucrat, there was always the possibility of wheedling an exception; machines don’t wheedle.” Cory Doctorow, 7/2013. http://boingboing.net/2013/08/05/podcast-teaching-computers.html
  32. 32. SO….
  33. 33. Emphasize Markup •  Markup as direct access to data. •  Programming languages shift back – transformations critical but not necessarily required. •  Declarative annotations offer tremendous power for presentation, hyperlinking, commentary, and more.
  34. 34. The Promised Land Ford Madox Brown, An English Autumn Afternoon, Hampstead – Scenery in 1853
  35. 35. The Journey: Setting Out Tapestry designed by Sir Edward Coley Burne-Jones, William Morris, and John Henry Dearle, The Arming and Departure of the Knights of the Round Table on the Quest for the Holy Grail
  36. 36. Welcoming: Entry Points Standen Garden. Photo by UGArdener
  37. 37. Welcoming, Not Overwhelming Kelmscott Manor, Lechlade, Gloucestershire. Photo by Tim Waters.
  38. 38. Teaching: Get Them First! Konrad St.Laurent
  39. 39. Designing for Approachability Mackintosh glass, Scotland Street School Museum. Photo by dalbera
  40. 40. Maximum Welcome Angels, Jesus College Chapel. Photo by TheRevSteve
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