Using Industrial Designs To Add Value For Marketing Handicrafts

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  • + mychentw Michelle Chen 5 months ago
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Using Industrial Designs To Add Value For Marketing Handicrafts - Presentation Transcript

  1. USING INDUSTRIAL DESIGNS TO ADD VALUE FOR MARKETING HANDICRAFTS: INDIAN CASE STUDIES Jyotsna Balakrishnan Anand & Anand, New Delhi April 2005
  2. WHAT IS A DESIGN?
    • Aesthetic aspects or outward appearance that is applied to a product
    • 2 D like patterns, lines, composition, colour; or
    • 3 D like shape; or combination of both 2D & 3D
  3.  
  4. WHY REGISTER YOUR DESIGN? – DESIGNS ACT, 2000
    • • Statutory right – accrues only on registration - territorial
    • Right to prevent all other from producing, importing, selling or distributing products having an identical appearance or a fraudulent or obvious imitation
    • Monopoly Period of 10 years extendable by 5
    • Gives you a Unique Selling Point (USP)
    • Is an asset & can be licensed
  5. Criteria for Design Registration
      • Finished article appeals to and is judged solely by the eye
      • New or original
      • not prior published in any country and not publicly known in India
      • is significantly distinguishable from known designs or combination of known designs
      • Not a technical or useful function of a product
  6. CLASSIFICATION ACCORDING TO GOODS
        • Registration is in relation to goods
        • Locarno classification which is followed throughout the world
        • 32 classes
        • Protection confined to class for which registered
        • More than one design may be registered as a set of articles of same character
  7. EXAMPLES OF DESIGNS REGISTERED UNDER THE DESIGNS ACT
  8. EXAMPLES OF REGISTERED DESIGNS
  9. WHO OWNS A DESIGN?
    • If design has been specially commissioned for good consideration, the person for whom it is executed
    • An assignee or exclusive licensee
    • In any other case, the CREATOR
  10. ALTERNATIVE WAYS TO PROTECT A DESIGN
      • Copyright eg., painting as an artistic work
      • Trademark & trade dress eg., source identifier
  11. “ Artistic work” – Overlap of Rights?
    • Copyright does not subsist in design registered under the Designs Act
    • Design capable of being registered, but which has not been so registered - copyright shall cease as soon as any article to which the design has been applied has been produced more than fifty times by an industrial process
  12. Samsonite v. Vijay Sales
    • Where design likely
    • to be used for
    • industrial production,
    • copyright protection
    • under the Copyright
    • Act cannot be
    • claimed
  13. DESIGN Vs. COPYRIGHT Is not goods specific Only in respect of goods registered for Life of author + 50 years Maximum 15 years No requirement for novelty Has to be NOVEL Subsists inherently Need to register to claim protection Only protects against copying Complete monopoly COPYRIGHT DESIGN
  14. DESIGN AS A TRADEMARK
    • SKB v. HLL
    • The “S” shape
    • Both design rights & trademark rights were claimed on it
    • Design registration was cancelled during proceedings
  15. IT IS ADVISABLE TO…..
    • Apply for registration when design is final & BEFORE IT IS PUT INTO THE MARKET
    • Very important to keep the design CONFIDENTIAL before filing of the design application and if need to share it, enter into agreements
  16. IT IS ADVISABLE TO…..
    • Keep documentation at every stage of product creation – helps claim different rights
    • Affix a legal notice of design registration on the product – requirement to be able to claim damages
    • Licensing of your design
  17. CASE STUDY
    • TANJORE JAMDANI SARI
    • Combination of the Jamdani technique and the dye painting technique
    • Arrangement of motifs completely unique and not known before

+ Siddharth NathSiddharth Nath, 9 months ago

custom

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