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Lecture #7: Sound and Music
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Lecture #7: Sound and Music

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This week we look at sound and music and their relationship to the film edit.

This week we look at sound and music and their relationship to the film edit.

Published in: Education

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Transcript

  • 1. CLASS 7 SHANNON W ALSH / SM2002 SCHOOL OF CREATIVE HONG KONG / SPRING MEDIA, 2014 CITY UNIVERSITY
  • 2. HISTORY OF SOUND IN FILM
  • 3. DIEGETIC & NON-DIEGETIC DIEGETIC Sounds that are visible on screen (voices of characters, sounds made by objects, music from things we see) NON-DIEGETIC Sounds that are not visible on screen (Narrator, music, sound effects outside narrative space)
  • 4. STAR WARS EPISODE II Sound Design in Star Wards Episode II https://www.youtube.com/watch?v=5ogCVi0WqrQ
  • 5. THEORY OF SOUND Sound is as key as Image – inaudible dialogue is unusable footage Every place has a sound • Background conversations & the particulars of place (birds, sirens, traffic lights) • Sound library and building your own library Tips & Tool of Sound Recording • Atmospheric sound • Tools of recording POV recording • Room Tones/ Thumbprints/Balloons • Mic placements, camera perspectives What you can do in the mix & edit – what mixing can’t solve
  • 6. PRODUCTION & POST-PRODUCTION SOUND TEAM • Location sound recordist • Boom operator • Folly artist • Sound Editor • Sound Mixer • Music composer /Score
  • 7. STAGES IN SOUND PRODUCTION • • • • • • • • Location recording Sound stage Folley Re-recording Dialogue editing Sound design (sound library) Mix Mastering
  • 8. In the Final Mix with my Sound Editor, Daniel Lagace & Mixer / Sound Engineer, Jean Paul Vialard at the National Film Board in Canada.
  • 9. THE CONVERSATION Walter Murch talks about the music score used during filming. (min 19:20)
  • 10. APOCALYPSE NOW Opening sequence
  • 11. DOG DAY AFTERNOON