Cihan Ertan - Tattoo As a Resistance and Its Public Reaction
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Cihan Ertan - Tattoo As a Resistance and Its Public Reaction

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Workshop on Alternative Ways of Participation.

Workshop on Alternative Ways of Participation.
7th and 8th of February 2014 in Istanbul
http://www.sebeke.org.tr/

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Cihan Ertan - Tattoo As a Resistance and Its Public Reaction Cihan Ertan - Tattoo As a Resistance and Its Public Reaction Presentation Transcript

  • Tattoo As a Resistance and Its Public Reaction 1
  • Resistance Patterns of Tattoo: Political Voice of Skin • A tattooed body itself can be considered as a resistance or a challenge to the traditional body form which is thought pure and intact. Besides, tattoo also can be symbolic representation of individuals’ rebellion... “I have been interested in music since I was a child, especially rock music. Majority of them had tattoos... I always wanted to get tattooed... It wasn’t important what it is; I did want tattoo. I’m not feeling that I belong to the tattoo culture but it is directly related to the rock music which is a rebellion or resistance for me” (Interviewee, 6, Male). 2
  • • It can be seen that tattoo and being a tattooed person represent a symbolic signifier which points to a critical and defiant thoughts of people. For instance, one of the interviewees link his tattoos to a certain music and life style which contradict with the social formations based on economy and policy. “I think that it has been an impact on my life when I listened to Imagine of John Lennon. It says: ‘Imagine all the people living life in peace. Imagine no possessions. I wonder if you can...’ . I believe I can and I live by adopting as a principle of that money isn’t that much important, peace precedes money... There is no rule, limit, there is only my own rules in a world I created...” (Interviewee 10, Male). 3
  • • Tattoo can be considered as a rebellion, an objection, and a resistance oriented an external control mechanism upon the body of individuals, and also it can be thought as the indicator of possession of the body by individuals. “No one can constrain me. My mother doesn’t want me to get more tattoos but I anyway will... I have a principle that if there would be someone in my life bringing problem, trying to restrain me, depriving me of something I like ..., I’d reject him/her. Because there is only me” (Interviewee 11, Male) 4
  • • One of the interviewees conceives tattoo as a representation of resistance to the disciplining and oppressive power on his body. The body, in this context, takes place at the centre of the tension of the interactional relation between individual and the structure, and it is also a tool for individual to ‘handle’ that tension. “… majority of my relatives don’t like and approve my tattoos. But, you see, I do not care, it is my body and my decision after all.” (Interviewee 28). 5
  • “My political view is contrary to my father’s. He is right-winger, and espouses liberal system… Thus, I got ‘treble clef’ on my left arm, as the reflection on my body that of I am opposed to him, in order to signify that I am left-winger. Whenever there is a dialogue between us, he’d say that ‘how do you think? Why do you think that way? What the hell is that?’… I should have done something so as to get out of the atmosphere in where I couldn’t express myself. Therefore, this time I got ‘pegasus’ on my left arm, the symbol of freedom. If you noticed, (pointing at Joker tattoo on his upper arm) it is a joker griting his teeth. The reason that this joker is nervous is that I am nervous about something… It shows that I am reactive to given things… My struggle for freedom against the things repressing me revives in my tattoos…” (Interviewee 37, M, 27). 6
  • • As is seen from the example below, tattoo constitutes an alternative way for individuals to express themselves in public space. Within the frame of this alternative public representation manner, even the visibility strategy deployed on tattoo as regards to conditions can alone comprise a resistance pattern. Here, there is a resistance which finds it expression merely through a tattooed body rather than what motifs are being inscribed on it: “I’d reveal my tattoos in public rather than concealing them. Futher, I want to expose them deliberately more than concealing in the presence of conservative, puritanical, religious people who disapprove of tattoos.” (Interviewee 16). 7
  • Reading Otherness From The Body • Individual representation through tattoo in public space may face with social resistance and it may result in subjection of those who have tattoo(s) to othering. In this context, there seems to be a conflict and tension, occurring sometimes, between individual aspect and social aspect of practice. Individual caught between this conflict and tension may conceal or cover tattoo on the body in order to get through this situation. “… Tattoo is not being approved if you are in a serious and formal situation, in an important place… I need to get my tattoos concealed in that cases.” (Interviewee 3). 8
  • “… you prefer a job and employer also prefer you but it can be laid aside because of the tattoos you have” (Interviewee 29). • The other interviewee, concerning relationship between having a job and having a tattooed body, said that: “… I was going to take for the examination of military officer but I couldn’t take it because I have tattoos. In addition to this, I was also going to teach at the vocational course…, I was told that it would have been possible if I had no tattoos… I am thinking about getting my tattoo on my arm erased in order that it doesn’t hinder the profession I’ll acquire. It can be the trouble when it is visible” (Interviewee 22). 9
  • “… one day, a woman insulted me in a supermarket saying ‘profane’. She said that ‘the world has gone from bad to worse because of the people like you!’” (Interviewee 16, F). 10