Your SlideShare is downloading. ×
Principles of Design (part I) Gestalt Laws-Unity and Harmony
Upcoming SlideShare
Loading in...5
×

Thanks for flagging this SlideShare!

Oops! An error has occurred.

×
Saving this for later? Get the SlideShare app to save on your phone or tablet. Read anywhere, anytime – even offline.
Text the download link to your phone
Standard text messaging rates apply

Principles of Design (part I) Gestalt Laws-Unity and Harmony

3,758

Published on

Gestalt is the German word for “form, shape, pattern, or configuration. …

Gestalt is the German word for “form, shape, pattern, or configuration.

Published in: Design, Spiritual, Technology
0 Comments
4 Likes
Statistics
Notes
  • Be the first to comment

No Downloads
Views
Total Views
3,758
On Slideshare
0
From Embeds
0
Number of Embeds
1
Actions
Shares
0
Downloads
0
Comments
0
Likes
4
Embeds 0
No embeds

Report content
Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
No notes for slide

Transcript

  • 1. PRINCIPLES OF DESIGNGESTALTUnity and HarmonySaad Aqeel Alzarooni © 2012 s a a d a q e e l a z l a r o o n i
  • 2. Introduction According to Gestalt theory, human naturally look for order or a relationship between various elements. They observe and analyze individual parts of an image as separate components and have the tendency to group these parts into a larger image that may be very different from the components.Alan Hashimoto and Mike Clayton: Visual Design Fundamentals (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 3. G E S T A L TUNITYUnity expresses the idea that things belong together. Harmony is another word thatmight be used in place of unity. The idea that we tend to group similar elements andtry to find a relationship that exist between them is an example of how the designprinciple of unity is incorporated into the Gestalt theory of visual perception. © 2012 s a a d a q e e l a z l a r o o n i
  • 4. Unity This is an example of how grouping similar elements creates harmony in design.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 5. Lack Of Unity This is an example of design that is chaotic and uncomfortable to view.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 6. G E S T A L TUNITY AND PLACEMENTUSING LINEThe placement of lines of type that are organized to group information thatis related. © 2012 s a a d a q e e l a z l a r o o n i
  • 7. Unity and Placement Using Line This is example of a page that uses the placemat of lines of type and surrounded space to create a relationship between various forms of information.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 8. Unity and Placement Using Line This shows the shapes and values that are formed by lines of type.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 9. G E S T A L TUNITY AND PLACEMENTUSING SHAPEThe placement of elements next to each other is one way to create unity. © 2012 s a a d a q e e l a z l a r o o n i
  • 10. Unity And Placement Using Shape This example shows shapes are placed far apart and all are too close to the picture frame. When this happens, the edges of the composition will receive the attention, and the middle feels open and empty.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 11. Unity And Placement Using Shape All of the shapes are placed in the center of the frame and close to each others.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 12. Unity And Placement Using Shape This example shows chaos. Shapes placed at random.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 13. Unity And Placement Using Shape This example show a unifying design. Shapes placed with similar line direction and related aspects of the shapes themselves.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 14. N W O S EIT O YU ENOW YOU S EE I TUnity And Placement Using ShapeType set close together and the same type set loose. © 2012 s a a d a q e e l a z l a r o o n i
  • 15. NOW YOU NOW YOUSEE IT: SEE IT:VISUALIZATION TECHNIQUES VISUALIZATION TECHNIQUESUnity And Placement Using ShapeUnity between type and lines of type. © 2012 s a a d a q e e l a z l a r o o n i
  • 16. G E S T A L TREPETITION USING LINERepetition is a characteristic of unity that can be applied to any element of design.The idea is that a part of a design repeats somewhere else in a composition tocreate unity. © 2012 s a a d a q e e l a z l a r o o n i
  • 17. Repetition Using Line This is an example of how repetition of a line can unify a composition. The design is made up of three shapes. The shapes seem to feel unified but the circle seems out of place.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 18. Repetition Using Line This example illustrates how repeating a line similar to the circle can make the entire composition more harmonious. The newly added line is large to give the design variety and interest.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 19. Repeated Line Direction and Unity This example of how repeating the vertical line directions of primary shapes unifies a design. However, the design contains shapes that seem unrelated.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 20. Repeated Line Direction and Unity This example shows that through the use of vertical line direction, the shapes appear to be more unified.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 21. G E S T A L TREPETITION USING SHAPEThere are two types of shapes: rectilinear and curvilinear. Designs that consist of similar typesof shapes are usually harmonious. © 2012 s a a d a q e e l a z l a r o o n i
  • 22. Repetition Using Shape This example shows design with similar rectilinear shapes.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 23. Repetition Using Shape This example shows design with similar curvilinear shapes.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 24. Repetition Using Shape The design makes use of both shapes in one composition, illustrating the idea that both types of shapes can be present in a unified design. The idea that these shapes are different from each other but can exist in the same design is a good example of balancing unity with variety.Inspired by: Alan Hashimoto and Mike Clayton (2009). © 2012 s a a d a q e e l a z l a r o o n i
  • 25. saad aqeel alzarooniSaad is passionate social designer andethnographic researcher. His currentresearch interests fall mainly in appliedknowledge modeling for planning andevaluation and visual thinking for designresearch.Links:linkedin.com/in/saadaqeelalzaroonicontextualresearch.wordpress.comideaviz.wordpress.comsaadaqeelalzarooni.wordpress.comissuu.com/saadaqeel © 2012 s a a d a q e e l a z l a r o o n i
  • 26. END© 2012 s a a d a q e e l a z l a r o o n i 26

×