The spirit receives from materials the perceptions
           by which it is nourished, and returns them in the
          ...
innovatie
Thursday, June 18, 2009
Richard Rogers          Norman Foster         Nicolas Grimshaw




                                 Richard Buckminster Fu...
materiaal
Thursday, June 18, 2009
ISBN: 0-8070-6473-4


                          Gaston Bachelard
                             1884-1962
Thursday, June 18,...
1
                            The House, from Cellar to Garret
                              The significance of the Hut
 ...
Sometimes the house of the future is better built, lighter and larger than
              all houses of the past, so that t...
Fermez l’espace!
                          Fermez la poche du Kangourou!
                                  Il y fait chaud...
Fermez l’espace!
                          Fermez la poche du Kangourou!
                                  Il y fait chaud...
Fermez l’espace!
                          Fermez la poche du Kangourou!
                                  Il y fait chaud...
Ruimten
              Rondom




            ISBN: 9-0295-350-3                         ISBN: 0-1401-8986-6


            ...
Un espace sans fonction. Non pas "sans fonction précise", mais précisément
         sans fonction ; non pas pluri-fonction...
ambacht
Thursday, June 18, 2009
“Architektur ist etwas Haptisches, etwas zum Anfassen.
                   Die Materialien in der Architektur sind wie die ...
Made of Materials
      To me, there is something revealing about the work of Joseph Beuys and some of the
      artists o...
ISBN: 4-900211-50-8
                                   link
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
1927



Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
economie
Thursday, June 18, 2009
“My primary concerns are structural lightness and efficiency;
                     spatial and visual transparency; the di...
ISBN: 0-7148-4194-3
                                 link
Thursday, June 18, 2009
ISBN: 0-9181-7202-0
                                 link


Thursday, June 18, 2009
Eames House, 1951

Thursday, June 18, 2009
House for a Poet, 1991

Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Paper Church, Kobe, 1995

Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Expo 2000 link

Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
revolte
Thursday, June 18, 2009
ISBN:1-56898-176-7

                                (link)

Thursday, June 18, 2009
Michelin | Bibendum, 1898   L écume des jours, 1967



Thursday, June 18, 2009
Jean-Paul Jungmann - Dyodon, 1967

Thursday, June 18, 2009
Hans-Ulrich Obrist - interview met Jean-Paul Jungmann
Thursday, June 18, 2009
Thursday, June 18, 2009
utopie
Thursday, June 18, 2009
“It’s not biomorphism in the sense that it is imitation of natural form,
                      better is learning how natu...
ISBN: 1-56898-301-8




Thursday, June 18, 2009
John M. Johansen
                          Molecular-Engineered Apartment Building 2001
Thursday, June 18, 2009
Ernst Haeckel
                          Art Forms in Nature - Radiolaria 1899

Thursday, June 18, 2009
http://www.biojewellery.com/




Thursday, June 18, 2009
tektoniek
Thursday, June 18, 2009
tektoniek (tectoniek) (v.;g.mv.), 1 leer van de
                verschuivin-gen en verplaatsingen van de aardlagen; 2
    ...
ISBN: 0-262-56149-2

                                 (link)

Thursday, June 18, 2009
How to become modern
                          and return to sources?
                                  Paul Ricœur




Th...
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Academy of Architecture Rotterdam: Graduation workshop Intro - September2005

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This lecture was part of a general introduction for a graduation project with four students from the Rotterdam Academy of Architecture. The graduation project's central theme was the implementation of materials, construction, and the symbolical meaning of materials.

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Academy of Architecture Rotterdam: Graduation workshop Intro - September2005

  1. 1. The spirit receives from materials the perceptions by which it is nourished, and returns them in the form of movement, with the imprint of its freedom. Henry Bergson (link) Thursday, June 18, 2009
  2. 2. innovatie Thursday, June 18, 2009
  3. 3. Richard Rogers Norman Foster Nicolas Grimshaw Richard Buckminster Fuller Thursday, June 18, 2009
  4. 4. materiaal Thursday, June 18, 2009
  5. 5. ISBN: 0-8070-6473-4 Gaston Bachelard 1884-1962 Thursday, June 18, 2009
  6. 6. 1 The House, from Cellar to Garret The significance of the Hut 2 House and Universe 3 Drawers, Chests and Wardrobes 4 Nests 5 Shells 6 Corners 7 Miniature 8 Intimate Immensity 9 The Dialectics of Outside and Inside 10 The Phenomenology of Roundness Thursday, June 18, 2009
  7. 7. Sometimes the house of the future is better built, lighter and larger than all houses of the past, so that the image of the dream house is opposed to that of the childhood home. Later in life, with indomitable courage, we continue to say that we are going to do what we have not yet done: we are going to build a house. Gaston Bachelard - The Poetics of Space Thursday, June 18, 2009
  8. 8. Fermez l’espace! Fermez la poche du Kangourou! Il y fait chaud. Close space! Close the kangaroo’s pouch! It’s warm in there. Maurice Blanchard - Le temps de la poésie Thursday, June 18, 2009
  9. 9. Fermez l’espace! Fermez la poche du Kangourou! Il y fait chaud. Close space! Close the kangaroo’s pouch! It’s warm in there. Maurice Blanchard - Le temps de la poésie Thursday, June 18, 2009
  10. 10. Fermez l’espace! Fermez la poche du Kangourou! Il y fait chaud. Close space! Close the kangaroo’s pouch! It’s warm in there. Maurice Blanchard - Le temps de la poésie Thursday, June 18, 2009
  11. 11. Ruimten Rondom ISBN: 9-0295-350-3 ISBN: 0-1401-8986-6 ISBN: 2-7186-0550-2 (Link) Thursday, June 18, 2009
  12. 12. Un espace sans fonction. Non pas "sans fonction précise", mais précisément sans fonction ; non pas pluri-fonctionnel (cela, tout le monde sait le faire), mais a-fonctionnel. Ça n'aurait évidemment pas été un espace uniquement destiné á "libérer" les autres (fourre-tout, lacard, penderie, rangement, etc.) mais un espace, je le répète, qui n'aurait servi à rien. Comment penser le rien ? Comment penser le rien sans automatiquement mettre quelque chose autour de ce rien, ce qui en fait un trou, dans lequel on va s'empresser de mettre quelque chose, une pratique, une fonction, un destin, un regard, un besoin, un manque, un surplus ? Thursday, June 18, 2009
  13. 13. ambacht Thursday, June 18, 2009
  14. 14. “Architektur ist etwas Haptisches, etwas zum Anfassen. Die Materialien in der Architektur sind wie die Töne für den Komponisten. Mit den Materialien arbeite ich, ich habe alle gern. Das Interessante ist, die Töne immer wieder neu zusammenzusetzen und einen spezifischen Klang zu erzeugen.” Peter Zumthor (1943) Truog ‘Gugalun’ Huis, Versam 1990-’94 Sumvitg-San Benedetg, Graubunden 1985-’88 Thursday, June 18, 2009
  15. 15. Made of Materials To me, there is something revealing about the work of Joseph Beuys and some of the artists of the Arte Povera group. What impresses me is the precise and sensuous way they use materials. It seems anchored in an ancient, elemental knowledge about man’s use of materials, and at the same time to expose the very essence of these materials which is beyond all culturally conveyed meaning. I try to use materials like this in my work. I believe that they can assume a poetic quality in the context of an architectural object, although only if the architect is able to generate a meaningful situation for them, since materials in themselves are not poetic. The sense that I try to instill into materials is beyond all rules of composition and their tangibility, smell and acoustic qualities are merely elements of the language that we are obliged to use. Sense emerges when I succeed in bringing out the specific meanings of materials in my buildings, meanings which can only be perceived in just this way in this one building. If we work towards this goal, we must constantly ask ourselves what the use of a particular material could mean in a specific architectural context. Good answers to these questions can throw new light onto both the way in which the material is generally used and its own inherent sensuous qualities. If we succeed in this, materials in architecture can be made to shine and vibrate. Peter Zumthor Thursday, June 18, 2009
  16. 16. ISBN: 4-900211-50-8 link Thursday, June 18, 2009
  17. 17. Thursday, June 18, 2009
  18. 18. Thursday, June 18, 2009
  19. 19. Thursday, June 18, 2009
  20. 20. 1927 Thursday, June 18, 2009
  21. 21. Thursday, June 18, 2009
  22. 22. Thursday, June 18, 2009
  23. 23. Thursday, June 18, 2009
  24. 24. Thursday, June 18, 2009
  25. 25. economie Thursday, June 18, 2009
  26. 26. “My primary concerns are structural lightness and efficiency; spatial and visual transparency; the dissolution of the boundaries between interior and exterior space, and economical means of construction.” Shigeru Ban (1957) Bibliotheek voor een Dichter, Zushi, Japan - 1991 Papieren Kerk, Kobe, Japan - 1995 Japans Paviljoen, Expo 2000, Hannover, BRD Thursday, June 18, 2009
  27. 27. ISBN: 0-7148-4194-3 link Thursday, June 18, 2009
  28. 28. ISBN: 0-9181-7202-0 link Thursday, June 18, 2009
  29. 29. Eames House, 1951 Thursday, June 18, 2009
  30. 30. House for a Poet, 1991 Thursday, June 18, 2009
  31. 31. Thursday, June 18, 2009
  32. 32. Thursday, June 18, 2009
  33. 33. Thursday, June 18, 2009
  34. 34. Thursday, June 18, 2009
  35. 35. Paper Church, Kobe, 1995 Thursday, June 18, 2009
  36. 36. Thursday, June 18, 2009
  37. 37. Thursday, June 18, 2009
  38. 38. Thursday, June 18, 2009
  39. 39. Thursday, June 18, 2009
  40. 40. Expo 2000 link Thursday, June 18, 2009
  41. 41. Thursday, June 18, 2009
  42. 42. Thursday, June 18, 2009
  43. 43. Thursday, June 18, 2009
  44. 44. revolte Thursday, June 18, 2009
  45. 45. ISBN:1-56898-176-7 (link) Thursday, June 18, 2009
  46. 46. Michelin | Bibendum, 1898 L écume des jours, 1967 Thursday, June 18, 2009
  47. 47. Jean-Paul Jungmann - Dyodon, 1967 Thursday, June 18, 2009
  48. 48. Hans-Ulrich Obrist - interview met Jean-Paul Jungmann Thursday, June 18, 2009
  49. 49. Thursday, June 18, 2009
  50. 50. utopie Thursday, June 18, 2009
  51. 51. “It’s not biomorphism in the sense that it is imitation of natural form, better is learning how nature organizes, and in the same way we can organize our buildings and our cities.” John M. Johansen (1916) Froth of Bubbles - Conferentiecentrum 2001 Molecular-Engineered Apartment Building 2001 Thursday, June 18, 2009
  52. 52. ISBN: 1-56898-301-8 Thursday, June 18, 2009
  53. 53. John M. Johansen Molecular-Engineered Apartment Building 2001 Thursday, June 18, 2009
  54. 54. Ernst Haeckel Art Forms in Nature - Radiolaria 1899 Thursday, June 18, 2009
  55. 55. http://www.biojewellery.com/ Thursday, June 18, 2009
  56. 56. tektoniek Thursday, June 18, 2009
  57. 57. tektoniek (tectoniek) (v.;g.mv.), 1 leer van de verschuivin-gen en verplaatsingen van de aardlagen; 2 (bouwk.) leer van de architectonische vormen in hun verband met constructie en techniek. Bron: van Dale, 12e druk Thursday, June 18, 2009
  58. 58. ISBN: 0-262-56149-2 (link) Thursday, June 18, 2009
  59. 59. How to become modern and return to sources? Paul Ricœur Thursday, June 18, 2009

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