Nielsen ppt early-medieval-artprt3
Upcoming SlideShare
Loading in...5
×
 

Nielsen ppt early-medieval-artprt3

on

  • 1,025 views

USED IN LESSON

USED IN LESSON

Statistics

Views

Total Views
1,025
Views on SlideShare
388
Embed Views
637

Actions

Likes
0
Downloads
4
Comments
0

1 Embed 637

http://rhondaviolachurchartblog.wordpress.com 637

Accessibility

Categories

Upload Details

Uploaded via as Microsoft PowerPoint

Usage Rights

© All Rights Reserved

Report content

Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
  • Full Name Full Name Comment goes here.
    Are you sure you want to
    Your message goes here
    Processing…
Post Comment
Edit your comment

    Nielsen ppt early-medieval-artprt3 Nielsen ppt early-medieval-artprt3 Presentation Transcript

    • EarlyMedieval Art
    • Purse cover, from the Sutton Hoo ship burial(Suffolk, England), c. 625, gold, glass, and enamel cloisonné with garnets and emeralds
    • art of migratory people/predatory subject matter/ interlaced pattern
    • Cross and carpet page from theLindisfarne Gospels (Northumbria, England), c. 698- 721, tempera on vellumHiberno-Saxon, or Insular/ Celtic cross with a transom
    • use of serpents, dragons, and other fantastic animals
    • rubrum (“entry inred”)/ minium/ incipit and explicit
    • varied styles within the Book of Lindisfarne/ sacred act of copying images/ amarius and a scriptorium
    • Chi-rho-iota page from the Book of Kells (Iona, Scotland), lateeighth or early ninth century use ofabbreviations/ chi- rho iota/curves and ripples
    • inclusion of human andanimal shapes
    • High Cross of Muiredach(Monasterboice, County Louth, Ireland), 923large mass and scale/ church above thetransom/ wheel and the circle
    • Animal head post, from the Oseberg ship burial (Norway), c. 825, wood Vikings/ fusion ofinterlaced pattern and the animal form/ gruesome rituals ofhuman sacrifice/Odin, Thor, and Freya/Valhalla/ stave church
    • Two views of the Oseberg ship (Oslo)
    • Left: Wood carvedportal of the stave church at Urnes, Norway, c. 1050-1070Below: drawing of a stave church
    • Equestrian portrait of Charlemagne (Metz, Germany), early ninth century
    • Saint Matthew fromthe Coronation Gospel Book of Charlemagne(Aachen, Germany), c. 800-810, ink and tempera on vellum Charlemagne and Aachen (Aix-la-Chapelle)/ reliance on prototypes for artistic inspiration (i.e. theMediterranean style)/ Caroline minuscule
    • Saint Matthew from the Ebbo Gospels (Hautvillers, near Reims, France), c. 816-835, ink and tempera on vellum classical calmreplaced by a frenzy of energy
    • Saint Luke fromthe Ebbo Gospels(Hautvillers, near Reims, France), c. 816-835, ink and tempera on vellum
    • Illustrations to Psalms 43 and 44, from the Utrecht Psalter, c. 820-32 CE
    • Cover of the Psalter of Charles the Bald (St. Denis, France), c. 865, ivory panelset in silver-gilt with filigree work and precious stones rich, decoratedsurfaces/ continued intellectual and artistic endeavors during the Carolingian period
    • Left: front cover of the Lindau Gospels, c. 870, gold Below: back cover
    • Odo of Metz. Interior of the Palatine Chapel of Charlemagne(Aachen, Germany), 792-805modeled after San Vitale/ second- storied throne