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    <title>Slideshows by User: collectionsaustralia</title>
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    <pubDate>Thu, 19 Nov 2009 05:07:58 GMT</pubDate>
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      <title>Eternal Cities?</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/ndf09-091118230802-phpapp01-thumbnail-2?1259005451" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> What are the issues facing communities &quot;being online now&quot;?  Sustainability of effort; 
continuity of community interest in and investment in online presence; collection 
access, use and reuse; attention to past, present and future issues associated with 
culture change; old, new and unforeseen audiences; evolving professional practices; 
and shifting expectations by all participants.  If these issues are all fluid then the crucial factors that need to be allied to &quot;being 
online&quot; are exploring, generating, sharing and communicating value as a means of 
moving to &quot;living online&quot;.  How well in a context of such flux does the collecting 
sector investigate and articulate the value of being online to its diverse stakeholders, 
i.e., the funders, the traditional onsite visitors, the unwitting and geo-spatially out-of- context web surfers, the peers in the collecting sector comprising GLAMs et al, avid e-researchers desperate for digital content to analyse, new media artists wanting to recode, hijack, mash, subvert, squash or fiddle with digital content, kids (of all ages) 
wanting to &quot;play with stuff&quot;, and the director, etc?  If the collecting sector is &quot;being 
online&quot; then is there an assumption that the utility value is high, well understood and 
managed and can easily progress to a state of &quot;living online&quot; or is there another 
perspective of value that needs to be articulated to facilitate this shift from &quot;being 
there&quot; to &quot;living there&quot;.  This presentation takes the history and strategic change in Collections Australia Network as an example of &quot;being online&quot;.  The 2009 review of its direction, performance and remit ongoing is referenced with a view to investigating what it takes to move from &quot;being online&quot; to &quot;living online&quot;.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/ndf09-091118230802-phpapp01-thumbnail-2?1259005451" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> What are the issues facing communities &quot;being online now&quot;?  Sustainability of effort; 
continuity of community interest in and investment in online presence; collection 
access, use and reuse; attention to past, present and future issues associated with 
culture change; old, new and unforeseen audiences; evolving professional practices; 
and shifting expectations by all participants.  If these issues are all fluid then the crucial factors that need to be allied to &quot;being 
online&quot; are exploring, generating, sharing and communicating value as a means of 
moving to &quot;living online&quot;.  How well in a context of such flux does the collecting 
sector investigate and articulate the value of being online to its diverse stakeholders, 
i.e., the funders, the traditional onsite visitors, the unwitting and geo-spatially out-of- context web surfers, the peers in the collecting sector comprising GLAMs et al, avid e-researchers desperate for digital content to analyse, new media artists wanting to recode, hijack, mash, subvert, squash or fiddle with digital content, kids (of all ages) 
wanting to &quot;play with stuff&quot;, and the director, etc?  If the collecting sector is &quot;being 
online&quot; then is there an assumption that the utility value is high, well understood and 
managed and can easily progress to a state of &quot;living online&quot; or is there another 
perspective of value that needs to be articulated to facilitate this shift from &quot;being 
there&quot; to &quot;living there&quot;.  This presentation takes the history and strategic change in Collections Australia Network as an example of &quot;being online&quot;.  The 2009 review of its direction, performance and remit ongoing is referenced with a view to investigating what it takes to move from &quot;being online&quot; to &quot;living online&quot;.]]>
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      <pubDate>Thu, 19 Nov 2009 05:07:58 GMT</pubDate>
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        <media:title>Eternal Cities?</media:title>
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        <media:description type="plain">What are the issues facing communities &amp;quot;being online now&amp;quot;?  Sustainability of effort; 
continuity of community interest in and investment in online presence; collection 
access, use and reuse; attention to past, present and future issues associated with 
culture change; old, new and unforeseen audiences; evolving professional practices; 
and shifting expectations by all participants.  If these issues are all fluid then the crucial factors that need to be allied to &amp;quot;being 
online&amp;quot; are exploring, generating, sharing and communicating value as a means of 
moving to &amp;quot;living online&amp;quot;.  How well in a context of such flux does the collecting 
sector investigate and articulate the value of being online to its diverse stakeholders, 
i.e., the funders, the traditional onsite visitors, the unwitting and geo-spatially out-of- context web surfers, the peers in the collecting sector comprising GLAMs et al, avid e-researchers desperate for digital content to analyse, new media artists wanting to recode, hijack, mash, subvert, squash or fiddle with digital content, kids (of all ages) 
wanting to &amp;quot;play with stuff&amp;quot;, and the director, etc?  If the collecting sector is &amp;quot;being 
online&amp;quot; then is there an assumption that the utility value is high, well understood and 
managed and can easily progress to a state of &amp;quot;living online&amp;quot; or is there another 
perspective of value that needs to be articulated to facilitate this shift from &amp;quot;being 
there&amp;quot; to &amp;quot;living there&amp;quot;.  This presentation takes the history and strategic change in Collections Australia Network as an example of &amp;quot;being online&amp;quot;.  The 2009 review of its direction, performance and remit ongoing is referenced with a view to investigating what it takes to move from &amp;quot;being online&amp;quot; to &amp;quot;living online&amp;quot;.</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/ndf09-091118230802-phpapp01-thumbnail-2?1259005451&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; What are the issues facing communities &amp;quot;being online now&amp;quot;?  Sustainability of effort; 
continuity of community interest in and investment in online presence; collection 
access, use and reuse; attention to past, present and future issues associated with 
culture change; old, new and unforeseen audiences; evolving professional practices; 
and shifting expectations by all participants.  If these issues are all fluid then the crucial factors that need to be allied to &amp;quot;being 
online&amp;quot; are exploring, generating, sharing and communicating value as a means of 
moving to &amp;quot;living online&amp;quot;.  How well in a context of such flux does the collecting 
sector investigate and articulate the value of being online to its diverse stakeholders, 
i.e., the funders, the traditional onsite visitors, the unwitting and geo-spatially out-of- context web surfers, the peers in the collecting sector comprising GLAMs et al, avid e-researchers desperate for digital content to analyse, new media artists wanting to recode, hijack, mash, subvert, squash or fiddle with digital content, kids (of all ages) 
wanting to &amp;quot;play with stuff&amp;quot;, and the director, etc?  If the collecting sector is &amp;quot;being 
online&amp;quot; then is there an assumption that the utility value is high, well understood and 
managed and can easily progress to a state of &amp;quot;living online&amp;quot; or is there another 
perspective of value that needs to be articulated to facilitate this shift from &amp;quot;being 
there&amp;quot; to &amp;quot;living there&amp;quot;.  This presentation takes the history and strategic change in Collections Australia Network as an example of &amp;quot;being online&amp;quot;.  The 2009 review of its direction, performance and remit ongoing is referenced with a view to investigating what it takes to move from &amp;quot;being online&amp;quot; to &amp;quot;living online&amp;quot;.</media:text>
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      <title>Collections Australia Network, a community of practice</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/mcn09-091111193135-phpapp01-thumbnail-2?1257989517" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Collections Australia Network serves the Australian collecting community through providing search access to collection data and outreach services.  ]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/mcn09-091111193135-phpapp01-thumbnail-2?1257989517" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Collections Australia Network serves the Australian collecting community through providing search access to collection data and outreach services.  ]]>
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      <pubDate>Thu, 12 Nov 2009 01:31:27 GMT</pubDate>
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        <media:title>Collections Australia Network, a community of practice</media:title>
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        <media:description type="plain">Collections Australia Network serves the Australian collecting community through providing search access to collection data and outreach services.  </media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/mcn09-091111193135-phpapp01-thumbnail-2?1257989517&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; Collections Australia Network serves the Australian collecting community through providing search access to collection data and outreach services.  </media:text>
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      <title>Is eResearch about the technology? ...space, platforms, hubs and social change...</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/era092-091108225203-phpapp01-thumbnail-2?1257742344" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Collections Australia Network (CAN) [1] is a technological platform for content aggregation, enabling access to well- 
structured and organised collection information for the convenience of the research community to retrieve.  Content 
aggregator services, like CAN, have a role to play beyond providing a technological platform in service of 
eResearch.  Content aggregation services need to evolve from their current state as technological platforms to active 
agents of social change in support of eResearch goals.  Content aggregating services operate as a hub, a key player and 
broker technically – and socially – in the wider network of contributors.  Content aggregating services already operate as 
boundary negotiators but it is as incubators and facilitators of change in practice and the discernment of areas for 
strategic digital development that these services are in a unique position to contribute to advancing eResearch initiatives. ]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/era092-091108225203-phpapp01-thumbnail-2?1257742344" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Collections Australia Network (CAN) [1] is a technological platform for content aggregation, enabling access to well- 
structured and organised collection information for the convenience of the research community to retrieve.  Content 
aggregator services, like CAN, have a role to play beyond providing a technological platform in service of 
eResearch.  Content aggregation services need to evolve from their current state as technological platforms to active 
agents of social change in support of eResearch goals.  Content aggregating services operate as a hub, a key player and 
broker technically – and socially – in the wider network of contributors.  Content aggregating services already operate as 
boundary negotiators but it is as incubators and facilitators of change in practice and the discernment of areas for 
strategic digital development that these services are in a unique position to contribute to advancing eResearch initiatives. ]]>
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      <pubDate>Mon, 09 Nov 2009 04:51:54 GMT</pubDate>
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        <media:description type="plain">Collections Australia Network (CAN) [1] is a technological platform for content aggregation, enabling access to well- 
structured and organised collection information for the convenience of the research community to retrieve.  Content 
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eResearch.  Content aggregation services need to evolve from their current state as technological platforms to active 
agents of social change in support of eResearch goals.  Content aggregating services operate as a hub, a key player and 
broker technically &#8211; and socially &#8211; in the wider network of contributors.  Content aggregating services already operate as 
boundary negotiators but it is as incubators and facilitators of change in practice and the discernment of areas for 
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        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/era092-091108225203-phpapp01-thumbnail-2?1257742344&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; Collections Australia Network (CAN) [1] is a technological platform for content aggregation, enabling access to well- 
structured and organised collection information for the convenience of the research community to retrieve.  Content 
aggregator services, like CAN, have a role to play beyond providing a technological platform in service of 
eResearch.  Content aggregation services need to evolve from their current state as technological platforms to active 
agents of social change in support of eResearch goals.  Content aggregating services operate as a hub, a key player and 
broker technically &#8211; and socially &#8211; in the wider network of contributors.  Content aggregating services already operate as 
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      <title>Travelling as a Tourist or Resident: finding your way online</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/oz-091006215403-phpapp02-thumbnail-2?1254887499" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Presentation by Ingrid Mason, National Project Manager, Collections Australia Network, for the Museums Australia, WA, Changing Landscapes, 8 Oct 2009.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/oz-091006215403-phpapp02-thumbnail-2?1254887499" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Presentation by Ingrid Mason, National Project Manager, Collections Australia Network, for the Museums Australia, WA, Changing Landscapes, 8 Oct 2009.]]>
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        <media:description type="plain">Presentation by Ingrid Mason, National Project Manager, Collections Australia Network, for the Museums Australia, WA, Changing Landscapes, 8 Oct 2009.</media:description>
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      <title>Working together to develop relationships with audiences and stakeholders</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/oz-090603203236-phpapp02-thumbnail-2?1244081657" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Manchester Art Gallery&rsquo;s Kim Gowland and Jane Wilcox presented a paper on identifying and building audiences at the recent Museums Australia conference in Newcastle last month. The presentation titled outlines how the gallery worked with the UK government and the North West Museum Hub to attract under represented audiences. For more, go to www.collectionsaustralia.net/publisher/outreach]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/oz-090603203236-phpapp02-thumbnail-2?1244081657" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Manchester Art Gallery&rsquo;s Kim Gowland and Jane Wilcox presented a paper on identifying and building audiences at the recent Museums Australia conference in Newcastle last month. The presentation titled outlines how the gallery worked with the UK government and the North West Museum Hub to attract under represented audiences. For more, go to www.collectionsaustralia.net/publisher/outreach]]>
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      <pubDate>Thu, 04 Jun 2009 01:31:12 GMT</pubDate>
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        <media:description type="plain">Manchester Art Gallery&amp;rsquo;s Kim Gowland and Jane Wilcox presented a paper on identifying and building audiences at the recent Museums Australia conference in Newcastle last month. The presentation titled outlines how the gallery worked with the UK government and the North West Museum Hub to attract under represented audiences. For more, go to www.collectionsaustralia.net/publisher/outreach</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/oz-090603203236-phpapp02-thumbnail-2?1244081657&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; Manchester Art Gallery&amp;rsquo;s Kim Gowland and Jane Wilcox presented a paper on identifying and building audiences at the recent Museums Australia conference in Newcastle last month. The presentation titled outlines how the gallery worked with the UK government and the North West Museum Hub to attract under represented audiences. For more, go to www.collectionsaustralia.net/publisher/outreach</media:text>
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      <title>Local objects global stories: Ingrid Mason</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/ma09can-1-090602185020-phpapp01-thumbnail-2?1244081147" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> How do collections and objects &quot;speak&quot; to audiences? How can museums present their collections online in ways that can be resourced and sustained at local level? Collections Australia Network national project manager Ingrid Mason used this presentation at the 2009 Museums Australia conference to discuss how museums can bring their collections to life online to engage new audiences.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/ma09can-1-090602185020-phpapp01-thumbnail-2?1244081147" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> How do collections and objects &quot;speak&quot; to audiences? How can museums present their collections online in ways that can be resourced and sustained at local level? Collections Australia Network national project manager Ingrid Mason used this presentation at the 2009 Museums Australia conference to discuss how museums can bring their collections to life online to engage new audiences.]]>
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      <pubDate>Tue, 02 Jun 2009 23:50:13 GMT</pubDate>
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        <media:description type="plain">How do collections and objects &amp;quot;speak&amp;quot; to audiences? How can museums present their collections online in ways that can be resourced and sustained at local level? Collections Australia Network national project manager Ingrid Mason used this presentation at the 2009 Museums Australia conference to discuss how museums can bring their collections to life online to engage new audiences.</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/ma09can-1-090602185020-phpapp01-thumbnail-2?1244081147&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; How do collections and objects &amp;quot;speak&amp;quot; to audiences? How can museums present their collections online in ways that can be resourced and sustained at local level? Collections Australia Network national project manager Ingrid Mason used this presentation at the 2009 Museums Australia conference to discuss how museums can bring their collections to life online to engage new audiences.</media:text>
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      <title>Local Objects Telling Global Stories: Joy Suliman</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/localobjectstellingglobalstories-090601002221-phpapp01-thumbnail-2?1244081281" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> &rsquo;Local Objects Telling Global Stories&rsquo; shows how we can use Google Earth to tell stories about objects in museum collections. The Powerhouse Museum&rsquo;s Soundhouse Vector Lab manager Joy Suliman has let us post her Powerpoint presentation to Slideshare. For background information, go to www.collectionsaustralia.net/publisher/outreach]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/localobjectstellingglobalstories-090601002221-phpapp01-thumbnail-2?1244081281" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> &rsquo;Local Objects Telling Global Stories&rsquo; shows how we can use Google Earth to tell stories about objects in museum collections. The Powerhouse Museum&rsquo;s Soundhouse Vector Lab manager Joy Suliman has let us post her Powerpoint presentation to Slideshare. For background information, go to www.collectionsaustralia.net/publisher/outreach]]>
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        <media:description type="plain">&amp;rsquo;Local Objects Telling Global Stories&amp;rsquo; shows how we can use Google Earth to tell stories about objects in museum collections. The Powerhouse Museum&amp;rsquo;s Soundhouse Vector Lab manager Joy Suliman has let us post her Powerpoint presentation to Slideshare. For background information, go to www.collectionsaustralia.net/publisher/outreach</media:description>
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