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    <pubDate>Tue, 22 Sep 2009 15:03:46 GMT</pubDate>
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      <title>How To Produce A Short Film By Conor Barry SP Films</title>
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What is the Producer s role?
    Relationship between Producer and Director
    What a Producer needs to know about directing
    What a Director looks for in a Producer
    Roles and responsibilities of different H.O.D. s &amp; Crew
    Production Department â€œ Who s who?

    Short Films- Award Schemes
    How to finance a low budget â€œusing your imagination
    Legal issues- regarding short film ie option, locations, cast and crew, music
    Script breakdown
    Scheduling
    Budgeting
    Casting
    Crewing
    Locations
    Health and Safety issues
    Pre to post production
    Film Festivals
    Sales Agent and Marketing]]>
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What is the Producer s role?
    Relationship between Producer and Director
    What a Producer needs to know about directing
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    Roles and responsibilities of different H.O.D. s &amp; Crew
    Production Department â€œ Who s who?

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    How to finance a low budget â€œusing your imagination
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    Script breakdown
    Scheduling
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    Casting
    Crewing
    Locations
    Health and Safety issues
    Pre to post production
    Film Festivals
    Sales Agent and Marketing]]>
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What is the Producer s role?
    Relationship between Producer and Director
    What a Producer needs to know about directing
    What a Director looks for in a Producer
    Roles and responsibilities of different H.O.D. s &amp;amp; Crew
    Production Department &#226;&#8364;&#339; Who s who?

    Short Films- Award Schemes
    How to finance a low budget &#226;&#8364;&#339;using your imagination
    Legal issues- regarding short film ie option, locations, cast and crew, music
    Script breakdown
    Scheduling
    Budgeting
    Casting
    Crewing
    Locations
    Health and Safety issues
    Pre to post production
    Film Festivals
    Sales Agent and Marketing</media:description>
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What is the Producer s role?
    Relationship between Producer and Director
    What a Producer needs to know about directing
    What a Director looks for in a Producer
    Roles and responsibilities of different H.O.D. s &amp;amp; Crew
    Production Department &#226;&#8364;&#339; Who s who?

    Short Films- Award Schemes
    How to finance a low budget &#226;&#8364;&#339;using your imagination
    Legal issues- regarding short film ie option, locations, cast and crew, music
    Script breakdown
    Scheduling
    Budgeting
    Casting
    Crewing
    Locations
    Health and Safety issues
    Pre to post production
    Film Festivals
    Sales Agent and Marketing</media:text>
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      <pubDate>Fri, 19 Jun 2009 14:20:04 GMT</pubDate>
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      <pubDate>Mon, 15 Jun 2009 12:51:44 GMT</pubDate>
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      <title>Music In Healthcare Settings Kevin O Shanahan What</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/musicinhealthcaresettingskevinoshanahanwhat-090527121020-phpapp02-thumbnail-2?1243444294" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Please Note: these notes were to accompany a full training session and do not give the full experience of the training. 

These notes are for musicians experienced in
working in healthcare settings to come together
for continued learning and sharing of experiences.
 
Facilitators Aingeala de Burca and Kevin
O Shanahan will explore some of the differences and similarities between music therapy and participatory music in healthcare, varying techniques and approaches and issues that emerge for musicians in this field of work.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/musicinhealthcaresettingskevinoshanahanwhat-090527121020-phpapp02-thumbnail-2?1243444294" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Please Note: these notes were to accompany a full training session and do not give the full experience of the training. 

These notes are for musicians experienced in
working in healthcare settings to come together
for continued learning and sharing of experiences.
 
Facilitators Aingeala de Burca and Kevin
O Shanahan will explore some of the differences and similarities between music therapy and participatory music in healthcare, varying techniques and approaches and issues that emerge for musicians in this field of work.]]>
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      <pubDate>Wed, 27 May 2009 17:10:13 GMT</pubDate>
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        <media:description type="plain">Please Note: these notes were to accompany a full training session and do not give the full experience of the training. 

These notes are for musicians experienced in
working in healthcare settings to come together
for continued learning and sharing of experiences.
 
Facilitators Aingeala de Burca and Kevin
O Shanahan will explore some of the differences and similarities between music therapy and participatory music in healthcare, varying techniques and approaches and issues that emerge for musicians in this field of work.</media:description>
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These notes are for musicians experienced in
working in healthcare settings to come together
for continued learning and sharing of experiences.
 
Facilitators Aingeala de Burca and Kevin
O Shanahan will explore some of the differences and similarities between music therapy and participatory music in healthcare, varying techniques and approaches and issues that emerge for musicians in this field of work.</media:text>
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      <title>Preparing Proposals: Communicating Your Arts Practice In Writing</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/preparingproposals-communicatingyourpracticeinwriting-090527090445-phpapp02-thumbnail-2?1243433114" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> The value of words and articulating what you do and how you do it cannot be
underestimated and is something many artists struggle with. A good statement in
defining the public understanding of your work is invaluable to your practice as is
the ability to clearly identify what you want to say about your work, and how you
want to say it. The presentation of this visually is also key.
 
The main focus of this practical workshop is to help the artist communicate the core essence of what
they do to a variety of publics - peers, galleries, interested individuals and
potential clients.
 
This workshop will be a step by step &rsquo;how-to&rsquo; guide in the use of
language and the presentation of the core concepts of your work in a written,
spoken and visual format. It is intended that participants will come away with the
tools to be able to speak and write, clearly and professionally about their work, in
a variety of formats - proposals, artist s statement and C.V.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/preparingproposals-communicatingyourpracticeinwriting-090527090445-phpapp02-thumbnail-2?1243433114" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> The value of words and articulating what you do and how you do it cannot be
underestimated and is something many artists struggle with. A good statement in
defining the public understanding of your work is invaluable to your practice as is
the ability to clearly identify what you want to say about your work, and how you
want to say it. The presentation of this visually is also key.
 
The main focus of this practical workshop is to help the artist communicate the core essence of what
they do to a variety of publics - peers, galleries, interested individuals and
potential clients.
 
This workshop will be a step by step &rsquo;how-to&rsquo; guide in the use of
language and the presentation of the core concepts of your work in a written,
spoken and visual format. It is intended that participants will come away with the
tools to be able to speak and write, clearly and professionally about their work, in
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      <pubDate>Wed, 27 May 2009 14:04:34 GMT</pubDate>
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        <media:description type="plain">The value of words and articulating what you do and how you do it cannot be
underestimated and is something many artists struggle with. A good statement in
defining the public understanding of your work is invaluable to your practice as is
the ability to clearly identify what you want to say about your work, and how you
want to say it. The presentation of this visually is also key.
 
The main focus of this practical workshop is to help the artist communicate the core essence of what
they do to a variety of publics - peers, galleries, interested individuals and
potential clients.
 
This workshop will be a step by step &amp;rsquo;how-to&amp;rsquo; guide in the use of
language and the presentation of the core concepts of your work in a written,
spoken and visual format. It is intended that participants will come away with the
tools to be able to speak and write, clearly and professionally about their work, in
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        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/preparingproposals-communicatingyourpracticeinwriting-090527090445-phpapp02-thumbnail-2?1243433114&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; The value of words and articulating what you do and how you do it cannot be
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The main focus of this practical workshop is to help the artist communicate the core essence of what
they do to a variety of publics - peers, galleries, interested individuals and
potential clients.
 
This workshop will be a step by step &amp;rsquo;how-to&amp;rsquo; guide in the use of
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The main focus of this practical workshop is to help the artist communicate the core essence of what
they do to a variety of publics - peers, galleries, interested individuals and
potential clients.
 
This workshop will be a step by step &rsquo;how-to&rsquo; guide in the use of
language and the presentation of the core concepts of your work in a written,
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The main focus of this practical workshop is to help the artist communicate the core essence of what
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want to say it. The presentation of this visually is also key.
 
The main focus of this practical workshop is to help the artist communicate the core essence of what
they do to a variety of publics - peers, galleries, interested individuals and
potential clients.
 
This workshop will be a step by step &amp;rsquo;how-to&amp;rsquo; guide in the use of
language and the presentation of the core concepts of your work in a written,
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defining the public understanding of your work is invaluable to your practice as is
the ability to clearly identify what you want to say about your work, and how you
want to say it. The presentation of this visually is also key.
 
The main focus of this practical workshop is to help the artist communicate the core essence of what
they do to a variety of publics - peers, galleries, interested individuals and
potential clients.
 
This workshop will be a step by step &amp;rsquo;how-to&amp;rsquo; guide in the use of
language and the presentation of the core concepts of your work in a written,
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being represented at an international level 
understanding open submissions 
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insights into gallery/curatorial practice from the management side and from the artists point of view</media:description>
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being represented at an international level 
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promotion of artistic career 
insights into gallery/curatorial practice from the management side and from the artists point of view</media:text>
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    *      Artistic Vision, what is it? Do I need to have it?
    *      Contemporary Playwrights: McPherson, Roche, Walsh, Kane, Churchill, Ravenhill, Pinter etc.
    *      Choosing a Play to produce for your group/company

Practical guidance on improving your production values

The workshops are aimed at non-professional or amateur drama practitioners and are designed to enhance your enjoyment of the process whilst promoting confidence in your abilities.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/pro-am-1-1231001618671088-2-thumbnail-2?1230994643" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> How to read a play

    *      Artistic Vision, what is it? Do I need to have it?
    *      Contemporary Playwrights: McPherson, Roche, Walsh, Kane, Churchill, Ravenhill, Pinter etc.
    *      Choosing a Play to produce for your group/company

Practical guidance on improving your production values

The workshops are aimed at non-professional or amateur drama practitioners and are designed to enhance your enjoyment of the process whilst promoting confidence in your abilities.]]>
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    *      Artistic Vision, what is it? Do I need to have it?
    *      Contemporary Playwrights: McPherson, Roche, Walsh, Kane, Churchill, Ravenhill, Pinter etc.
    *      Choosing a Play to produce for your group/company

Practical guidance on improving your production values

The workshops are aimed at non-professional or amateur drama practitioners and are designed to enhance your enjoyment of the process whilst promoting confidence in your abilities.</media:description>
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    *      Artistic Vision, what is it? Do I need to have it?
    *      Contemporary Playwrights: McPherson, Roche, Walsh, Kane, Churchill, Ravenhill, Pinter etc.
    *      Choosing a Play to produce for your group/company

Practical guidance on improving your production values

The workshops are aimed at non-professional or amateur drama practitioners and are designed to enhance your enjoyment of the process whilst promoting confidence in your abilities.</media:text>
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      <title>ArtLinks Engaging In The Public Art Commissioning Process</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/engaging-in-the-public-art-commissioning-process-oct07-1231001028166976-2-thumbnail-2?1230994216" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> How to engage in the Public Art commissioning process:

    *      professional application procedures
    *      investigating what commissioners look for in response to briefs
    *
      exploring what constitutes a good Public Art application
    *       organising information  to help focus an application
    *      successful strategies to utilise in the commissioning process]]>
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    *      professional application procedures
    *      investigating what commissioners look for in response to briefs
    *
      exploring what constitutes a good Public Art application
    *       organising information  to help focus an application
    *      successful strategies to utilise in the commissioning process]]>
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    *      professional application procedures
    *      investigating what commissioners look for in response to briefs
    *
      exploring what constitutes a good Public Art application
    *       organising information  to help focus an application
    *      successful strategies to utilise in the commissioning process</media:description>
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    *      professional application procedures
    *      investigating what commissioners look for in response to briefs
    *
      exploring what constitutes a good Public Art application
    *       organising information  to help focus an application
    *      successful strategies to utilise in the commissioning process</media:text>
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      <title>ArtLinks Applying for Funding</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/waterfordartlinkstalk-may08theresa-nanigian-1231000890720387-1-thumbnail-2?1230993868" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Applying for Arts Funding:

    * Where to Apply for Funding
    * Schemes available, Funding sources/opportunities
    * Application Procedures
    * Do s and donts of writing a professional application]]>
      </description>
      <content:encoded>
        <![CDATA[<img src="http://cdn.slidesharecdn.com/waterfordartlinkstalk-may08theresa-nanigian-1231000890720387-1-thumbnail-2?1230993868" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Applying for Arts Funding:

    * Where to Apply for Funding
    * Schemes available, Funding sources/opportunities
    * Application Procedures
    * Do s and donts of writing a professional application]]>
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      <pubDate>Sat, 03 Jan 2009 14:43:27 GMT</pubDate>
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        <media:title>ArtLinks Applying for Funding</media:title>
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        <media:description type="plain">Applying for Arts Funding:

    * Where to Apply for Funding
    * Schemes available, Funding sources/opportunities
    * Application Procedures
    * Do s and donts of writing a professional application</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/waterfordartlinkstalk-may08theresa-nanigian-1231000890720387-1-thumbnail-2?1230993868&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; Applying for Arts Funding:

    * Where to Apply for Funding
    * Schemes available, Funding sources/opportunities
    * Application Procedures
    * Do s and donts of writing a professional application</media:text>
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      <title>ArtLinks Applying for irish Arts Council Funding</title>
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        <media:description type="plain">Toby Dennett, Irish Arts Council gives an overview on how to apply for funding from the Irish Arts Council</media:description>
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      <title>ArtLinks Blogging for the Arts</title>
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