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    <pubDate>Fri, 18 Dec 2009 11:44:02 GMT</pubDate>
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      <title>Planet 51: Michael Jackson Alive</title>
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      <pubDate>Fri, 18 Dec 2009 11:44:02 GMT</pubDate>
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      <title>Planet 51: Aliens In Films</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/aliensinfilm-091218052833-phpapp01-thumbnail-2?1261135786" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> a review of aliens in cinema history]]>
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      <pubDate>Fri, 18 Dec 2009 11:28:26 GMT</pubDate>
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        <![CDATA[<div style="width:425px;text-align:left" id="__ss_2742682"><a style="font:14px Helvetica,Arial,Sans-serif;display:block;margin:12px 0 3px 0;text-decoration:underline;" href="http://www.slideshare.net/Planet51/planet-51-aliens-in-films" title="Planet 51: Aliens In Films">Planet 51: Aliens In Films</a><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=aliensinfilm-091218052833-phpapp01&stripped_title=planet-51-aliens-in-films" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=aliensinfilm-091218052833-phpapp01&stripped_title=planet-51-aliens-in-films" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;">View more <a style="text-decoration:underline;" href="http://www.slideshare.net/">presentations</a> from <a style="text-decoration:underline;" href="http://www.slideshare.net/Planet51">Planet51</a>.</div></div>]]>
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      <title>Releasing Films Across Platforms: IndieFlix - Scilla Andreen</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/scillaandreenlondonpttp14-10-09-091126123633-phpapp01-thumbnail-2?1259260622" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Scilla Andreen&rsquo;s presentation from Power to the Pixel&rsquo;s Cross-Media Film Forum in London, October 2009.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/scillaandreenlondonpttp14-10-09-091126123633-phpapp01-thumbnail-2?1259260622" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Scilla Andreen&rsquo;s presentation from Power to the Pixel&rsquo;s Cross-Media Film Forum in London, October 2009.]]>
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      <pubDate>Thu, 26 Nov 2009 18:36:31 GMT</pubDate>
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        <media:description type="plain">Scilla Andreen&amp;rsquo;s presentation from Power to the Pixel&amp;rsquo;s Cross-Media Film Forum in London, October 2009.</media:description>
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        <![CDATA[<div style="width:425px;text-align:left" id="__ss_2591904"><a style="font:14px Helvetica,Arial,Sans-serif;display:block;margin:12px 0 3px 0;text-decoration:underline;" href="http://www.slideshare.net/tishna/releasing-films-across-platforms-indieflix-scilla-andreen" title="Releasing Films Across Platforms: IndieFlix - Scilla Andreen">Releasing Films Across Platforms: IndieFlix - Scilla Andreen</a><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=scillaandreenlondonpttp14-10-09-091126123633-phpapp01&stripped_title=releasing-films-across-platforms-indieflix-scilla-andreen" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=scillaandreenlondonpttp14-10-09-091126123633-phpapp01&stripped_title=releasing-films-across-platforms-indieflix-scilla-andreen" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;">View more <a style="text-decoration:underline;" href="http://www.slideshare.net/">presentations</a> from <a style="text-decoration:underline;" href="http://www.slideshare.net/tishna">power to the pixel</a>.</div></div>]]>
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      <title>Playful 2009 - Roo Reynolds - Games And Films</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/playful2009-gamesandfilms-091030182325-phpapp02-thumbnail-2?1257097939" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> My opening presentation at Playful &rsquo;09. I talked about films based on games and games based on films. More info: http://rooreynolds.com/2009/10/31/playful-09/]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/playful2009-gamesandfilms-091030182325-phpapp02-thumbnail-2?1257097939" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> My opening presentation at Playful &rsquo;09. I talked about films based on games and games based on films. More info: http://rooreynolds.com/2009/10/31/playful-09/]]>
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      <pubDate>Fri, 30 Oct 2009 23:22:41 GMT</pubDate>
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        <media:description type="plain">My opening presentation at Playful &amp;rsquo;09. I talked about films based on games and games based on films. More info: http://rooreynolds.com/2009/10/31/playful-09/</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/playful2009-gamesandfilms-091030182325-phpapp02-thumbnail-2?1257097939&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; My opening presentation at Playful &amp;rsquo;09. I talked about films based on games and games based on films. More info: http://rooreynolds.com/2009/10/31/playful-09/</media:text>
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        <![CDATA[<div style="width:425px;text-align:left" id="__ss_2387416"><a style="font:14px Helvetica,Arial,Sans-serif;display:block;margin:12px 0 3px 0;text-decoration:underline;" href="http://www.slideshare.net/rooreynolds/playful-2009-roo-reynolds-games-and-films" title="Playful 2009 - Roo Reynolds - Games And Films">Playful 2009 - Roo Reynolds - Games And Films</a><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=playful2009-gamesandfilms-091030182325-phpapp02&stripped_title=playful-2009-roo-reynolds-games-and-films" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=playful2009-gamesandfilms-091030182325-phpapp02&stripped_title=playful-2009-roo-reynolds-games-and-films" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;">View more <a style="text-decoration:underline;" href="http://www.slideshare.net/">documents</a> from <a style="text-decoration:underline;" href="http://www.slideshare.net/rooreynolds">Roo Reynolds</a>.</div></div>]]>
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      <title>Educational Technology: Global Implementation Strategies, Policy Review and Analysis</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/rcsisodeconf2009paper-091022122230-phpapp01-thumbnail-2?1256232172" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> This paper discusses the policies formulated in the global context regarding use of ET in the classrooms and examines them that how the ET are implemented.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/rcsisodeconf2009paper-091022122230-phpapp01-thumbnail-2?1256232172" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> This paper discusses the policies formulated in the global context regarding use of ET in the classrooms and examines them that how the ET are implemented.]]>
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      <pubDate>Thu, 22 Oct 2009 17:22:19 GMT</pubDate>
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        <media:description type="plain">This paper discusses the policies formulated in the global context regarding use of ET in the classrooms and examines them that how the ET are implemented.</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/rcsisodeconf2009paper-091022122230-phpapp01-thumbnail-2?1256232172&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; This paper discusses the policies formulated in the global context regarding use of ET in the classrooms and examines them that how the ET are implemented.</media:text>
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      <title>The Weather Man - Relato sencillo de la pel&#237;cula con im&#225;genes.</title>
      <link>http://www.slideshare.net/wadago/the-weather-man-relato-sencillo-de-la-pelcula-con-imgenes</link>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/theweatherman-091021204703-phpapp02-thumbnail-2?1256176054" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Sencillo relato escrito acompañado de imágenes de la película. Para que sepan de qué trata antes de verla entera!]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/theweatherman-091021204703-phpapp02-thumbnail-2?1256176054" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Sencillo relato escrito acompañado de imágenes de la película. Para que sepan de qué trata antes de verla entera!]]>
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How should I deal with these differences at work?

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How is it different from Chinese culture?
How should I deal with these differences at work?

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How is it different from Chinese culture?
How should I deal with these differences at work?

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      <title>Naleving Kijkwijzer En Pegi Moet Beter Bibliotheekblad20090910p18 19</title>
      <link>http://www.slideshare.net/Googlie/naleving-kijkwijzer-en-pegi-moet-beter-bibliotheekblad20090910p18-19</link>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/nalevingkijkwijzerenpegimoetbeterbibliotheekblad20090910p18-19-090928045842-phpapp01-thumbnail-2?1254131932" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> (NL) Bibliotheken moeten er strenger op toezien dat kinderen geen games en films lenen die mogelijk schadelijke effecten kunnen hebben. Doen ze dat niet, dan riskeren ze een boete.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/nalevingkijkwijzerenpegimoetbeterbibliotheekblad20090910p18-19-090928045842-phpapp01-thumbnail-2?1254131932" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> (NL) Bibliotheken moeten er strenger op toezien dat kinderen geen games en films lenen die mogelijk schadelijke effecten kunnen hebben. Doen ze dat niet, dan riskeren ze een boete.]]>
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      <pubDate>Mon, 28 Sep 2009 09:58:36 GMT</pubDate>
      <guid>http://www.slideshare.net/Googlie/naleving-kijkwijzer-en-pegi-moet-beter-bibliotheekblad20090910p18-19</guid>
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        <media:description type="plain">(NL) Bibliotheken moeten er strenger op toezien dat kinderen geen games en films lenen die mogelijk schadelijke effecten kunnen hebben. Doen ze dat niet, dan riskeren ze een boete.</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/nalevingkijkwijzerenpegimoetbeterbibliotheekblad20090910p18-19-090928045842-phpapp01-thumbnail-2?1254131932&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; (NL) Bibliotheken moeten er strenger op toezien dat kinderen geen games en films lenen die mogelijk schadelijke effecten kunnen hebben. Doen ze dat niet, dan riskeren ze een boete.</media:text>
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      <title>Varun Sandesh</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/varunsandesh-ppt-090925043645-phpapp01-thumbnail-2?1253871461" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Varun Sandesh (Full Name:Varun Sandesh Jeedigunta) is a Telugu film actor. He hails from a Telugu family from New Jersey, USA. He began his film career at the age of 19 with the movie “Happy Days” rel...]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/varunsandesh-ppt-090925043645-phpapp01-thumbnail-2?1253871461" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Varun Sandesh (Full Name:Varun Sandesh Jeedigunta) is a Telugu film actor. He hails from a Telugu family from New Jersey, USA. He began his film career at the age of 19 with the movie “Happy Days” rel...]]>
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      <pubDate>Fri, 25 Sep 2009 09:36:39 GMT</pubDate>
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        <media:title>Varun Sandesh</media:title>
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        <media:description type="plain">Varun Sandesh (Full Name:Varun Sandesh Jeedigunta) is a Telugu film actor. He hails from a Telugu family from New Jersey, USA. He began his film career at the age of 19 with the movie &#8220;Happy Days&#8221; rel...</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/varunsandesh-ppt-090925043645-phpapp01-thumbnail-2?1253871461&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; Varun Sandesh (Full Name:Varun Sandesh Jeedigunta) is a Telugu film actor. He hails from a Telugu family from New Jersey, USA. He began his film career at the age of 19 with the movie &#8220;Happy Days&#8221; rel...</media:text>
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      <title>Artigo: Cinema no Second Life</title>
      <link>http://www.slideshare.net/simonedm/artigo-cinema-no-second-life</link>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/dwfundacine-090922180820-phpapp02-thumbnail-2?1253660905" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Artigo sobre as possibilidades de oferecer filmes no universo Second Life, em uma sala de cinema virtual.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/dwfundacine-090922180820-phpapp02-thumbnail-2?1253660905" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Artigo sobre as possibilidades de oferecer filmes no universo Second Life, em uma sala de cinema virtual.]]>
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      <pubDate>Tue, 22 Sep 2009 23:07:58 GMT</pubDate>
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        <media:description type="plain">Artigo sobre as possibilidades de oferecer filmes no universo Second Life, em uma sala de cinema virtual.</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/dwfundacine-090922180820-phpapp02-thumbnail-2?1253660905&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; Artigo sobre as possibilidades de oferecer filmes no universo Second Life, em uma sala de cinema virtual.</media:text>
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      <title>Coronado, California</title>
      <link>http://www.slideshare.net/mrents/coronado-california</link>
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        <![CDATA[<div style="width:425px;text-align:left" id="__ss_2019015"><a style="font:14px Helvetica,Arial,Sans-serif;display:block;margin:12px 0 3px 0;text-decoration:underline;" href="http://www.slideshare.net/mrents/coronado-california" title="Coronado, California">Coronado, California</a><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=domingoalatardeipar-ic-090918130210-phpapp01&stripped_title=coronado-california" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=domingoalatardeipar-ic-090918130210-phpapp01&stripped_title=coronado-california" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;">View more <a style="text-decoration:underline;" href="http://www.slideshare.net/">presentations</a> from <a style="text-decoration:underline;" href="http://www.slideshare.net/mrents">IreneC</a>.</div></div>]]>
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      <title>Kommercheskoe Predlogenie Pamyatny Fylm2</title>
      <link>http://www.slideshare.net/Memoryfilm/kommercheskoe-predlogenie-pamyatny-fylm2</link>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/kommercheskoepredlogeniepamyatnyfylm2-090913102847-phpapp02-thumbnail-2?1252855737" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> The memorable film is a short video sketch, the story about &quot;the left&quot; person.  
Fragments of video and photos undertake a basis of a memorable film removed during lifetime of the hero, and also memoirs on it of relatives and colleagues.]]>
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Fragments of video and photos undertake a basis of a memorable film removed during lifetime of the hero, and also memoirs on it of relatives and colleagues.]]>
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        <media:description type="plain">The memorable film is a short video sketch, the story about &amp;quot;the left&amp;quot; person.  
Fragments of video and photos undertake a basis of a memorable film removed during lifetime of the hero, and also memoirs on it of relatives and colleagues.</media:description>
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      <title>Advertising Stunts And Ideas  Q4|2009 Vol.I</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/advertisingstuntsandideasq42009vol-i-090906181034-phpapp01-thumbnail-2?1254220958" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> ]]>
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      <pubDate>Sun, 06 Sep 2009 23:10:25 GMT</pubDate>
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      <title>Diy Days Speech on &amp;quot;Free&amp;quot;</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/briannewmandiydays-090831100220-phpapp02-thumbnail-2?1251731025" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> My very quick presentation at DIY Days Philly on how filmmakers and any other artist can make a living in a world where everything seems to be available for free.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/briannewmandiydays-090831100220-phpapp02-thumbnail-2?1251731025" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> My very quick presentation at DIY Days Philly on how filmmakers and any other artist can make a living in a world where everything seems to be available for free.]]>
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      <pubDate>Mon, 31 Aug 2009 15:02:07 GMT</pubDate>
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      <author>Bnewman01@slideshare.net(Bnewman01)</author>
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        <media:title>Diy Days Speech on &amp;quot;Free&amp;quot;</media:title>
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        <media:description type="plain">My very quick presentation at DIY Days Philly on how filmmakers and any other artist can make a living in a world where everything seems to be available for free.</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/briannewmandiydays-090831100220-phpapp02-thumbnail-2?1251731025&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; My very quick presentation at DIY Days Philly on how filmmakers and any other artist can make a living in a world where everything seems to be available for free.</media:text>
        <media:keywords></media:keywords>
        <media:thumbnail height="90" url="http://cdn.slidesharecdn.com/briannewmandiydays-090831100220-phpapp02-thumbnail-2?1251731025" width="120"/>
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        <![CDATA[<div style="width:425px;text-align:left" id="__ss_1931976"><a style="font:14px Helvetica,Arial,Sans-serif;display:block;margin:12px 0 3px 0;text-decoration:underline;" href="http://www.slideshare.net/Bnewman01/diy-days-speech-on-free" title="Diy Days Speech on &quot;Free&quot;">Diy Days Speech on &quot;Free&quot;</a><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=briannewmandiydays-090831100220-phpapp02&stripped_title=diy-days-speech-on-free" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=briannewmandiydays-090831100220-phpapp02&stripped_title=diy-days-speech-on-free" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;">View more <a style="text-decoration:underline;" href="http://www.slideshare.net/">presentations</a> from <a style="text-decoration:underline;" href="http://www.slideshare.net/Bnewman01">Brian Newman</a>.</div></div>]]>
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      <title>Prabhas - Prabhas Raju Uppalapati</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/prabhas-090826002343-phpapp01-thumbnail-2?1251264323" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Prabhas Raju Uppalapati’s profile including complete information about Prabhas Raju Uppalapati’s biography, filmography, photo gallery, videos, interviews, recent movies, stills, wallpapers and fan mail.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/prabhas-090826002343-phpapp01-thumbnail-2?1251264323" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Prabhas Raju Uppalapati’s profile including complete information about Prabhas Raju Uppalapati’s biography, filmography, photo gallery, videos, interviews, recent movies, stills, wallpapers and fan mail.]]>
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      <pubDate>Wed, 26 Aug 2009 05:23:34 GMT</pubDate>
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        <media:description type="plain">Prabhas Raju Uppalapati&#8217;s profile including complete information about Prabhas Raju Uppalapati&#8217;s biography, filmography, photo gallery, videos, interviews, recent movies, stills, wallpapers and fan mail.</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/prabhas-090826002343-phpapp01-thumbnail-2?1251264323&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; Prabhas Raju Uppalapati&#8217;s profile including complete information about Prabhas Raju Uppalapati&#8217;s biography, filmography, photo gallery, videos, interviews, recent movies, stills, wallpapers and fan mail.</media:text>
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      <title>Retro Stars - Rita Hayworth</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/ritahayworth-090821233627-phpapp02-thumbnail-2?1250917248" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Rita Hayworth

Spanish dancer Eduardo Casinoâs daughter Margarita was trained as a dancer from early childhood. At age 12, mature-looking Rita joined Eduardo&rsquo;s stage act in which she was spotted by Fox studio head Windfield R. Sheehan, leading to her first studio contract and film debut at age 16 in Dante&rsquo;s Inferno (1935). Fox dropped her after five small roles, but expert, exploitative promotion by first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her name to Hayworth and approved raising her hairline by electrolysis. After 13 mainly minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You&rsquo;ll Never Get Rich (1941) made her a star.In person Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. http://www.youtube.com/watch?v=0d1C1qQ_VoI
To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage--unfortunately an unhappy one almost from the start--to playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959). From 1960 (age 42), early onset of Alzheimer&rsquo;s disease (undiagnosed until 1980) limited Rita&rsquo;s powers; the last few roles in her 60-film career were increasingly small. Almost helpless by 1981, Rita was cared for by daughter Yasmin Khan until her death at age 68.

Rita Hayworth

Hija de un bailarÃ­n espaÃ±ol Eduardo Cansino, Margarita se formÃ³ como bailarina desde  su infancia. A los 12 aÃ±os, tenia un aspecto maduro y Rita se uniÃ³ al acto  de su padre, alli fue descubierta  tres aÃ±os mÃ¡s tarde por el jefe del Fox Studio Winfield R. Sheehan.  La contrataron y debuto en el cine cuando tenia 16 aÃ±os en el film Infierno de Dante (1935). Luego Fox le dio cinco pequeÃ±os papeles, pero  al casarse con Edward Judson un experto en promociones artÃ­sticas  ella obtuvo  otro contrato con Columbia Pictures, donde cambiaron su nombre por el de Hayworth. DespuÃ©s de 13 trabajos Columbia la prestÃ³ a Warner Bros.  y obtuvo su primer gran Ã©xito, (1941 La Rubia Pelirroja). Mas tarde su esplÃ©ndido baile con Fred Astaire en Nunca SerÃ¡s Rica (1941) la hizo estrella. En persona Rita era tÃ­mida, tranquila y sin pretensiones, sÃ³lo cuando las cÃ¡maras rodaban se veia su carisma sexual que en Gilda (1946) la convirtiÃ³ en una superestrella. http://www.youtube.com/watch?v=0d1C1qQ_VoI
Sin embargo para Rita su felicidad fue mÃ¡s importante pero difÃ­cil de alcanzar. En 1949 interrumpiÃ³ su carrera para contraer matrimonio con el  Playboy PrÃ­ncipe Aly Khan y el matrimonio termino en divorcio. DespuÃ©s realizo  sus mejores actuaciones como actriz.  En 1960  y a los 42 aÃ±os  comenzo  con  precoz Alzheimer  la cual fue diagnosticada recien en 1980 y limito las funciones de Rita. Casi indefensa en 1981, Rita fue atendida por  hija Yasmin Khan, hasta su fallecimiento a los 68 aÃ±os.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/ritahayworth-090821233627-phpapp02-thumbnail-2?1250917248" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Rita Hayworth

Spanish dancer Eduardo Casinoâs daughter Margarita was trained as a dancer from early childhood. At age 12, mature-looking Rita joined Eduardo&rsquo;s stage act in which she was spotted by Fox studio head Windfield R. Sheehan, leading to her first studio contract and film debut at age 16 in Dante&rsquo;s Inferno (1935). Fox dropped her after five small roles, but expert, exploitative promotion by first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her name to Hayworth and approved raising her hairline by electrolysis. After 13 mainly minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You&rsquo;ll Never Get Rich (1941) made her a star.In person Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. http://www.youtube.com/watch?v=0d1C1qQ_VoI
To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage--unfortunately an unhappy one almost from the start--to playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959). From 1960 (age 42), early onset of Alzheimer&rsquo;s disease (undiagnosed until 1980) limited Rita&rsquo;s powers; the last few roles in her 60-film career were increasingly small. Almost helpless by 1981, Rita was cared for by daughter Yasmin Khan until her death at age 68.

Rita Hayworth

Hija de un bailarÃ­n espaÃ±ol Eduardo Cansino, Margarita se formÃ³ como bailarina desde  su infancia. A los 12 aÃ±os, tenia un aspecto maduro y Rita se uniÃ³ al acto  de su padre, alli fue descubierta  tres aÃ±os mÃ¡s tarde por el jefe del Fox Studio Winfield R. Sheehan.  La contrataron y debuto en el cine cuando tenia 16 aÃ±os en el film Infierno de Dante (1935). Luego Fox le dio cinco pequeÃ±os papeles, pero  al casarse con Edward Judson un experto en promociones artÃ­sticas  ella obtuvo  otro contrato con Columbia Pictures, donde cambiaron su nombre por el de Hayworth. DespuÃ©s de 13 trabajos Columbia la prestÃ³ a Warner Bros.  y obtuvo su primer gran Ã©xito, (1941 La Rubia Pelirroja). Mas tarde su esplÃ©ndido baile con Fred Astaire en Nunca SerÃ¡s Rica (1941) la hizo estrella. En persona Rita era tÃ­mida, tranquila y sin pretensiones, sÃ³lo cuando las cÃ¡maras rodaban se veia su carisma sexual que en Gilda (1946) la convirtiÃ³ en una superestrella. http://www.youtube.com/watch?v=0d1C1qQ_VoI
Sin embargo para Rita su felicidad fue mÃ¡s importante pero difÃ­cil de alcanzar. En 1949 interrumpiÃ³ su carrera para contraer matrimonio con el  Playboy PrÃ­ncipe Aly Khan y el matrimonio termino en divorcio. DespuÃ©s realizo  sus mejores actuaciones como actriz.  En 1960  y a los 42 aÃ±os  comenzo  con  precoz Alzheimer  la cual fue diagnosticada recien en 1980 y limito las funciones de Rita. Casi indefensa en 1981, Rita fue atendida por  hija Yasmin Khan, hasta su fallecimiento a los 68 aÃ±os.]]>
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      <pubDate>Sat, 22 Aug 2009 04:36:15 GMT</pubDate>
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        <media:title>Retro Stars - Rita Hayworth</media:title>
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        <media:description type="plain">Rita Hayworth

Spanish dancer Eduardo Casino&#226;&#8364;&#8482;s daughter Margarita was trained as a dancer from early childhood. At age 12, mature-looking Rita joined Eduardo&amp;rsquo;s stage act in which she was spotted by Fox studio head Windfield R. Sheehan, leading to her first studio contract and film debut at age 16 in Dante&amp;rsquo;s Inferno (1935). Fox dropped her after five small roles, but expert, exploitative promotion by first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her name to Hayworth and approved raising her hairline by electrolysis. After 13 mainly minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You&amp;rsquo;ll Never Get Rich (1941) made her a star.*In person Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. http://www.youtube.com/watch?v=0d1C1qQ_VoI
To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage--unfortunately an unhappy one almost from the start--to playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959). From 1960 (age 42), early onset of Alzheimer&amp;rsquo;s disease (undiagnosed until 1980) limited Rita&amp;rsquo;s powers; the last few roles in her 60-film career were increasingly small. Almost helpless by 1981, Rita was cared for by daughter Yasmin Khan until her death at age 68.

Rita Hayworth

Hija de un bailar&#195;&#173;n espa&#195;&#177;ol Eduardo Cansino, Margarita se form&#195;&#179; como bailarina desde  su infancia. A los 12 a&#195;&#177;os, tenia un aspecto maduro y Rita se uni&#195;&#179; al acto  de su padre, alli fue descubierta  tres a&#195;&#177;os m&#195;&#161;s tarde por el jefe del Fox Studio Winfield R. Sheehan.  La contrataron y debuto en el cine cuando tenia 16 a&#195;&#177;os en el film Infierno de Dante (1935). Luego Fox le dio cinco peque&#195;&#177;os papeles, pero  al casarse con Edward Judson un experto en promociones art&#195;&#173;sticas  ella obtuvo  otro contrato con Columbia Pictures, donde cambiaron su nombre por el de Hayworth. Despu&#195;&#169;s de 13 trabajos Columbia la prest&#195;&#179; a Warner Bros.  y obtuvo su primer gran &#195;&#169;xito, (1941 La Rubia Pelirroja). Mas tarde su espl&#195;&#169;ndido baile con Fred Astaire en Nunca Ser&#195;&#161;s Rica (1941) la hizo estrella. *En persona Rita era t&#195;&#173;mida, tranquila y sin pretensiones, s&#195;&#179;lo cuando las c&#195;&#161;maras rodaban se veia su carisma sexual que en Gilda (1946) la convirti&#195;&#179; en una superestrella. http://www.youtube.com/watch?v=0d1C1qQ_VoI
Sin embargo para Rita su felicidad fue m&#195;&#161;s importante pero dif&#195;&#173;cil de alcanzar. En 1949 interrumpi&#195;&#179; su carrera para contraer matrimonio con el  Playboy Pr&#195;&#173;ncipe Aly Khan y el matrimonio termino en divorcio. Despu&#195;&#169;s realizo  sus mejores actuaciones como actriz.  En 1960  y a los 42 a&#195;&#177;os  comenzo  con  precoz Alzheimer  la cual fue diagnosticada recien en 1980 y limito las funciones de Rita. Casi indefensa en 1981, Rita fue atendida por  hija Yasmin Khan, hasta su fallecimiento a los 68 a&#195;&#177;os.</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/ritahayworth-090821233627-phpapp02-thumbnail-2?1250917248&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; Rita Hayworth

Spanish dancer Eduardo Casino&#226;&#8364;&#8482;s daughter Margarita was trained as a dancer from early childhood. At age 12, mature-looking Rita joined Eduardo&amp;rsquo;s stage act in which she was spotted by Fox studio head Windfield R. Sheehan, leading to her first studio contract and film debut at age 16 in Dante&amp;rsquo;s Inferno (1935). Fox dropped her after five small roles, but expert, exploitative promotion by first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her name to Hayworth and approved raising her hairline by electrolysis. After 13 mainly minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You&amp;rsquo;ll Never Get Rich (1941) made her a star.*In person Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. http://www.youtube.com/watch?v=0d1C1qQ_VoI
To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage--unfortunately an unhappy one almost from the start--to playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959). From 1960 (age 42), early onset of Alzheimer&amp;rsquo;s disease (undiagnosed until 1980) limited Rita&amp;rsquo;s powers; the last few roles in her 60-film career were increasingly small. Almost helpless by 1981, Rita was cared for by daughter Yasmin Khan until her death at age 68.

Rita Hayworth

Hija de un bailar&#195;&#173;n espa&#195;&#177;ol Eduardo Cansino, Margarita se form&#195;&#179; como bailarina desde  su infancia. A los 12 a&#195;&#177;os, tenia un aspecto maduro y Rita se uni&#195;&#179; al acto  de su padre, alli fue descubierta  tres a&#195;&#177;os m&#195;&#161;s tarde por el jefe del Fox Studio Winfield R. Sheehan.  La contrataron y debuto en el cine cuando tenia 16 a&#195;&#177;os en el film Infierno de Dante (1935). Luego Fox le dio cinco peque&#195;&#177;os papeles, pero  al casarse con Edward Judson un experto en promociones art&#195;&#173;sticas  ella obtuvo  otro contrato con Columbia Pictures, donde cambiaron su nombre por el de Hayworth. Despu&#195;&#169;s de 13 trabajos Columbia la prest&#195;&#179; a Warner Bros.  y obtuvo su primer gran &#195;&#169;xito, (1941 La Rubia Pelirroja). Mas tarde su espl&#195;&#169;ndido baile con Fred Astaire en Nunca Ser&#195;&#161;s Rica (1941) la hizo estrella. *En persona Rita era t&#195;&#173;mida, tranquila y sin pretensiones, s&#195;&#179;lo cuando las c&#195;&#161;maras rodaban se veia su carisma sexual que en Gilda (1946) la convirti&#195;&#179; en una superestrella. http://www.youtube.com/watch?v=0d1C1qQ_VoI
Sin embargo para Rita su felicidad fue m&#195;&#161;s importante pero dif&#195;&#173;cil de alcanzar. En 1949 interrumpi&#195;&#179; su carrera para contraer matrimonio con el  Playboy Pr&#195;&#173;ncipe Aly Khan y el matrimonio termino en divorcio. Despu&#195;&#169;s realizo  sus mejores actuaciones como actriz.  En 1960  y a los 42 a&#195;&#177;os  comenzo  con  precoz Alzheimer  la cual fue diagnosticada recien en 1980 y limito las funciones de Rita. Casi indefensa en 1981, Rita fue atendida por  hija Yasmin Khan, hasta su fallecimiento a los 68 a&#195;&#177;os.</media:text>
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