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    <title>Slideshows For 'iCommons Summit 2008'</title>
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    <pubDate>Tue, 02 Sep 2008 06:39:45 GMT</pubDate>
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      <title>Expanding Boundaries Of Fair Use Protection Under U.S. Copyright Law by Anthony Falzone</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/falzone-isummit-keynote-pdf-1220343994898452-8-thumbnail-2?1220338359" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> The fair use doctrine provides a critical exception to American copyright protection, and plays an increasingly important role in protecting free expression. But while copyright restrictions are expanding, so too are fair use protections. In recent years, key fair use decisions from influential U.S. Courts have paid greater attention to creative freedom, and the significant public benefits that robust fair use protection provides. This address will explore the increasingly important role of fair use, its expanding protections, and what these expanding protections mean for content creators.]]>
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        <media:title>Expanding Boundaries Of Fair Use Protection Under U.S. Copyright Law by Anthony Falzone</media:title>
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        <media:description type="plain">The fair use doctrine provides a critical exception to American copyright protection, and plays an increasingly important role in protecting free expression. But while copyright restrictions are expanding, so too are fair use protections. In recent years, key fair use decisions from influential U.S. Courts have paid greater attention to creative freedom, and the significant public benefits that robust fair use protection provides. This address will explore the increasingly important role of fair use, its expanding protections, and what these expanding protections mean for content creators.</media:description>
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      <title>The Future of the Global Commons by Heather Ford</title>
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      <pubDate>Mon, 01 Sep 2008 09:40:17 GMT</pubDate>
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      <title>Mars Landing: How Collecting Societies have Opened by Paul Keller</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/marslandingkeller-1220265653609479-8-thumbnail-2?1220259698" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> This presentation will explore the evolving relationship between Collecting Societies and individual rights management practices as expressed through the use of Creative Commons licenses by musicians and other free culture practitioners. The past three years have seen intensive interactions between Collecting Societies and Creative Commons and over the last year there has been an emergence of experiments that explore the potential of combining collective rights management and individual rights management.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/marslandingkeller-1220265653609479-8-thumbnail-2?1220259698" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> This presentation will explore the evolving relationship between Collecting Societies and individual rights management practices as expressed through the use of Creative Commons licenses by musicians and other free culture practitioners. The past three years have seen intensive interactions between Collecting Societies and Creative Commons and over the last year there has been an emergence of experiments that explore the potential of combining collective rights management and individual rights management.]]>
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      <pubDate>Mon, 01 Sep 2008 08:53:17 GMT</pubDate>
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        <media:description type="plain">This presentation will explore the evolving relationship between Collecting Societies and individual rights management practices as expressed through the use of Creative Commons licenses by musicians and other free culture practitioners. The past three years have seen intensive interactions between Collecting Societies and Creative Commons and over the last year there has been an emergence of experiments that explore the potential of combining collective rights management and individual rights management.</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/marslandingkeller-1220265653609479-8-thumbnail-2?1220259698&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; This presentation will explore the evolving relationship between Collecting Societies and individual rights management practices as expressed through the use of Creative Commons licenses by musicians and other free culture practitioners. The past three years have seen intensive interactions between Collecting Societies and Creative Commons and over the last year there has been an emergence of experiments that explore the potential of combining collective rights management and individual rights management.</media:text>
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      <title>Language as a Commons by Erin McKean</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/mckeanisummit08new-1219834103707669-9-thumbnail-2?1219829114" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> The commons is not a new idea, but rather one that has been assisting in the generation of meaning since human beings developed the ability to recognise and replicate signs. Erin McKean, the best-dressed lexicographer in the business, explodes the myth of the commons as a digital phenomenon.]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/mckeanisummit08new-1219834103707669-9-thumbnail-2?1219829114" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> The commons is not a new idea, but rather one that has been assisting in the generation of meaning since human beings developed the ability to recognise and replicate signs. Erin McKean, the best-dressed lexicographer in the business, explodes the myth of the commons as a digital phenomenon.]]>
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      <pubDate>Wed, 27 Aug 2008 08:54:32 GMT</pubDate>
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        <media:description type="plain">The commons is not a new idea, but rather one that has been assisting in the generation of meaning since human beings developed the ability to recognise and replicate signs. Erin McKean, the best-dressed lexicographer in the business, explodes the myth of the commons as a digital phenomenon.</media:description>
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      <title>No License for these territories by Jamie King</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/sapporoexport1jamie-1219418644795198-8-thumbnail-2?1219411998" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> As innovative and forward-looking as the Commons is, the real world is still one step ahead. As comprehensively as open content is documented, there are territories of sharing that have yet to be pinned down by lawmakers of any description and it is here where the cutting edge of the Commons has yet to be felt. Who&rsquo;s going to get there first?]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/sapporoexport1jamie-1219418644795198-8-thumbnail-2?1219411998" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> As innovative and forward-looking as the Commons is, the real world is still one step ahead. As comprehensively as open content is documented, there are territories of sharing that have yet to be pinned down by lawmakers of any description and it is here where the cutting edge of the Commons has yet to be felt. Who&rsquo;s going to get there first?]]>
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      <pubDate>Fri, 22 Aug 2008 13:24:58 GMT</pubDate>
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        <media:description type="plain">As innovative and forward-looking as the Commons is, the real world is still one step ahead. As comprehensively as open content is documented, there are territories of sharing that have yet to be pinned down by lawmakers of any description and it is here where the cutting edge of the Commons has yet to be felt. Who&amp;rsquo;s going to get there first?</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/sapporoexport1jamie-1219418644795198-8-thumbnail-2?1219411998&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; As innovative and forward-looking as the Commons is, the real world is still one step ahead. As comprehensively as open content is documented, there are territories of sharing that have yet to be pinned down by lawmakers of any description and it is here where the cutting edge of the Commons has yet to be felt. Who&amp;rsquo;s going to get there first?</media:text>
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      <title>Sharing and Open Knowledge and the Future of Scientific Research by Hiroaki Kitano</title>
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      <title>10 years of open content by David Wiley</title>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/isummitwiley-1219418081451894-8-thumbnail-2?1219411241" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> The Commons has been going for long enough for it to have a &rsquo;history&rsquo; and perhaps even a &rsquo;legacy&rsquo;. The Commons is now old enough to ask the questions that are a challenge for any parent: &quot;Where did I come from?&quot;]]>
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        <media:description type="plain">The Commons has been going for long enough for it to have a &amp;rsquo;history&amp;rsquo; and perhaps even a &amp;rsquo;legacy&amp;rsquo;. The Commons is now old enough to ask the questions that are a challenge for any parent: &amp;quot;Where did I come from?&amp;quot;</media:description>
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      <title>Collaborative Creativity and the test of time by Rishab Ghosh</title>
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      <pubDate>Fri, 22 Aug 2008 13:08:48 GMT</pubDate>
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        <media:description type="plain">Innovation as a product of an ivory tower of individual ownership is not so much a thing of the past as an obsolescence. Many minds sharing freely solve problems faster.</media:description>
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      <title>The Literacy Project: Building connections in the literacy community by Jessica Powell</title>
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      <pubDate>Fri, 22 Aug 2008 12:58:50 GMT</pubDate>
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      <title>Social Movements on the Commons  by David Bollier</title>
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      <pubDate>Fri, 22 Aug 2008 12:51:31 GMT</pubDate>
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        <media:description type="plain">The Commons is one of many social movements  active in the world today. Many of them share characteristics with the Commons, but there are significant differences. What can the Commons learn from other social movements and vice versa? Is there a more effective way of doing things and has someone been doing it for ages without the Commons noticing?</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/icommons-bollier-keynote-1219416597312531-8-thumbnail-2?1219409608&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; The Commons is one of many social movements  active in the world today. Many of them share characteristics with the Commons, but there are significant differences. What can the Commons learn from other social movements and vice versa? Is there a more effective way of doing things and has someone been doing it for ages without the Commons noticing?</media:text>
        <media:keywords></media:keywords>
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        <![CDATA[<div style="width:425px;text-align:left" id="__ss_565193"><a style="font:14px Helvetica,Arial,Sans-serif;display:block;margin:12px 0 3px 0;text-decoration:underline;" href="http://www.slideshare.net/iCommonsiSummit08/social-movements-on-the-commons-by-david-bollier-presentation" title="Social Movements on the Commons  by David Bollier">Social Movements on the Commons  by David Bollier</a><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=icommons-bollier-keynote-1219416597312531-8&stripped_title=social-movements-on-the-commons-by-david-bollier-presentation" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=icommons-bollier-keynote-1219416597312531-8&stripped_title=social-movements-on-the-commons-by-david-bollier-presentation" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;">View more <a style="text-decoration:underline;" href="http://www.slideshare.net/">presentations</a> from <a style="text-decoration:underline;" href="http://www.slideshare.net/iCommonsiSummit08">iCommons iSummit</a>.</div></div>]]>
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        <slideshare:views>1551</slideshare:views>
        <slideshare:comments>1</slideshare:comments>
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    <item>
      <title>Ready to Share: Fashion and the Commons by Johanna Blakley</title>
      <link>http://www.slideshare.net/iCommonsiSummit08/ready-to-share-fashion-and-the-commons-presentation</link>
      <description>
        <![CDATA[<img src="http://cdn.slidesharecdn.com/blakleykeynote-1219413692964880-8-thumbnail-2?1231920600" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> More than any other industry, fashion treats most of its creative output as a commons - shared resources that can be freely reused, recreated and recombined. How does the fashion industry manage to thrive with virtually no copyright protection?]]>
      </description>
      <content:encoded>
        <![CDATA[<img src="http://cdn.slidesharecdn.com/blakleykeynote-1219413692964880-8-thumbnail-2?1231920600" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> More than any other industry, fashion treats most of its creative output as a commons - shared resources that can be freely reused, recreated and recombined. How does the fashion industry manage to thrive with virtually no copyright protection?]]>
      </content:encoded>
      <pubDate>Fri, 22 Aug 2008 12:38:01 GMT</pubDate>
      <guid>http://www.slideshare.net/iCommonsiSummit08/ready-to-share-fashion-and-the-commons-presentation</guid>
      <author>iCommonsiSummit08@slideshare.net(iCommonsiSummit08)</author>
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        <media:title>Ready to Share: Fashion and the Commons by Johanna Blakley</media:title>
        <media:credit>iCommonsiSummit08</media:credit>
        <media:description type="plain">More than any other industry, fashion treats most of its creative output as a commons - shared resources that can be freely reused, recreated and recombined. How does the fashion industry manage to thrive with virtually no copyright protection?</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/blakleykeynote-1219413692964880-8-thumbnail-2?1231920600&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; More than any other industry, fashion treats most of its creative output as a commons - shared resources that can be freely reused, recreated and recombined. How does the fashion industry manage to thrive with virtually no copyright protection?</media:text>
        <media:keywords></media:keywords>
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        <![CDATA[<div style="width:425px;text-align:left" id="__ss_565182"><a style="font:14px Helvetica,Arial,Sans-serif;display:block;margin:12px 0 3px 0;text-decoration:underline;" href="http://www.slideshare.net/iCommonsiSummit08/ready-to-share-fashion-and-the-commons-presentation" title="Ready to Share: Fashion and the Commons by Johanna Blakley">Ready to Share: Fashion and the Commons by Johanna Blakley</a><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=blakleykeynote-1219413692964880-8&stripped_title=ready-to-share-fashion-and-the-commons-presentation" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=blakleykeynote-1219413692964880-8&stripped_title=ready-to-share-fashion-and-the-commons-presentation" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;">View more <a style="text-decoration:underline;" href="http://www.slideshare.net/">presentations</a> from <a style="text-decoration:underline;" href="http://www.slideshare.net/iCommonsiSummit08">iCommons iSummit</a>.</div></div>]]>
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      <title>Enclosing the Commons - for Dummies: Creativity, citizenship and media ownership</title>
      <link>http://www.slideshare.net/iCommonsiSummit08/enclosing-the-commons-for-dummies-creativity-citizenship-and-media-ownership-presentation</link>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/haupt-dummies-1219402660429404-8-thumbnail-2?1219396397" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> In his address at the iSummit &rsquo;08, Adam Haupt argues that legal threats issued by SAB Miller and Wiley Publishing to culture jammers Laugh It Off Media and Mail &amp; Guardian Online, respectively, provide important perspectives on democracy and commons enclosure. Both the Wiley &quot;for Dummies&quot; and SAB Miller &quot;Black Labour White Guilt&quot; cases offer insights into corporations&rsquo; tendencies to employ narrow understandings of IP to protect their own interests - often at the expense of the public interest. However, we should be wary of reducing both media incidents to &rsquo;David and Goliath&rsquo; struggles. The story of commons enclosure and limitations on free speech is not always as dramatic. Media ownership offers one example of the ways in which democracy is perverted and the South African media landscape is no exception in this regard.]]>
      </description>
      <content:encoded>
        <![CDATA[<img src="http://cdn.slidesharecdn.com/haupt-dummies-1219402660429404-8-thumbnail-2?1219396397" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> In his address at the iSummit &rsquo;08, Adam Haupt argues that legal threats issued by SAB Miller and Wiley Publishing to culture jammers Laugh It Off Media and Mail &amp; Guardian Online, respectively, provide important perspectives on democracy and commons enclosure. Both the Wiley &quot;for Dummies&quot; and SAB Miller &quot;Black Labour White Guilt&quot; cases offer insights into corporations&rsquo; tendencies to employ narrow understandings of IP to protect their own interests - often at the expense of the public interest. However, we should be wary of reducing both media incidents to &rsquo;David and Goliath&rsquo; struggles. The story of commons enclosure and limitations on free speech is not always as dramatic. Media ownership offers one example of the ways in which democracy is perverted and the South African media landscape is no exception in this regard.]]>
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      <pubDate>Fri, 22 Aug 2008 09:08:11 GMT</pubDate>
      <guid>http://www.slideshare.net/iCommonsiSummit08/enclosing-the-commons-for-dummies-creativity-citizenship-and-media-ownership-presentation</guid>
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        <media:title>Enclosing the Commons - for Dummies: Creativity, citizenship and media ownership</media:title>
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        <media:description type="plain">In his address at the iSummit &amp;rsquo;08, Adam Haupt argues that legal threats issued by SAB Miller and Wiley Publishing to culture jammers Laugh It Off Media and Mail &amp;amp; Guardian Online, respectively, provide important perspectives on democracy and commons enclosure. Both the Wiley &amp;quot;for Dummies&amp;quot; and SAB Miller &amp;quot;Black Labour White Guilt&amp;quot; cases offer insights into corporations&amp;rsquo; tendencies to employ narrow understandings of IP to protect their own interests - often at the expense of the public interest. However, we should be wary of reducing both media incidents to &amp;rsquo;David and Goliath&amp;rsquo; struggles. The story of commons enclosure and limitations on free speech is not always as dramatic. Media ownership offers one example of the ways in which democracy is perverted and the South African media landscape is no exception in this regard.</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/haupt-dummies-1219402660429404-8-thumbnail-2?1219396397&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; In his address at the iSummit &amp;rsquo;08, Adam Haupt argues that legal threats issued by SAB Miller and Wiley Publishing to culture jammers Laugh It Off Media and Mail &amp;amp; Guardian Online, respectively, provide important perspectives on democracy and commons enclosure. Both the Wiley &amp;quot;for Dummies&amp;quot; and SAB Miller &amp;quot;Black Labour White Guilt&amp;quot; cases offer insights into corporations&amp;rsquo; tendencies to employ narrow understandings of IP to protect their own interests - often at the expense of the public interest. However, we should be wary of reducing both media incidents to &amp;rsquo;David and Goliath&amp;rsquo; struggles. The story of commons enclosure and limitations on free speech is not always as dramatic. Media ownership offers one example of the ways in which democracy is perverted and the South African media landscape is no exception in this regard.</media:text>
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        <![CDATA[<div style="width:425px;text-align:left" id="__ss_564956"><a style="font:14px Helvetica,Arial,Sans-serif;display:block;margin:12px 0 3px 0;text-decoration:underline;" href="http://www.slideshare.net/iCommonsiSummit08/enclosing-the-commons-for-dummies-creativity-citizenship-and-media-ownership-presentation" title="Enclosing the Commons - for Dummies: Creativity, citizenship and media ownership">Enclosing the Commons - for Dummies: Creativity, citizenship and media ownership</a><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=haupt-dummies-1219402660429404-8&stripped_title=enclosing-the-commons-for-dummies-creativity-citizenship-and-media-ownership-presentation" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=haupt-dummies-1219402660429404-8&stripped_title=enclosing-the-commons-for-dummies-creativity-citizenship-and-media-ownership-presentation" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;">View more <a style="text-decoration:underline;" href="http://www.slideshare.net/">presentations</a> from <a style="text-decoration:underline;" href="http://www.slideshare.net/iCommonsiSummit08">iCommons iSummit</a>.</div></div>]]>
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        <slideshare:views>1431</slideshare:views>
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      <title>The Commons in the Corporation: The challenge of raising awareness within media corporations</title>
      <link>http://www.slideshare.net/mohamedn/the-commons-in-the-corporation-the-challenge-of-raising-awareness-within-media-corporations-presentation</link>
      <description>
        <![CDATA[<img src="http://cdn.slidesharecdn.com/the-commons-and-the-corp-v2-1219061049602765-8-thumbnail-2?1231920594" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Concepts such as Open Source and Creative Commons are usually foreign to most corporations. Mohamed will share his experience with championing these concepts within a media company and discuss how Al Jazeera is aligning these philopsophies to their strategic goals.]]>
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      <content:encoded>
        <![CDATA[<img src="http://cdn.slidesharecdn.com/the-commons-and-the-corp-v2-1219061049602765-8-thumbnail-2?1231920594" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> Concepts such as Open Source and Creative Commons are usually foreign to most corporations. Mohamed will share his experience with championing these concepts within a media company and discuss how Al Jazeera is aligning these philopsophies to their strategic goals.]]>
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      <pubDate>Mon, 18 Aug 2008 10:10:39 GMT</pubDate>
      <guid>http://www.slideshare.net/mohamedn/the-commons-in-the-corporation-the-challenge-of-raising-awareness-within-media-corporations-presentation</guid>
      <author>mohamedn@slideshare.net(mohamedn)</author>
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        <media:title>The Commons in the Corporation: The challenge of raising awareness within media corporations</media:title>
        <media:credit>mohamedn</media:credit>
        <media:description type="plain">Concepts such as Open Source and Creative Commons are usually foreign to most corporations. Mohamed will share his experience with championing these concepts within a media company and discuss how Al Jazeera is aligning these philopsophies to their strategic goals.</media:description>
        <media:text type="html">&lt;img src=&quot;http://cdn.slidesharecdn.com/the-commons-and-the-corp-v2-1219061049602765-8-thumbnail-2?1231920594&quot; alt =&quot;&quot; style=&quot;border:1px solid #C3E6D8;float:right;&quot; /&gt;&lt;br&gt; Concepts such as Open Source and Creative Commons are usually foreign to most corporations. Mohamed will share his experience with championing these concepts within a media company and discuss how Al Jazeera is aligning these philopsophies to their strategic goals.</media:text>
        <media:keywords></media:keywords>
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        <slideshare:comments>4</slideshare:comments>
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      <title>Aids Out Life In</title>
      <link>http://www.slideshare.net/abhishekshah/life-in-aids-out</link>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/aoli-1214654216212575-9-thumbnail-2?1219887352" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> :-)
]]>
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        <![CDATA[<img src="http://cdn.slidesharecdn.com/aoli-1214654216212575-9-thumbnail-2?1219887352" alt ="" style="border:1px solid #C3E6D8;float:right;" /><br> :-)
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      <pubDate>Sat, 28 Jun 2008 09:51:24 GMT</pubDate>
      <guid>http://www.slideshare.net/abhishekshah/life-in-aids-out</guid>
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        <media:description type="plain">:-)
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        <![CDATA[<div style="width:425px;text-align:left" id="__ss_489980"><a style="font:14px Helvetica,Arial,Sans-serif;display:block;margin:12px 0 3px 0;text-decoration:underline;" href="http://www.slideshare.net/abhishekshah/life-in-aids-out" title="Aids Out Life In">Aids Out Life In</a><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=aoli-1214654216212575-9&stripped_title=life-in-aids-out" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=aoli-1214654216212575-9&stripped_title=life-in-aids-out" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;">View more <a style="text-decoration:underline;" href="http://www.slideshare.net/">presentations</a> from <a style="text-decoration:underline;" href="http://www.slideshare.net/abhishekshah">Abhishek Shah</a>.</div></div>]]>
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      <title>CC In Korea</title>
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