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Abstract Expressionism 1945-1960
Jackson Pollock,  Stenographic Figure , 1942
Jackson Pollock,  Mural , 1943
Jackson Pollock,  The Key , 1946
Jackson Pollock,  Shimmering Substance , 1947
Jackson Pollock,  Cathedral , 1947
Jackson Pollock,  Autumn Rhythm (No. 30) , 1950
Jackson Pollock,  Blue Poles (No. 11) , 1952
Jackson Pollock,  Detail
Hans Namuth,  Jackson Pollock '51
View of Pollock's Paintings at the MOMA
Mark Rothko,  Entrance to Subway , 1938
Mark Rothko,  Underground Fantasy , 1940
Mark Rothko,  Swirl at the Edge of the Sea , 1944
Mark Rothko,  No. 22 , 1949
Mark Rothko,  No. 61 , 1953
Mark Rothko,  Seagram's Mural Section 4 , 1958
Mark Rothko,  Seagram's Mural Section 3 , 1959
 
Willam de Kooning,  Seated Woman , 1940
Willam de Kooning,  Pink Angels , 1945
Willam de Kooning,  Excavation , 1950
Willam de Kooning,  Woman 1 , 1952
Willam de Kooning,  Woman and Bicycle , 1952-3
Willam de Kooning,  Gotham News , 1958
Philip Guston,  Conspirators , 1932
Philip Guston,  The Porch II , 1947
Philip Guston,  The Tormentors , 1947-48
Philip Guston,  Painting No. 6 , 1951
Philip Guston,  Voyage , 1956
David Smith,  Construction with Fulcrum , 1936
David Smith,  Helmholtzian Landscape , 1946
David Smith,  Hudson River Landscape , 1946
Joan Mitchell,  Untitled , 1956
Joan Mitchell,  Lady Bug , 1957
Joan Mitchell,  Untitled , 1959
Helen Frankenthaler,  Mountains and Sea , 1952
Helen Frankenthaler,  Lorelei , 1957
Morris Louis,  Tet , 1958
Sam Francis,  Middle Blue , 1957
Kenneth Noland,  Beginning , 1958
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Abstract Expressionism

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Lecture 6: The New York School comes of age with the mature work of Jackson Pollock, Mark Rothko, and Willem de Kooning. We also discuss the 'second generation' artists such as Joan Mitchell and Morriss Lewis. A strong focus on expressive brushwork, personal emotion and the underlying tenets of existentialist thought is on full display. Clement Greenberg's thoughts on the inherent flatness of the picture plane also exert a strong influence. The work should also be seen in the context of the Cold War and 'soft power'.

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Transcript of "Abstract Expressionism"

  1. 1. Abstract Expressionism 1945-1960
  2. 2. Jackson Pollock, Stenographic Figure , 1942
  3. 3. Jackson Pollock, Mural , 1943
  4. 4. Jackson Pollock, The Key , 1946
  5. 5. Jackson Pollock, Shimmering Substance , 1947
  6. 6. Jackson Pollock, Cathedral , 1947
  7. 7. Jackson Pollock, Autumn Rhythm (No. 30) , 1950
  8. 8. Jackson Pollock, Blue Poles (No. 11) , 1952
  9. 9. Jackson Pollock, Detail
  10. 10. Hans Namuth, Jackson Pollock '51
  11. 11. View of Pollock's Paintings at the MOMA
  12. 12. Mark Rothko, Entrance to Subway , 1938
  13. 13. Mark Rothko, Underground Fantasy , 1940
  14. 14. Mark Rothko, Swirl at the Edge of the Sea , 1944
  15. 15. Mark Rothko, No. 22 , 1949
  16. 16. Mark Rothko, No. 61 , 1953
  17. 17. Mark Rothko, Seagram's Mural Section 4 , 1958
  18. 18. Mark Rothko, Seagram's Mural Section 3 , 1959
  19. 20. Willam de Kooning, Seated Woman , 1940
  20. 21. Willam de Kooning, Pink Angels , 1945
  21. 22. Willam de Kooning, Excavation , 1950
  22. 23. Willam de Kooning, Woman 1 , 1952
  23. 24. Willam de Kooning, Woman and Bicycle , 1952-3
  24. 25. Willam de Kooning, Gotham News , 1958
  25. 26. Philip Guston, Conspirators , 1932
  26. 27. Philip Guston, The Porch II , 1947
  27. 28. Philip Guston, The Tormentors , 1947-48
  28. 29. Philip Guston, Painting No. 6 , 1951
  29. 30. Philip Guston, Voyage , 1956
  30. 31. David Smith, Construction with Fulcrum , 1936
  31. 32. David Smith, Helmholtzian Landscape , 1946
  32. 33. David Smith, Hudson River Landscape , 1946
  33. 34. Joan Mitchell, Untitled , 1956
  34. 35. Joan Mitchell, Lady Bug , 1957
  35. 36. Joan Mitchell, Untitled , 1959
  36. 37. Helen Frankenthaler, Mountains and Sea , 1952
  37. 38. Helen Frankenthaler, Lorelei , 1957
  38. 39. Morris Louis, Tet , 1958
  39. 40. Sam Francis, Middle Blue , 1957
  40. 41. Kenneth Noland, Beginning , 1958

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