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WhitsonNASSR2014
WhitsonNASSR2014
WhitsonNASSR2014
WhitsonNASSR2014
WhitsonNASSR2014
WhitsonNASSR2014
WhitsonNASSR2014
WhitsonNASSR2014
WhitsonNASSR2014
WhitsonNASSR2014
WhitsonNASSR2014
WhitsonNASSR2014
WhitsonNASSR2014
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WhitsonNASSR2014

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  • 1. @autoblake: between critical making and computation @RogerWhitson #NASSR2014 #RomDH 07.12.2014
  • 2. Mike Goode. “The Joy of Looking: What Blake’s Pictures Want.” Representations. 119.1 (Summer 2012). 1-36. “Blake’s audience, especially today, has the tendency to be singularly irreducible to the sum of its groups. It is my conviction that this irreducibility—this delinquent tendency on the part of Blake’s ‘composite art’ to de-compose itself whenever and wherever it finds an audience—can prove critically and politically instructive about what his art meant, or at least could have meant, when it was created.” (5)
  • 3. Cameron Mozafari, “Designing a Multimodal Reading Space for Coleridge’s Kubla Kahn.” in the essay “Bibliocircuitry and the Design of the Alien Everyday.” Textual Cultures: Texts, Contexts, Interpretation. 8.1 (2013): 72-100.
  • 4. Cameron Mozafari, “Designing a Multimodal Reading Space for Coleridge’s Kubla Kahn.” in the essay “Bibliocircuitry and the Design of the Alien Everyday.” Textual Cultures: Texts, Contexts, Interpretation. 8.1 (2013): 72-100.
  • 5. @RogerWhitson #NASSR2014 #RomDH 07.12.2014 Thanks!

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