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Billy Proctor
                     billyproctor@hotmail.co.uk
                     Rob Jewitt
                     robert.jewitt@sunderland.ac.uk



When Will I Be Famous?
  Cultures of Celebrity in Reality TV




                                                      1
Guess Who?




             2
Guess Who 2?




               3
Celebrification
 I want to be a star. I want to be adored. I
  want to see and hear the screams of my
  fans and the roar of an ecstatic applause.
  I want my name in neon lights and my
  handprints on the Hollywood Boulevard. I
  want money. I want lots of money. I want
  a heavenly mansion in Beverley Hills and a
  string of servants to pay my bills. I want
  wealth. I want to land a helicopter on my
  luscious lawn. I want sex. I want drug and
  alcohol excess. I want a size 8 supermodel
  in my heart-shaped swimming pool. Give
  me luxury leather.
   Sean Redmond in Holmes & Jermyn, 2006: p.1


                                                 4
Starsuckers (2009, UK, C. Aitkens)




                                     5
Celebrification
 „The desire for fame, stardom or
  celebrification stems from a need
  to be wanted in a society where
  being famous appears to offer
  enormous material, economic,
  social and psychic rewards...
   Su Holmes & Deborah Jermyn, 2006:
    p.2-3




                                        6
Celebrification
 If you are not famous then you exist at the
  periphery of the power networks that circulate
  in and through the popular media. If you are
  not famous you help make up the legions of
  fans that celebrate the famous. If you are not
  famous you become part of deifying crowd
  who help co-produce (along with the popular
  media) the overriding impression that stars and
  celebrities are indeed at the centre of things. To
  be famous is to be famous and that‟s all that
  matters
   Su Holmes & Deborah Jermyn, 2006: p.2-3
                                                       7
What is celebrity?
 „First, commentary in the popular media...tends to
  regard the modern celebrity as a symptom of a worrying
  cultural shift: towards a culture that privileges the
  momentary, the visual and the sensational over the
  enduring, the written, and the rational.

 Second, those who consume and invest in celebrity
  tend to describe it as an innate or „natural‟ quality ...
  [here] the defining qualities of the celebrity are both
  natural and magical ...

 Third, and in striking contrast to this, the academic
  literature ... has tended to focus on celebrity as the
  product of a number of cultural and economic
  processes
    Turner, 2004: 4
                                                              8
History

 „there was no such thing as celebrity
  prior to the 20th Century‟
   Richard Schickel, 2000: 23 (cited in Turner,
    2004)

 „fame and celebrity have co-existed
  for centuries‟
   Barry, 2008: 252



                                                   9
The First Celebrity?




                       10
Burke and Hare

 „these notorious criminals
  were perhaps the first true
  celebrities, their reputation
  disseminated by the popular
  media rather than poets and
  historians‟
   Kornmeier in Barry, 2008: 253.




                                     11
Dickens and Byron




                    12
„The famous non-famous‟

 „Television is now full of these
  walking, talking tautologies – figures
  merely famous for being famous –
  and in spite of their apparent lack of
  real training, talent, wisdom or
  humility, the medium seems only too
  pleased to continue feeding their
  craving for the camera‟
   McCann, 2002 cited in Holmes, 2004: 111


                                              13
Frankie Cocozza




                  14
Frankie Cocozza




                  15
Common people

 „Ordinariness has always occupied a place
  among the repertoire of celebrity discourses
  ... they have always been discovered,
  suddenly extracted from their everyday lives
  and processed for stardom; both the film
  and the music industry have incorporated
  such processes into their cultural mythologies
  as well as their industrial practice. In recent
  times, however, the use of this practice has
  grown dramatically‟.
   Turner, 2004: p12



                                                    16
Famous as ordinary?




                      17
Claire: Slave to Food




                        18
Dialectic

 ordinary   famous




 ordinary   famous




                     19
Peter Bazalgette
    (Endemol, RTS, Dept M.C.S.)

 „The lament today, from reality TV‟s critics, is why
  all these awful ordinary people are allowed on
  television. Their only distinction, apparently, is
  their desire to show off...the only way they would
  have got on TV in the old days would have been
  wedged into some convenient sociological
  pigeon-hole by the likes of This Week or World in
  Action. Reality TV is an argument in favour of
  more diverse programming and access to the
  airwaves for a more diverse spread of people‟.
   Huw Wheldon Address, 2001


                                                         20
Capitalism/ Neoliberalism

 Capitalism requires consumers to develop
  abstract desire for commodities ...
  Celebrity culture is therefore partly the
  expression of a cultural axis organized
  around abstract desire. It is an essential
  tool of commodification since it embodies
  desire. In particular, it provides consumers
  with compelling standards of emulation
   Rojek, 2001: 187




                                                 21
22
23
Jade Goody

 Big Brother 2002: Fourth Place

 2003: Channel 4‟s 100 Worst Britons. Fourth Place.

 2007: Celebrity Big Brother –Race Row

 2008: Diagnosed with cancer live on Indian Big Brother,
  Big Boss.

 2009: Succumbs to cervical cancer

 http://www.youtube.com/watch?v=iY-CByHw7KA


                                                            24
Jade‟s CV

   Big Brother 2003                          You Can‟t Fire Me I‟m Famous

   Celebrity Big Brother 2007                Living with Jade

   Jade‟s Salon                              Jade‟s Progress

   Just Jade                                 Jade‟s Bride to be

   Stars in Their Eyes (contestant)          Jade‟s Wedding

   The Weakest Link (contestant)             Jade: With Love

   The Friday Night Project (presenter)      Jade; As Seen on TV

   Jade‟s PA                                 Jade: One Year Later (tribute show)

   Jade‟s Shape Challenge                    Ultimate Big Brother- The Final (15 Minute
                                               Tribute)




                                                                                            25
Jade

 Digital Spy: Jade Goody voted the „ultimate reality star‟.

 Sir Michael Parkinson: Jade has become property of the
  media "to be manipulated and exploited till the day she
  died". He claimed she represented "all that is paltry and
  wretched about Britain”.

 More tributes than Michael Jackson.




                                                               26
Jade‟s Legacy

“Jade's story has raised awareness of
 cervical cancer which has led to
 hundreds of thousands of people
 contacting Cancer Research UK for
 information on the disease as the
 number of hits to our website,
 CancerHelp.org shows. Her legacy will
 be to help save lives”
  (Spokesman for Cancer Research).


                                         27
Jade‟s Legacy

 “This is a tremendous fillip for the NHS
  screening programme. Jade Goody had a
  particular impact on the women the NHS
  struggles to reach - the young and the less
  well educated. The challenge for public
  health doctors now is to ensure that this rise
  is sustained, so that Jade has a long-lasting
  legacy”
   Thomas Moore, health correspondent for
     Sky News.


                                                   28
Jade and the media…




                      29
Further Reading

 Barry, Elizabeth (2008) „Celebrity, Cultural Production & Public Life‟,
  International Journal of Cultural Studies, 11(3), p.251-258.

 Holmes, Su and Redmond, Sean (2006)(eds.)Framing Celebrity:
  New Directions in Celebrity Culture. London: Routledge.

 Holmes, Su & Jermyn, Deborah (2004) (eds.) Understanding Reality
  Television, London: Routledge

 Rojek, Chris (2001) Celebrity. London: Reaktion.

 Schickel, Richard (2000) Intimate Strangers: The Culture of Celebrity.
  New York: Doubleday.

 Turner, Graham (2004) Understanding Celebrity. London: Sage.


                                                                            30

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When will I be famous? Reality TV and celebrity

  • 1. Billy Proctor billyproctor@hotmail.co.uk Rob Jewitt robert.jewitt@sunderland.ac.uk When Will I Be Famous? Cultures of Celebrity in Reality TV 1
  • 4. Celebrification  I want to be a star. I want to be adored. I want to see and hear the screams of my fans and the roar of an ecstatic applause. I want my name in neon lights and my handprints on the Hollywood Boulevard. I want money. I want lots of money. I want a heavenly mansion in Beverley Hills and a string of servants to pay my bills. I want wealth. I want to land a helicopter on my luscious lawn. I want sex. I want drug and alcohol excess. I want a size 8 supermodel in my heart-shaped swimming pool. Give me luxury leather.  Sean Redmond in Holmes & Jermyn, 2006: p.1 4
  • 5. Starsuckers (2009, UK, C. Aitkens) 5
  • 6. Celebrification  „The desire for fame, stardom or celebrification stems from a need to be wanted in a society where being famous appears to offer enormous material, economic, social and psychic rewards...  Su Holmes & Deborah Jermyn, 2006: p.2-3 6
  • 7. Celebrification  If you are not famous then you exist at the periphery of the power networks that circulate in and through the popular media. If you are not famous you help make up the legions of fans that celebrate the famous. If you are not famous you become part of deifying crowd who help co-produce (along with the popular media) the overriding impression that stars and celebrities are indeed at the centre of things. To be famous is to be famous and that‟s all that matters  Su Holmes & Deborah Jermyn, 2006: p.2-3 7
  • 8. What is celebrity?  „First, commentary in the popular media...tends to regard the modern celebrity as a symptom of a worrying cultural shift: towards a culture that privileges the momentary, the visual and the sensational over the enduring, the written, and the rational.  Second, those who consume and invest in celebrity tend to describe it as an innate or „natural‟ quality ... [here] the defining qualities of the celebrity are both natural and magical ...  Third, and in striking contrast to this, the academic literature ... has tended to focus on celebrity as the product of a number of cultural and economic processes  Turner, 2004: 4 8
  • 9. History  „there was no such thing as celebrity prior to the 20th Century‟  Richard Schickel, 2000: 23 (cited in Turner, 2004)  „fame and celebrity have co-existed for centuries‟  Barry, 2008: 252 9
  • 11. Burke and Hare  „these notorious criminals were perhaps the first true celebrities, their reputation disseminated by the popular media rather than poets and historians‟  Kornmeier in Barry, 2008: 253. 11
  • 13. „The famous non-famous‟  „Television is now full of these walking, talking tautologies – figures merely famous for being famous – and in spite of their apparent lack of real training, talent, wisdom or humility, the medium seems only too pleased to continue feeding their craving for the camera‟  McCann, 2002 cited in Holmes, 2004: 111 13
  • 16. Common people  „Ordinariness has always occupied a place among the repertoire of celebrity discourses ... they have always been discovered, suddenly extracted from their everyday lives and processed for stardom; both the film and the music industry have incorporated such processes into their cultural mythologies as well as their industrial practice. In recent times, however, the use of this practice has grown dramatically‟.  Turner, 2004: p12 16
  • 18. Claire: Slave to Food 18
  • 19. Dialectic ordinary famous ordinary famous 19
  • 20. Peter Bazalgette (Endemol, RTS, Dept M.C.S.)  „The lament today, from reality TV‟s critics, is why all these awful ordinary people are allowed on television. Their only distinction, apparently, is their desire to show off...the only way they would have got on TV in the old days would have been wedged into some convenient sociological pigeon-hole by the likes of This Week or World in Action. Reality TV is an argument in favour of more diverse programming and access to the airwaves for a more diverse spread of people‟.  Huw Wheldon Address, 2001 20
  • 21. Capitalism/ Neoliberalism  Capitalism requires consumers to develop abstract desire for commodities ... Celebrity culture is therefore partly the expression of a cultural axis organized around abstract desire. It is an essential tool of commodification since it embodies desire. In particular, it provides consumers with compelling standards of emulation  Rojek, 2001: 187 21
  • 22. 22
  • 23. 23
  • 24. Jade Goody  Big Brother 2002: Fourth Place  2003: Channel 4‟s 100 Worst Britons. Fourth Place.  2007: Celebrity Big Brother –Race Row  2008: Diagnosed with cancer live on Indian Big Brother, Big Boss.  2009: Succumbs to cervical cancer  http://www.youtube.com/watch?v=iY-CByHw7KA 24
  • 25. Jade‟s CV  Big Brother 2003  You Can‟t Fire Me I‟m Famous  Celebrity Big Brother 2007  Living with Jade  Jade‟s Salon  Jade‟s Progress  Just Jade  Jade‟s Bride to be  Stars in Their Eyes (contestant)  Jade‟s Wedding  The Weakest Link (contestant)  Jade: With Love  The Friday Night Project (presenter)  Jade; As Seen on TV  Jade‟s PA  Jade: One Year Later (tribute show)  Jade‟s Shape Challenge  Ultimate Big Brother- The Final (15 Minute Tribute) 25
  • 26. Jade  Digital Spy: Jade Goody voted the „ultimate reality star‟.  Sir Michael Parkinson: Jade has become property of the media "to be manipulated and exploited till the day she died". He claimed she represented "all that is paltry and wretched about Britain”.  More tributes than Michael Jackson. 26
  • 27. Jade‟s Legacy “Jade's story has raised awareness of cervical cancer which has led to hundreds of thousands of people contacting Cancer Research UK for information on the disease as the number of hits to our website, CancerHelp.org shows. Her legacy will be to help save lives”  (Spokesman for Cancer Research). 27
  • 28. Jade‟s Legacy  “This is a tremendous fillip for the NHS screening programme. Jade Goody had a particular impact on the women the NHS struggles to reach - the young and the less well educated. The challenge for public health doctors now is to ensure that this rise is sustained, so that Jade has a long-lasting legacy”  Thomas Moore, health correspondent for Sky News. 28
  • 29. Jade and the media… 29
  • 30. Further Reading  Barry, Elizabeth (2008) „Celebrity, Cultural Production & Public Life‟, International Journal of Cultural Studies, 11(3), p.251-258.  Holmes, Su and Redmond, Sean (2006)(eds.)Framing Celebrity: New Directions in Celebrity Culture. London: Routledge.  Holmes, Su & Jermyn, Deborah (2004) (eds.) Understanding Reality Television, London: Routledge  Rojek, Chris (2001) Celebrity. London: Reaktion.  Schickel, Richard (2000) Intimate Strangers: The Culture of Celebrity. New York: Doubleday.  Turner, Graham (2004) Understanding Celebrity. London: Sage. 30

Editor's Notes

  1. MJ, Marlon Brando, Beckham, Pacino, Lucas, Hitch, FF Coppola, Audrey
  2. Jade, Leona, Joey Essex (TOWIE), Frankie Cocozza (X Factor), Paris Hilton, ??? Rik Waller?, Katie Price, Susan Boyle
  3. using different words to say the same thing – a ‘true fact’