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Advanced Photoshop Book

Advanced Photoshop Book

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    • A CLINCA ESIETCO PRODUCTION A JONATHON DEMME PICTURE photoshop hollywood “PHILADELPHIA” JASON ROBARDOS MARY STEENBURGEN ANTONIO BANDERAS BY HOWARD SHORE PHOTOGRAPHY TAk FUJIMOTO MUSIC DIRECTOR PRODUCERS GARY GOETzMAN, kENNETH UTT, RON BOzMAN EXECUTIVE BY RON NYSWANER WRITTEN BY EDWARD SAXON AND JONATHAN DEMME PRODUCED BY JONATHAN DEMME DIRECTED ENI SANTONI • ANDY ROBINSON • JOHN Julian Fink & R M Fink and Dean Reisner RESTRICTED UNDER 17 REQUIRES ACCOMPANYING PARENT OR ADULT GUARDIAN OLOR • Warner Bros. A Kinney Company Alexander Scourby Valerie Bettis Torin Thatcher with OSCAR SAUL and JAMES GUNN VINCENT SHERMAN A BECKWORTH CORPORATION PRODUCTION A COLUMBIA PICTURE Screen Play by Produced and Directed by • • • R FILMS PRESENT A SCOTT FREE PRODUCTION A FILM BY TONY SCOTT DENZEL WASHININGTON “DEJA VU” VAL KILMER hollywood WRITTEN BY LDBERG AND JIM CAVIEZEL SUPERVISOR BOB BADAMI BY HARRY GREGSIN-WILLIAMS DESIGNER ELLEN MIROJNICK RON WOODBINE MUSIC MUSIC COSTUME HOTOGRAPHY PAUL CAMERON,ASC DIRECTORS MIKE STENSON CHAD OMAN TED ELLIOTT TERRY ROSSIO BARRY WALDMAN DIRECTOR OF EXECUTTIVE BRUCKHEIMER BY BILL MARSILII & TERRY ROSSIO BY TONY SCOTT WRITTEN DIRECTED
    • by Valerie Bettis Torin Thatcher 4 5 AMES GUNNphotoshopDirected by VINCENT SHERMAN A BECKWORTH CORPORATION PRODUCTION A COLUMBIA PICTURE hollywood 1952 - Back to Trinidad Produced and • • • back to trinidad Alexander Scourby Valerie Bettis Torin Thatcher with OSCAR SAUL and JAMES GUNN VINCENT SHERMAN A BECKWORTH CORPORATION PRODUCTION A COLUMBIA PICTURE Screen Play by Produced and Directed by • • • Alexander Scourby Valerie Bettis Torin Thatcher with • •
    • 6 7 photoshop hollywood 1952 - Back to Trinidad the cast This thriller drips of 1950’s style. After a brief retirement and an even briefer marriage, Rita Hayworth returned to the screen in this riveting film noir. The poster screams “Hayworth’s Back” and capitalises on the success of Hayworth and Glenn Ford’s earlier film “Gilda.” This particular style of poster has become increasingly popular in the last few years due to the seductive image of Hayworth. iStock_000006309222 1 istockphoto.com 1 5164516-1804x2712 2 Jupiter Images collection 2
    • 8 9 photoshop hollywood 1952 - Back to Trinidad lighting the set film 3 2 1 R 43 R 253 R 235 G 115 G 252 G 210 B 168 B 1 B 188 overlay 1 R 202 R 165 R 4 2 G 135 G 52 G 12 6 5 4 3 B 65 B 44 B 23 4 the titles 5 6 Brody SB Regular Helvetica Neue (her “Gilda” man) 9 8 7 7 77 Bold Condensed This font has been redrawn to match the poster exactly. 8 Brody SB Regular is the font most similar to this vivid light 1950 font. multiply 9 color Alexander Scourby Valerie Bettis Torin Thatcher with Univers 10 12 11 10 39 Untra Thin OSCAR SAUL and JAMES GUNN VINCENT SHERMAN A BECKWORTH CORPORATION PRODUCTION A COLUMBIA PICTURE Condensed Screen Play by Produced and Directed by • • • 11 SFX vivid light 53% soft light 12 overlay 13 14 13 Creating this poster is all about using the power of Blending Modes applied to the image. To re-create the final texture a simple grain texture within Photoshop. The vibrant and saturated style of this 1950’s poster is added and placed on a Overlayed layer. 14 uses a combination of Vivid Light, Multiply, Overlay, Color and Soft Subtle brushstrokes of colour are applied to create the 1950’s makeup. Light modes. The whole process is fairly simple as long as the order of The main text titles have been redrawn in illustrator, Brody Sb Regular events are follwed well. type face is close but not exact. Some intersting steps are taken to create the poster. Loading the The fighting couple in the bottom right corner uses the same filters and Luminosity selection and filling it with white seems very usual, but layer blends as the main image. the replacement picture used in this re- creates an amazing effect! creation is amazing similar to the original. In reproducing the painted appearance, Blur More and Surface Blurs are
    • 10 11 photoshop hollywood 1952 - Back to Trinidad the script Open the original poster affair_in_trinidad_ver2_xlg.jpg. This original Duplicate the base girl Set the foreground colour to R 186 G 33 B 34. This will file will be the guide for setting the positioning of all the elements. layer and set the top produce a red. Set the background colour to white. Now version to Overlay. Now select the newly created merged layer girl copy 4. Enlarge the dimensions to: the image will appear Go to Filter > Sketch > Photocopy. Adjust the settings as darker. below. Tint the transparency of the original to 25%. This will allow you to place the original on the top layer and be able to see the place items on the lower layers. Set the blending to Multiply to knock the white out. This step has added a subtle detail to the image. Now copy this selection to its own layer by pressing Command-J or Now add a Curve adjustment layer to the top girl copy layer only (right- Ctrl-J on PC. click on the adjustment layer in the layers pallet and choose Create Clipping Mask...). Adjust the Curves to bring back some of the detail in A new layer will now appear on top. Call the new layer girl copy 2 the over-exposed image. and set it’s blending to Vivid Light and reduce the opacity to 59% (see above). Now load the latest layer- girl copy 2 as a selection (A). (Click on the layer thumbnail and press Command or Ctrl). Create a new layer on top (call it girl copy 3) and fill the selection with white (B). A B C It has also however, added a reddish tint to the image, looking at the Rita original, its less red and more subtle greens. Add another adjustment layer to this layer only. This time add Hue and Saturation. Place, rotate and scale the female image (iStock_000006309222.jpg) Refer to the Rita original to correct the colours. See below. into position. Once in position, turn off the orginal Rita layer. Add a Surface Blur across the entire image. See the setting below, this will help create the Now set the blend on girl copy 3 to Soft Light (C). Now you need to load the luminosity of the girl copy layer as a selection. painted 1950’s appearance. To do this by pressing on Option-Command and then the Tilde key (~) Make a merged layer of all the layers. the outcome will be a new layer The next few steps involves or on a PC Ctrl-Alt and then the Tilde key. This will now bring up the comprised of all the layers, leaving the lower layers untouched. using the power of layers and selection on the layer. Hold down the Option key or the Alt key on PC and go to the blends. This will enable you Now invert the selection by pressing on Shift-Command-I or Shift- dropdown menu in the top right hand corner of the Layer Palette. to re-create this 1950’s style Ctrl-I on a PC. poster, rich and colour and Choose Merged Visible, if the Option or Alt key is held down, A merged contrast. version will now appear in the Layer Palette. Rename it girl copy 4.
    • 12 13 photoshop hollywood 1952 - Back to Trinidad Rasterize the layer and duplicate the layer. Change the colour of the text Lets now look at the make-up. Your skills with the paintbrush are The texture will be presented in colour, remove this by pressing Shift- Create a new layer with a merged version of all the layers. This final layer to a 40% gray. Apply a grain texture to the gray layer, using the same needed here. Constantly refer back to the Rita original to help you place Command-U or Shift-Ctrl-U for PC. with sit above the layers below. Here you will add some subtle changes. settings as the previous page. Set the blending mode to Overlay. This will the make-up on the correct place Remove the wrinkles below the model’s eyes and blur the whole image create a nice strong grainy appearance. Apply a Blur More - 1. and amounts. Also use colour slightly to create a realistic 1950’s print. samples from the Rita original. First use the Clone tool and remove the wrinkles from her eyes. Paint the colour on a new layer Then add a slight blur using Blur More - 1 pixel using a feathered brush. Its a subtle process, use the layer opacity below, I’ve adjusted the opacity to 43%. Set the blending Mode to Color. Repeat this process with the Change the layer’s blending mode to Overlay. reamianing blue text, start with the top left. Also apply a Blur More - 1. The blue text on the middle right is slightly darker than the top left. Remember the Blur More - 1! Add the final smaller text Create a white filled base layer underneath the new merged layer. On the Using the steps on the previous pages, create the fighting couple image using Helvetica Neue 77 Bold merged layer use a mask layer to fade the bottom of the model’s dress. that appears on the bottom right. Create a new folder called fight. Scale Condensed and apply a Blur and position the image 5164516-1804x2712.jpg. More - 1. See the bottom of the Rita original poster. You have successfully brought Rita back to life after 56 years! Now its time to create the surrounding elements. Turn the Rita original layer and On a new layer paint over the reduce the opacity. Again lips. Use a red colour and again you will use it as a positional refer to the Rita original. Use the guide. painbrush to apply a strong red (sample red from Rita lips) Firstly, create a new layer and call it black box. Re-create Set this Lips layer Mode to Vivid the black box that houses the Light. Affair in Trinidad text. The Rita original has Using Univers 39 Untra Thin Condensed enter the title credits into quite a grainy position. texture. This next step will The final part of this poster is to add the main titles to the poster. As re-create this. Create a new mentioned earlier the script type does not exactly match Brody SB layer and call it grain. Fill the Regular, but is fairly close. You may chose to use Broday or trace the Rita layer will 50% gray and apply original text in Illustrator. the samples to a texture filter. go to Filter follow have been traced. > Texture > Grain. Refer to Place the vector file into Photoshop from the settings on the right and Illustrator, apply a Color Overlay use the apply. colour yellow - R 253 G 252 B1 (double click on the layer to bring up the Layer Style.)
    • 1971 arring HARRY GUARDINO • RENI SANTONI • ANDY ROBINSON • JOHN Daley • Screenplay by Harry Julian Fink & R M Fink and Dean Reisner RESTRICTED UNDER 17 REQUIRES ACCOMPANYING 14 photoshop hollywood 15 PARENT OR ADULT GUARDIAN 1971 - Remaking Harry’s Day el • PANAVISION • TECHNICOLOR • Warner Bros. A Kinney Company re-making Harry’s day CLINT EASTWOOD in “DIrTy hArry” A Malpaso Company Production Co-Starring HARRY GUARDINO • RENI SANTONI • ANDY ROBINSON • JOHN LARCH and JOHN VERNON as “The Mayor” • Executive Producer Robert Daley • Screenplay by Harry Julian Fink & R M Fink and Dean Reisner RESTRICTED UNDER 17 REQUIRES ACCOMPANYING PARENT OR ADULT GUARDIAN Story by Harry Julian Fink & R M Fink • Produced and Directed by Don Siegel • PANAVISION • TECHNICOLOR • Warner Bros. A Kinney Company CLINT EASTWOOD in “DIrTy hArry” A Malpaso Company Production Co-Starring HARRY GUARDINO • RENI SANTONI • ANDY RO LARCH and JOHN VERNON as “The Mayor” • Executive Producer Robert Daley • Screenplay by Harry Julian Fink & R M Fink a
    • 16 17 photoshop hollywood 1971 - Remaking Harry’s Day the cast In the year 1971, San Francisco faces the terror of a maniac known as Scorpio- who snipes at innocent victims and demands ransom through notes left at the scene of the crime. This simple yet striking design creates an instant visual energy for any passer-by. 11661039-5370x3580 1 The designer uses simple concept with dramatic angles and vivid colours. Jupiter Images collection 1 iStock_000006070838 2 istockphoto.com 2 3 iStock_000007106051 3 istockphoto.com 4 This chapter re-creates this timeless poster by combining varying greyscale tonal ranges onto separate layers and then overlaying the bold colours. 4
    • 18 19 photoshop hollywood 1971 - Remaking Harry’s Day lighting the set film 3 2 1 R 212 R 250 R 2 G 115 G 225 G 8 B 142 B 104 B 19 overlay 1 6 5 4 2 the titles 3 4 Clint Eastwood Helvetica Neue 5 95 Black Dirty Harry 6 9 8 7 7 CLINT EASTWOOD in “DIrTy hArry” A Malpaso Company Production Co-Starring HARRY GUARDINO • RENI SANTONI • ANDY ROBINSON • JOHN Helvetica Neue 8 LARCH and JOHN VERNON as “The Mayor” • Executive Producer Robert Daley • Screenplay by Harry Julian Fink & R M Fink and Dean Reisner 55 Roman RESTRICTED Story by Harry Julian Fink & R M Fink • Produced and Directed by Don Siegel • PANAVISION • TECHNICOLOR • Warner Bros. A Kinney Company UNDER 17 REQUIRES ACCOMPANYING PARENT OR ADULT GUARDIAN multiply 9 SFX 10 12 11 10 11 The re-creation of this seventies poster requires a pattern to replicate Revert back to grayscale, make a selection of the black and cut an paste 12 the course printing method. The pattern is a simple four toned graphic into the original Photoshop file. repeated over the solid colours. The dodge and burn tools are used to The gun is placed into position to create the illusion the male is in create an uneven exposure range seen in the top left. A texture is also possession and aiming. applied to the main text to “dirty” and roughen the text The small image collage at the bottom is a series of images scaled and An extreme contrast alteration of the shattered glass image is used to worked together in grayscale. create the white shattered effect. The selection is acquired using the Overall this poster is a fairly simple project. A little experimentation channels, and a white fill applied. Slight masking is also used to clean with the tonal range to create the right type to black and white bitmap up any unwanted shatters. Artistic license is also applied here, using the is required. The gun is always placed on a separate layer to give more brush to extend the cracks to the edge of the poster. control when creating the bitmaps. Transforming the images to a bitmap appearance, is exactly that. Alter the contrast of the male image to create the different layers of colour, extract the image into a new file, grayscale the image, then convert to bitmap.
    • 20 21 photoshop hollywood 1971 - Remaking Harry’s Day the script Open the original poster dirty_harry_xlg.jpg. This original file will be Place, rotate and scale the gun image (iStock_000006070838) into a Create a new layer below these layers and fill it with the yellow colour. new layer and create a hard-lined clipping mask around the image. the guide for setting the positioning of all the elements. Enlarge the dimensions to: Create guides to outline the main image area. To remove the white out of the layer find a suitable channel and Alt - click on the channel layer (e.g. green). This will create a selection of the image, now inverse this selection, create a new layer and fill with black or change to the red using the Layer Style and Colour Overlay. Now create another layer above the yellow and fill it with the black colour. Create a mask to cover the yellow area, that needs to be black. Save this Photoshop file. Resave this file and Save As “greyscale.psd. This Tint the transparency of the original to 25%. This will allow you to new file will create the bitmaps for the main Photoshop file. place the original on the top layer and be able to see the place items on In this new file you need to experiment with the tonal ranges to create the lower layers different levels of intensity to create the black and red colours. Place and scale the male image (11661039-5370x3580.jpg) into Convert the mode to grayscale and then to bitmap. position. Create a rough mask around the curved features on the male You can choose to leave the black layers white a solid white, make sure head. Create straight masks on the edges (use the prelaid guides). those layers are blended to Multiply mask Once all the layers are placed in the original psd file, use masking to create a similar look to the original Dirty Harry poster. See below. You’ll see the bitmap effect. Using the burn tool and levels create an Open the shattered glass image iStock_000007106051 and apply a level outcome for the red and black layers. To capture the extra black and red adjustment layer. An extreme adjustment is required here. The outcome detail on the gun, you may decide to create a second black layer. is a high contrasting selection that you can transfer into the original. Once you find the right level of black and white convert the mode back to grayscale and drag each layer into the original psd file.
    • 22 23 photoshop hollywood 1971 - Remaking Harry’s Day Create a selection of the white colour (Alt-click on a colour channel and A subtle pattern now interacts against the solid colours below it. inverse) and transfer to the original psd. Position, rotate and fill with white. Use artistic license to mask and create extra shards of glass to replicate the Dirty Harry original. Use the Dodge Tool to over expose the black on the right side of the Create a new gray scale Psd file and place the Dirty Harry original in the poster. This a purely an effect to replicate the Dirty Harry poster. centre. Reduce the transparency. Again this will allow you to add, scale and manipulate the images into the correct position. Create a merge layer and add to the main Psd file. Adjust the contrast and run a texture (grain) through it. You are done. The poster needs a texture throughout to replicate the 1970s appearance. Create a new layer on top and fill it with grey (R 111 G 111 B111). Create the main text within the poster. Use Helvetica Neue 95 Black. Add the building first, scale, skew and then mask out the surrounding Apply the Filter > Texture > Grain to the layer. Apply a Desaturate to buildings. Once you are happy with the positioning adjust the contrast Once you have scaled and kerned to the right size rasterize the text this layer to remove the colour. to match the black white original version. Repeat this process with the layer, apply a texture filter (grain > horizontal) to the text and a slight remaining images. horizontal blur. Set the layer of the blend to Overlay. Apply a Pattern Overlay to the layer. Create a pattern similar to the below and apply the settings. Set the layer of text below the textured greyscale layer and reduce the transparency to 85%. Repeat this process to the sub text that ranges to the left just above the main text. Use a lighter Helvetica Neue font. The final black and white collage is a simple arrangement of highly contrasted imagery. This collage is really a sub graphic so it’s accuracy depends on much time you spend on it.
    • 1993 STEENBURGEN ANTONIO BANDERAS WARD SHORE PHOTOGRAPHY TAk FUJIMOTO DIRECTOR 24 photoshop hollywood 25 1993 - Retrial Philadelhpia ETzMAN, kENNETH UTT, RON BOzMAN BY RON NYSWANER WRITTEN DWARD SAXON AND JONATHAN DEMME BY JONATHAN DEMME DIRECTED retrial philadelphia TRISTAR PICTURES PRESENTS A CLINCA ESIETCO PRODUCTION A JONATHON DEMME PICTURE “PHILADELPHIA” JASON ROBARDOS MARY STEENBURGEN ANTONIO BANDERAS BY HOWARD SHORE PHOTOGRAPHY TAk FUJIMOTO MUSIC DIRECTOR PRODUCERS GARY GOETzMAN, kENNETH UTT, RON BOzMAN EXECUTIVE BY RON NYSWANER WRITTEN BY EDWARD SAXON AND JONATHAN DEMME PRODUCED BY JONATHAN DEMME DIRECTED TRISTAR PICTURES PRESENTS A CLINCA ESIETCO PRODUCTION A JONATHON DEMME PICTURE “PHILADELPHIA” JASON ROBARDOS MARY STEENBURGEN ANTONIO BANDERAS BY HOWARD SHORE PHOTOGRAPHY TAk FUJIMOTO MUSIC DIRECTOR PRODUCERS GARY GOETzMAN, kENNETH UTT, RON BOzMAN EXECUTIVE BY RON NYSWANER WRITTEN BY EDWARD SAXON AND JONATHAN DEMME PRODUCED BY JONATHAN DEMME DIRECTED
    • 26 27 photoshop hollywood 1993 - Retrial Philadelhpia the cast Te vel euipis ea facidunt ulput vel dui eriustion eumsandip eriure min hendrerat. kvlcxlkvk xvklxvk kvdskkodsfodsiofi sfiodfispod fopsdifo dsiof ofi ifds fosaodfsifo dsop aodsfioadsfiodsifodisfo ofiosdif i odfi od dof odf Um amconse diamcore do- lobor sum et lore dolorem zzrit nit luptatue velis nullan ulput accummy nullaore cons et incipsum alis eugue eugue magnim alit wisis niam zzrillum quisis alisl 4523873-4142x6213.jpg 1 ullan vel eu faccumm olorem ilissequi bla cor iliquipisi. Jupiter Images collection Volore elesto dignis nim iure modoloreet wisit pratio esed etue dt v 1 Postcard Exchange.com 2 2 4 3 5808602-5370x3580.jpg 3 Jupiter Images collection 4066826-1287x3300.jpg 4 Jupiter Images collection
    • 28 29 photoshop hollywood 1993 - Retrial Philadelhpia lighting the set film 3 2 1 R 45 R 12 R 255 1 G 91 G 16 G 255 2 B 168 B 17 B 255 Color 3 6 5 4 the titles 4 5 6 Multiply Multiply Eurostile Bold Condensed Eurostile 7 Condensed This font has been redrawn to match the poster exactly. 9 8 7 Futura Bold Futura Extra Bold 8 TRISTAR PICTURES PRESENTS Univers A CLINCA ESIETCO PRODUCTION 39 Untra Thin A JONATHON DEMME PICTURE Condensed “PHILADELPHIA” JASON ROBARDOS MARY STEENBUR- 12 11 10 SFX 9 GEN ANTONIO BANDERAS HOWARD SHORE PHOTOGRAPHY TAk FUJIMOTO MUSIC DIRECTOR BY PRODUCERS GARY GOETzMAN, kENNETH UTT, RON BOzMAN EXECUTIVE BY RON NYSWANER WRITTEN 10 Color Burn This poster is a simple poster to reproduce. A lot of time and care is needed to create the multiple masksBYuse within the AND JONATHAN DEMME EDWARD SAXON recreation process PRODUCED Level Adjustment layers are used to create the high BY JONATHAN DEMME DIRECTED contracting male images. Two adjustments layers are used. An under-exposed vesion and 11 an over-exposed version. The layers are masked to revel the different tonal ranges on the faces. 12 The same process is applied to the gavel. Again great care is needed when applying the masks. The black background uses soft paint brushes
    • 30 31 photoshop hollywood 1993 - Retrial Philadelhpia the script Open the original poster philadelphia_xlg.jpg. This original file will be Mask the man bottom using the layer mask. Use a combination of hard The faces on the movie poster have quite a contrasting look. To create the guide for setting the positioning of all the elements. lines for the front of the face and soft brushes for the back of his head. this, you will make two adjustment layers of Levels for the face. An under and over exposed version and then create masks for those Enlarge the dimensions to: adjustment layers to reveal the dark and light areas. Start by adding the two Level adjustment layers above the man top layer. Make sure you set them to mask the top man layer only (right-click on the adjustment Change the colour to black and white. Don’t change the Mode setting of layers in the layers pallet and Tint the transparency of the original to 25%. This will allow you to the file. Add an adjustment layer, Black & White and place it above the choose Create Clipping Mask...). place the original on the top layer and be able to see the place items on image layers. the lower layers. Call each adjustment layer dark and light. Create a white filled base layer Adjust the Levels on the light adjustment layer first. Refer below for the Place, rotate and scale the 2 male images (5808602-5370x3580.jpg and Mask settings. The exposure now looks low. 4523873-4142x6213.jpg) into position. Name the top left male layer “man top” and the other “man bottom” Once in position, turn the original movie poster layer and To create a similar contrating image, you will repeat the process used on the male bottom layer off for the top man layer. Add two Level adjustment layers. Lable them light now. and dark. See the Level settings below. Using original movie poster layer as a reference create a mask of Place and scale the gavel image the top man layer. Slowly paint (4066826-1287x3300.jpg) into position the background away using a Now adjust the dark adjust layer. See the and apply a mask. large soft brush. setting below. It is now overexposed. The image will appear in black and white Adjust the brush opacity and as it is sitting under the Black & White flow to create the soften effect on adjustment layer. the mask. See the mask below on the right. The gavel will need the same Levels adjustment treatment previously used on the male images. Before this can happen, you’ll notice the subtle cityscape of Philadephia inside the gavel. Open the cityscape image (Postcard Using the mask on the dark adjustement layer, you will now need to Exchange.com) hide the overexposed areas. Refer to the original for guidance. and adjust the levels in the image to create an high contrasting black and white image. Again, on the dark adjustment layer, use the mask to hide the unrequired See right. Mask overexposed areas. Refer again to the original poster to see the allocation Mask Place the contrasting image into position on the main PSD poster file. of dark and light areas.
    • 32 33 photoshop hollywood 1993 - Retrial Philadelhpia Create another layer on top of the black layer and fill it with 50% black. Set the Blending Mode to Multiply. Apply a texture to the layer, the same settings as the texture previously mentioned. This time change the blending mode to Color Burn. The texture should now look quite contrasting. Refer to the original poster to see how the light and dark elements fall on the gavel. Use the mask on the dark layer to hide the unwanted shadows. Create a new layer called “black” and position it above the white bottom To fine tune the gradients apply a Level adjustment layer to the “black” layer. Fill the layer with 100% black. Using the original as a guide, mask layer. Lighten the black back to reveal more detail. the black where the faces are on the poster. This will allow the white See the Level setting below. below to come through and create the white areas, like the original. Use the soft brushes to paint the white through. Place the City layer into the masking area of the hammer layer (right- click on the city layer in the layers pallet and choose Create Clipping Mask...). The city will now mask to the hammer mask below. In the city layer, mask out the image at the bottom, so it merges into the gavel. Set the city layer blending mode to Multiply. Now add two Level adjustment layers above the city layer, lable them light and dark. See the light Level setting below. Also apply a Level adjustment layer to the Texture layer. Apply the below settings. This will bring more detail to the gradients in the black background. Mask One final element needs to be added to the gavel, a grainy texture. Create a new layer, called hammer texture and fill it with 50% black. Now adjust the dark adjust layer. See the Apply the Filter, Texture>Grain... to the gray and place the layer below next setting. It is now overexposed. Mask the Level adjustment layers.
    • 34 35 photoshop hollywood 1993 - Retrial Philadelhpia Place the vector graphic into place on the poster and apply a color It is now time to introduce the blue tint to the poster. Create a Solid overlay of R 120 G 12 B 26. Color adjustment layer and choose the colour values R 45 G 91 B 168. Move the adjustment layer the sit above the Black & White adjustment layer. Reduce the opacity of the Solid Colour adjustment layer to 48%. That’s a wrap! Mask The next text sits above the main title. This typeface is Futura Bold. Create a new layer folder and call it “text”. This folder can sit above the Solid Color adjustment layer. Turn the movie poster original layer back on and reduce to Change the blending mode to Color. This will give an even blue tint 25% opacity. thoughout the poster. Again you can use this as a The final main text is the movie title. the typeface is a close match to guide to place the text in the Eurostile Bold Condensed. You can use Eurostile or modify and redraw correct position. the title in Illustrator. Add the first text. The two name titles along the top. Use the below type settings for both. Refer to the Illustrator settings below. Use the tools within Illustrator to replicate the final text. Now add the two sub text in the middle of the poster. This typeface is Futura Extra Bold. The original has lighter areas of blue in soome parts. Use the mask on the Solid Color adjustment layer to reduce the blue intensity. Refer to the original as a guide.
    • PAUL CAMERON,ASC EXECUTTIVEhollywood CHAD OMAN TED ELLIOTT TERRY ROSSIO BARRY WALDMAN DIRECTORS MIKE STENSON 2 WRITTEN 3 photoshop 2006 - Repeating DéjàVu KHEIMER BY BILL MARSILII & TERRY ROSSIO DIRECTED TONY SCOTT BY repeating DéjàVu TOUCHSTONE PICTURES AND JERRY BRUCKHEIMER FILMS PRESENT A SCOTT FREE PRODUCTION A FILM BY TONY SCOTT DENZEL WASHININGTON “DEJA VU” VAL KILMER PAULA PATTON BRUCE GREENWOOD ADAM GOLDBERG AND JIM CAVIEZEL SUPERVISOR BOB BADAMI MUSIC HARRY GREGSIN-WILLIAMS DESIGNER ELLEN MIROJNICK MUSIC COSTUME BY BY CHRIS LEBENZON,A.C.E DESIGNER CHRIS SEAGERS PHOTOGRAPHY PAUL CAMERON,ASC DIRECTORS MIKE STENSON CHAD OMAN TED ELLIOTT TERRY ROSSIO BARRY WALDMAN EDITED PRODUCTION DIRECTOR OF EXECUTTIVE BY JERRY BRUCKHEIMER BY BILL MARSILII & TERRY ROSSIO BY TONY SCOTT PRODUCED WRITTEN DIRECTED TOUCHSTONE PICTURES AND JERRY BRUCKHEIMER FILMS PRESENT A SCOTT FREE PRODUCTION A FILM BY TONY SCOTT D PAULA PATTON BRUCE GREENWOOD ADAM GOLDBERG AND JIM CAVIEZEL SUPERVISOR BOB BADAMI MUSIC HARRY G MUSIC BY BY CHRIS LEBENZON,A.C.E DESIGNER CHRIS SEAGERS PHOTOGRAPHY PAUL CAMERON,ASC DIRECTORS MIKE STENSON CHAD OMA EDITED PRODUCTION DIRECTOR OF EXECUTTIVE PRODUCED WRITTEN DIRECTED
    • 4 5 photoshop hollywood 2006 - Repeating DéjàVu the cast Te vel euipis ea facidunt ulput vel dui eriustion eumsandip eriure min hendrerat. kvlcxlkvk xvklxvk kvdskkodsfodsiofi sfiodfispod fopsdifo dsiof ofi ifds fosaodfsifo dsop aodsfioadsfiodsifodisfo ofiosdif i odfi od dof odf Um amconse diamcore do- lobor sum et lore dolorem zzrit nit luptatue velis nullan ulput accummy nullaore cons et incipsum alis eugue eugue magnim alit wisis niam zzrillum quisis alisl iStock_000006068975.jpg 1 ullan vel eu faccumm olorem ilissequi bla cor iliquipisi. istockphoto.com Volore elesto dignis nim iure modoloreet wisit pratio esed etue dolor aci bla consequi blamet, conum quamet lortis alis nit nummy nonsequamcon heniame- tum velit dolore feu feuip er sis essenim velenissed et ametummolore modolobore 1 iStock_000005497861.jpg 2 istockphoto.com 4 3 2 http://www.nytimes. 3 com/2006/11/12/movies/12john. html?partner=rssnyt&emc=rss http://www.firelinephotos.com/images/ 4 Other/Deja-Vu%20Movie/images/im- age0009_jpg.jpg
    • 6 7 photoshop hollywood 2006 - Repeating DéjàVu lighting the set film 3 2 1 R 36 R 45 R 255 G 181 G 91 G 255 B 198 B 168 B 255 1 2 R 45 3 G 91 6 5 4 B 168 4 5 the titles 6 7 8 9 8 7 Eurostile Bold Condensed Eurostile 9 Condensed This font has been redrawn to match the 10 poster exactly. 11 Futura Bold Futura Extra Multiply Bold 12 Univers 39 Untra Thin 13 12 11 10 Condensed 14 SFX The black background uses soft paint brushes 14 13 This poster is a simple poster to reproduce. A lot of time and care is needed to create the multiple masks use within the recreation process Level Adjustment layers are used to create the high contracting male images. Two adjustments layers are used. An under-exposed vesion and an over-exposed version. The layers are masked to revel the different tonal ranges on the faces. The same process is applied to the gavel. Again great care is needed when applying the masks.
    • 8 9 photoshop hollywood 2006 - Repeating DéjàVu the script Create a new layer outside of Open the original poster deja_vu_ver2_xlg.jpg. This original file will be Return the male image and mask out the background and trace the the pic group layer and call it the guide for setting the positioning of all the elements. contours of the man’s head and face. “black side strips”. Enlarge the dimensions to: This layer will contain the black strips that appear down the edges of the poster. Select and fill the solid colour black. Use the original poster to select the areas. The second adjustment layer, Levels will increase the contrast. Tint the transparency of the original to 25%. This will allow you to On top of all the layers, create place the original on the top layer and be able to see the place items on Mask a new group called “text” Using the lower layers. the original as a guide you will create the letters of DEJAVU. Create a layer group called “pics” and create four more layer groups inside the pics layer folder. The font used is This poster will have dozens of layers so keeping You now need to adjust the man’s face to match the original poster. Helvetica Neue, 93 them in order will be paramount. Refer to right The process is quite simple through the use of five adjustment layers. It Black Extended. for the names of each folder and order. sounds complex, but it’s not. Looking at the original below, there is quite Each letter will Inside the “man” folder place, have it’s own text position and scale the male image layer. Colour each iStock_000006068975.jpg. letter black for Mask the lower part of the image. now. Refer to the right for text size and a bit of an exposure shift, a green tint on the settings. left side and on overall warmer hue over the face. The five adjustment layers are made up Inside the “girl” folder place, The third adjustment layer Color Balance, introduces the green and of Curves, Color Fill, Color Balance, Levels position and scale the female image yellow colors to the face. and a Photo Filter. iStock_000005497861.jpg. The Color Fill will have a mask applied, the Mask the unrequired parts of the image. the green tint is only visible on the left side of the face. Now it is time at add some background Mask See the adjustment settings below. golour. Create three new layers and positon them underneath the image layers. Call the bottom layer “black base” and fill with 100% black. Inside the “boat” folder place, position and scale the Name the next layer exploding boat image that was up “blue base” fill The next adjustemnt layer, Color Fill uses R 0 G 120 B 101, and a soft found at http://www.nytimes. with the colour blue mask applied. Set the opacity to 56% and the blending mode to Color. com/2006/11/12/movies/12john. (R 36 G 181 B 198), html?partner=rssnyt&emc=rss. but only two-thirds The final adjustement layer, up (use the original as Curves gives a final contrast Inside the “boat2” folder place, a guide, only fill to the shift. The settings are on the position and scale the boat image male section. next page. that was found at http://www. The first adjustment layer, the Photo Filter will add a warmer feel to the firelinephotos.com/images/Other/ On the final new layer, call it “green base and fill the Deja-Vu%20Movie/images/ face. male section only with green (R 12 G 136 B 63), image0009_jpg.jpg