Groundhogs in the Source Code

ANDREA RESMINI GROUNDHOGS in THE SOURCE CODE navigation as cross-channel sense-making IASUMMIT 2012

WE SAY NAVIGATE WE REALLY MEAN UNDERSTAND

KEVIN LYNCH, SKETCHES MNSU.EDU

DISTINCTIONS WERE MADE AMONG THE DIFFERENT PHYSICAL PARTS OF THE CITY THESE PARTS WERE ORGANIZED IN A PERSONALLY MEANINGFUL MESH

PEOPLE WERE RECONNECTING PERCEIVED FRAGMENTS IN MEANINGFUL PATTERNS

THE ODYSSEY, 700 BC

MONKEY ISLAND, 1990

SUCKER PUNCH, 2011

THE ODYSSEY, 700 BC

MONKEY ISLAND, 1990

QUESTS CONNECT MAPS WITH PERSONAL SPACE

MP & THE HOLY GRAIL, 1975

QUESTS ARE A MIDDLE GROUND BETWEEN NARRATIVE AND ACTIONABILITY

DRACULA, 1897

KHOONI DRACULA, 1992

BRAM STOKER, 1906 BRITANNICA.COM

MONOLOGIC POLYLOGIC DIALOGIC

DICTATION CYLINDERS

SHORTHAND

SHIPS LOGS

DIARY ENTRIES

NEWSPAPERS CLIPPINGS GRUNGERABBIT.COM

TYPEWRITTEN TEXT

PHASE #1 DRACULASCASTLE.EU

PHASE #2 ASSOMMOIR.WORDPRESS.COM DRACULASCASTLE.EU

PHASE #3 DRACULA3d

PHASE #4

1 2 3 4

NOW. WAIT A SEC THERE.

THE HOBBIT, 2012

“PLACE IS A WAY TO UNDERSTAND THE WORLD” YI FU TUAN

GROUNDHOG DAY, 1993

“HES TRAPPED IN SOME KIND OF TIME WARP.” “A SUPERNATURAL FORCE IS SHOWING HIM HIS WEAKNESSES.” ROGER EBERT

SOURCE CODE, 2011

“ITS A F***ING VIDEOGAME!” EVERYONE

DATABASE

3D NAVIGATION

WE ARE LEARNING HOW TO NAVIGATE THE DATABASE

PLACE IS WHERE WE PAUSE SPACE IS WHERE WE MOVE

NAVIGATION COREOGRAPHSTHE BALLET OF CROSS-CHANNEL USER EXPERIENCE

DAN WILLIS, INTENT PATHS (http://www.flickr.com/photos/uxcrank/5730905682/in/photostream/)

THROUGH NAVIGATION WE BUILD SENSE AND WEAVE PLACES INTO A COHESIVE NARRATIVE ONCE AGAIN

THE LANGUAGE WE USE FOR THIS SENSE-MAKING PROCESS IS THAT OF INFORMATION ARCHITECTURE

THANK YOU. @resmini

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Groundhogs in the Source Code

by Andrea Resmini

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