Your SlideShare is downloading. ×
0
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Architectures of Meaning
Upcoming SlideShare
Loading in...5
×

Thanks for flagging this SlideShare!

Oops! An error has occurred.

×
Saving this for later? Get the SlideShare app to save on your phone or tablet. Read anywhere, anytime – even offline.
Text the download link to your phone
Standard text messaging rates apply

Architectures of Meaning

4,151

Published on

Guest lecture, IA Program at Malmö Högskolan, September 2012.

Guest lecture, IA Program at Malmö Högskolan, September 2012.

Published in: Design, Business, Technology
0 Comments
9 Likes
Statistics
Notes
  • Be the first to comment

No Downloads
Views
Total Views
4,151
On Slideshare
0
From Embeds
0
Number of Embeds
1
Actions
Shares
0
Downloads
35
Comments
0
Likes
9
Embeds 0
No embeds

Report content
Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
No notes for slide

Transcript

  • 1. Andrea Resmini architectures of meaning Malmö Högskolan, Sept 2012   
  • 2. andrea @resmini :: architectures of meaning     Old pendulum clock, emiemihuimei http://www.flickr.com/photos/emiemihuimei/4003025515/
  • 3. andrea @resmini :: architectures of meaning     Teaching Maths, Moving Mountains Trust http://www.flickr.com/photos/movingmountainstrust/5050542720/
  • 4. andrea @resmini :: architectures of meaning     Salone del Libro Usato, br1dotcom http://www.flickr.com/photos/br1dotcom/4166129123/in/photostream/
  • 5. andrea @resmini :: architectures of meaning     Obi Wan Kenobi and Luke SkyWalker, Star Wars (G. Lucas) http://linkrandom.blogspot.com/
  • 6. andrea @resmini :: architectures of meaning     Old pendulum clock, emiemihuimei http://www.flickr.com/photos/emiemihuimei/4003025515/
  • 7. andrea @resmini :: architectures of meaning     UNIVAC, Lawrence Livermore National Laboratory https://lasers.llnl.gov/multimedia/photo_gallery/images/in_the_beginning/large/nif-1109-17867.jpg
  • 8. andrea @resmini :: architectures of meaning     Computer room, County of Santa Barbara http://www.countyofsb.org/uploadedImages/eu/ComputerRoom.jpg
  • 9. andrea @resmini :: architectures of meaning     Old pendulum clock, emiemihuimei http://www.flickr.com/photos/emiemihuimei/4003025515/
  • 10. andrea @resmini :: architectures of meaning     Wikimedia http://upload.wikimedia.org/wikipedia/commons/b/be/July_4_crowd_at_Vienna_Metro_station.jpg
  • 11. andrea @resmini :: architectures of meaning Neuromancer, William Gibson    
  • 12. andrea @resmini :: architectures of meaning Tron Legacy     Tron Legacy (2010), J. Kosinsky
  • 13. andrea @resmini :: architectures of meaning     The Matrix, Wachowsky Brothers
  • 14. Cyberspace is not a place you go to but rather a layer tightly integrated into the world around us – Institute For The Future   
  • 15. andrea @resmini :: architectures of meaning     Mobiles, frogfoto http://www.flickr.com/photos/frogfoto/6792036796/
  • 16. andrea @resmini :: architectures of meaning     Tablet use 2, ebayink http://www.flickr.com/photos/ebayink/6816581064/
  • 17. andrea @resmini :: architectures of meaning     Sheffield, toph3r http://www.flickr.com/photos/ahxcjb/3552828240/
  • 18. what is all this and how do we design it?   
  • 19.     CHESS, MUFFET (http://www.flickr.com/photos/calliope/5347237755/)
  • 20.     (mspaforum.com)
  • 21.     MONSELICE (http://en.wikipedia.org/wiki/File:Monselice_z18.jpg)
  • 22. interfaces and Interactions differ   
  • 23.     CHESS IN HARRY POTTER
  • 24. wildly   
  • 25.    
  • 26. what if I ask you to write or send a message?   
  • 27.    
  • 28.     BYU EDU (news.byu.edu)
  • 29.    
  • 30.     F. REMINGTON, SMOKE SIGNALS
  • 31.     OUIJIA BOARD, SCRIPTINGNEWS (http://www.flickr.com/photos/scriptingnews/3418293087/)
  • 32.    
  • 33.    
  • 34.    
  • 35.    
  • 36.     KAROTZ, THE NEW NABAZTAG
  • 37. messages have no medium   
  • 38.    
  • 39. interfaces and Interactions differ   
  • 40.    
  • 41.    
  • 42.    
  • 43. activities and artifacts merge into complex experiences   
  • 44.    
  • 45.    
  • 46.    
  • 47.    
  • 48.    
  • 49. experiences travel across channels   
  • 50.    
  • 51. “customers interact with the brand: they dont care about the channel” Jess McMullin & Samantha Starmer   
  • 52.    
  • 53. we struggle for meaning and closure   
  • 54. information architecture is the sense-making layer   
  • 55.    
  • 56. INTERFACES TOUCH-POINTS INFORMATION ARCHITECTURE   
  • 57.     The Matrix
  • 58. how can we design these pervasive information architectures?   
  • 59.     The Name of the Rose, J, Annaud
  • 60.     The Name of the Rose, J.J. Annaud
  • 61.     The Name of the Rose, U. Eco
  • 62. cognitive continuity is not interface continuity   
  • 63.     The Name of the Rose, J, Annaud
  • 64.     The Name of the Rose, J, Annaud Scale model of the library
  • 65. we say navigate, but we really mean understand   
  • 66. a manifesto   
  • 67. 1 information architectures become ecosystems   
  • 68. no artifact stands isolated all artifacts are connected in one single user experience   
  • 69.    
  • 70. 2 users become intermediaries   
  • 71. participants in these ecosystems actively produce and re-mediate content and meaning   
  • 72.    
  • 73. 3 static becomes dynamic   
  • 74. ecologies are perpetually unfinished, always changing, always open to further refinement and manipulation   
  • 75.    
  • 76. 4 dynamic becomes hybrid   
  • 77. the boundaries separating media, channels and genres get thinner   
  • 78.    
  • 79. 5 horizontal prevails over vertical   
  • 80. intermediaries push for spontaneity, ephemeral structures of meaning and constant change   
  • 81.    
  • 82. 6 products become experiences   
  • 83. focus shifts from how to design single items to how to design experiences spanning processes   
  • 84.    
  • 85. 7 experiences becomecross-channel experiences   
  • 86. experiences bridge multipleconnected media, devices and environments into seamless ubiquitous ecologies    
  • 87.    
  • 88. book   
  • 89. @resmini http://andrearesmini.com http://pervasiveia.com   

×