sheet music, composition by Robert Elvin and Richard Walker

1. (cc) 2005 Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 Generic
Etude for Clarinet and Piano Robert Elvin (clarinet)
q = 72 Allegro misterioso
 
Richard Walker (piano)
      
   

         
Clarinet

in Bb
A mp
 
  

  
q = 72 Allegro misterioso
   
 


 

 mp
 
    

B

5 3
     
3 3
      
   
 
   
  
     



 
 
   
  


 

 
 
 
     
 




 

     


    

C
 

 
8
  
     
       
  
     
   


  
  
  
       
 
  
 

 
  
 

  
   
  

2. 2
D
       
     
11
3
      
    
 
 
 


 
 
    
 
 


   
    
 


14
  
          
        
     
       
  

  
 
   
 
E

16
        
   
       

 
  
 
   
      
             

          
 

3. 3

18
                
      
  
       

  
  
 
 
    

    
F
 

    
20
 
 
         


           

 
 
 
 
     
         
 

 
  
 
  


     



G molto espressivo
        
 
22
    
      
 
  
      

 
 
 

  

  


      
 
molto espressivo
    
   
   

   
 
 


4. 4
H
   
   

27
         
     

  

 
 

           
 
 


  


      


29
    
       
                
   
   
 
             
30
         
   





  

    




   
 


5. I
                  
5
 
31

  
          
 
  
      

  


     
  
     
          
        
 

  
  
       

   
 


J
  
33
mf
     
       
        
      
    
   
  
  
mf
  
          
      
 
 
36

                 
      
    
   
 
 

 
 
  

 




   
     
   
    


6. 6 K

39
       
           
 

 

  


              

      


            
42
  
dolce
   
    
   
                
         
  

   
 
        
       
  
        
L

46
 
3 3 3
   
                        
   

maestoso

   

    
      
  
    
   
  
        
   
maestoso
   
cresc. poco a poco
    
         
    
      

 

7. 7
M

50
         
                    



 
      
     
     
        
 
 
  

      
   
   
 

     
         
     
    
54
     
            
 
  
 

 
 
  
    
   
   
        N  
   
55
   
  
  
          

   
   
    


  
 
     

  
  
    
     
   
  

8.       
3
   
8
          
57 utr
         
     
 
   
 utr = unison trill (key noise) (quarter tone)
 
  
  

   
optional: pedal noise

(while pressing damper pedal "snap" another pedal or strike piano)

or: play a very low tone cluster
     
  
ossia 

  

O
         
60 utr
     
utr
    
                    

    f
3
      
   
 f
                
    


63
     ’
  
  
   
     
 ’ 
 
    
 

   
 
   ’
   

9. P 
9

65
     
  
       

     
 
 


      
 
  
  
  



       
    
      
 
    
   

