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  • SCRIPT FADE IN: EXT. THE FAMILIES HOUSE – EVENING In the heart of surrey, South East England, An Establishing shot of the family’s home behind branches to delineate the sense of someone watching over the house. The slight darkness creating a sense of mystery. FADE TO: EXT. THE FAMILIES HOUSE – EVENING A following long low angle shot of the family’s home from another point of view, behind the front gate. This is to communicate a feeling of being trapped to the audience. SUPERIMPOSITION: A close up of a newspaper article that slowly zooms in presenting the fathers death. It sates his apparent attempt to commit suicide and the information upon the case. CUT TO: EXT. THE CHILDRENS PLAY AREA – EVENING A long low angle shot of the children’s play area. This will include a climbing frame, a tree house and a homemade swing. CUT TO: EXT. THE CHILDRENS PLAY AREA – EVENING
  • A close up shot of the children’s swing as it swings from the wind in slow motion; enhancing the importance of the child’s innocents. FADE TO: EXT. THE FAMILIES BACK GARDEN - EVENING A long shot of the girl’s reflection in the garden pond. She is mourning over her father’s death. Sad facial expression is delineated in the reflection. This is also to delineate her split personality. PAN UP: EXT. THE FAMILIES BACK GARDEN – EVENING A long shot of the girl sitting down, looking into the pond as she aims to be alone to mourn her father’s death. She appears to be crying as she is not in control of her actions. She then gets up and starts walking towards the house. FADE TO: EXT. THE FAMILIES BACK GARDEN - EVENING POV shot of the girl walking towards her house and into the darkness of the room. Communicating how the character has turned away from goodness. CUT TO: INT. THE FAMILIES DINING ROOM – EVENING Close Up shot of the girl lighting the candle, causing the light to emit around the room. CUT TO: INT. THE FAMILES DINING ROOM – EVENING Over the shoulder shot of the girl holding the candle as she walks past the camera;demonstrating how the character is hiding a secret.
  • FADE TO: INT. VARIOUS ROOMS IN THE HOUSE – EVENING We return to the POV shot of the girl walking around the house holding the candle, illuminating all the various features of the house and setting an environment for the audience. The POV shot ends as she reaches the door to her room. CUT TO: INT. IN FRONT OF THE GIRLS ROOM – EVENING Close up shot of the girl walking into her room and shutting the door onto the camera. Communicating how the character is very isolated from society. CUT TO: INT. GIRLS ROOM – EVENING Two shot of the girl and her sister having a conversation in her room. However voices are not heard at the point in order to create a sense of mystery for the target audience. PAN LEFT: INT. GIRLS ROOM – EVENING Mid shot of the girl’s toys, dolls included. FADE TO: INT. GIRLS ROOMS – EVENING Close up shot of the girl’s drawings (in crayon). These delineate the girl’s family and her fathers death. This is to demonstrate her involvement. FADE TO:
  • INT. GIRLS ROOM – EVENING A return to the mid shot of the toys and dolls. The camera slowly zooms into the possessed doll. Finishing in an Extreme Close up of the dolls eye. FADE TO BLCAK