SlideShare a Scribd company logo
1 of 102
Download to read offline
A useful game – rephotographing historic
views from public collections
Vahur Puik
Tallinn University, Estonian Museum Association

Aggregation and Management of Audiovisual Content in the Digital Space
BAAC-LCSA Conference, October 4-7, 2009, Vilnius
http://www.baacouncil.org

Presentation available at http://www.slideshare.net/puik
Photographic collections are consulted and used
by researchers much more than the artefacts.

Estonian National Audit Office’s audit No OSIII-2-6/05/57
“Accounting, preservation and use of museum assets”, 2005
Books with old photographs are being
published
Books with old photographs are being
published

         on a geographical basis:
Publisher: Tänapäev
www.tnp.ee
Books with old photographs are being
published

         on a geographical basis or
         on a typological basis:
Publisher: Tänapäev
www.tnp.ee
Sources for
          strengthening identity
Sources for
          strengthening identity,
          creating sense of history
Sources for
          strengthening identity,
          creating sense of history ->

          LOCATION AWARENESS
Places, landmarks with very high image-density ->
Places, landmarks with very high image-density ->
image-based rendering (IBR) ->
Places, landmarks with very high image-density ->
image-based rendering (IBR) ->
Photo-tourism http://phototour.cs.washington.edu/
http://Photosynth.net
LOCATION AWARENESS
verbal broadcasting in social media
mobile-phone cell-based positioning
wi-fi triangulation
gps
manual pinpointing on googlemaps
geolocalisation
verbal broadcasting in social media
mobile-phone cell-based positioning
wi-fi triangulation
gps
manual pinpointing on googlemaps
geolocalisation
geotagging = embedding geographic informa-
  tion (longitude, latitude) in metadata
Historic views in public collections
have their location information in
textual form.
Historic views in public collections
have their location information in
textual form (place name, address).

Geocoding is possible, but special
vocabularies, thesauruses are needed, as
toponymes have changed.
Many historic photographs are
 missing descriptions
Many historic photographs are
 missing descriptions,
 are orphan works.
http://filmi.arhiiv.ee/index.php?lang=est&show=fotonaitused&sub_id=100088&is_inc=fotoleiud&pilt=53
http://www.flickr.com/commons
Flickr Commons
started in January 2008
Flickr Commons
started in January 2008,
first memory institution was LOC
Flickr Commons
started in January 2008,
first memory institution was LOC,
by now 28 institutions have joined.
Flickr Commons

NB special licence:
Flickr Commons

NB special licence:
Flickr Commons

one of the main ideas in taking the public historic
photographic collections to where people keep
their pictures is to
“lose the boundaries placed on them by collecting
institutions“ (Seb Chan)
see http://www.powerhousemuseum.com/dmsblog/index.php/2008/07/21/commons-on-flickr-a-
report-some-concepts-and-an-faq-the-first-3-months-from-the-powerhouse-museum/
Beside
  friending
Beside
  friending,
  favoriting (bookmarking)
Beside
  friending,
  favoriting (bookmarking),
  tagging
Beside
  friending,
  favoriting (bookmarking),
  tagging,
  commenting
Beside
  friending,
  favoriting (bookmarking),
  tagging,
  commenting and
  adding notes on the pictures,
have people also located the vantage points
  of the historic images and taken the con-
  temporary views of the places.
have people also located the vantage points
  of the historic images and taken the con-
  temporary views of the places.
http://www.flickr.com/photos/powerhouse_museum/2937577694/
THEN and NOW pictures =

REPHOTOGRAPHY (repeat photography)
1) William Henry Jackson, 1873. Gateway of the Garden of the Gods. (United States Geological Survey)
2) Mark Klett and JoAnn Verburg for the Rephotographic Survey Project, 1977. Gateway of the Garden
of the Gods, Colorado Springs, Colo.
3) Mark Klett and Toshi Ueshina for the Third View Project, 1997. Gateway of the Garden of the Gods,
Colorado Springs, Colo.
1) William Henry Jackson, 1873. Gateway of the Garden of the Gods. (United States Geological Survey)
2) Mark Klett and JoAnn Verburg for the Rephotographic Survey Project, 1977. Gateway of the Garden
of the Gods, Colorado Springs, Colo.
3) Mark Klett and Toshi Ueshina for the Third View Project, 1997. Gateway of the Garden of the Gods,
Colorado Springs, Colo.
1) William Henry Jackson, 1873. Gateway of the Garden of the Gods. (United States Geological Survey)
2) Mark Klett and JoAnn Verburg for the Rephotographic Survey Project, 1977. Gateway of the Garden
of the Gods, Colorado Springs, Colo.
3) Mark Klett and Toshi Ueshina for the Third View Project, 1997. Gateway of the Garden of the Gods,
Colorado Springs, Colo.



                               http://www.thirdview.org
The Estonian Rephotographic Project:
Peeter Tooming in the steps of Carl Sarap.
The Estonian Rephotographic Project:
Peeter Tooming in the steps of Carl Sarap.
The Estonian Rephotographic Project:
Peeter Tooming in the steps of Carl Sarap.
The Estonian Rephotographic Project:
Peeter Tooming in the steps of Carl Sarap.
Isn’t it game-like?
Isn’t it game-like?
sort of hide and seek...
Actually positioning games exist:
  http://www.GPSgames.org
GEOCASHING
SHUTTERSPOT
GEOCASHING
SHUTTERSPOT
FOTOJAHT
FOTOJAHT = photo hunt

http://www.360.ee/lihtne-ja-lobus/fotojaht.html
people pay just for FUN
people pay just for FUN

while memory institutions could offer it for
FREE
people pay just for FUN

while memory institutions could offer it for
FREE

and HARVEST INFORMATION
View from Tartu. Estonian History Museum collection: EAM N5635:52
February 2009
View from Tartu. Estonian History   February 2009
Museum collection: EAM N5635:8
WIKINOMICS (Tapscott & Williams, 2008):

It is time to give up
“the assumption that information must move from
credentialed producers to passive consumers.“ (p. 146)

Memory institutions should also
“orchestrate value creation rather than participate
directly in it.“ (p. 258)
It could be a special dedicated solution
for positioning and rephotographing
It could be a special dedicated solution
for positioning and rephotographing—
in an era of modularity and interoperability
It could be a special dedicated solution
for positioning and rephotographing—
in an era of modularity and interoperability
there is no need to have all functions
in one certain super heritage portal.
The task is very suitable for peering (mass collaboration), as
The task is very suitable for peering (mass collaboration), as

1) The object of production is information /.../
The task is very suitable for peering (mass collaboration), as

1) The object of production is information /.../

2) Tasks can be chunked out into bite-size pieces that individuals
can contribute in small increments and independently of other
producers

Wikinomics, p. 70
A possible scenario:
A possible scenario:

  somebody recognizes the place
A possible scenario:

  somebody recognizes the place, comments
A possible scenario:

  somebody recognizes the place, comments

  someone else reads the comment
A possible scenario:

  somebody recognizes the place, comments

  someone else reads the comment, pinpoints the approximate
  location on the map (manually)
A possible scenario:

  somebody recognizes the place, comments

  someone else reads the comment, pinpoints the approximate
  location on the map (manually)

  a third person sees on the map that there is an unrephoto-
  graphed historic picture near to his/her home
A possible scenario:

  somebody recognizes the place, comments

  someone else reads the comment, pinpoints the approximate
  location on the map (manually)

  a third person sees on the map that there is an unrephoto-
  graphed historic picture near to his/her home, goes and takes
  a snapshot with a cameraphone
A possible scenario:

  somebody recognizes the place, comments

  someone else reads the comment, pinpoints the approximate
  location on the map (manually)

  a third person sees on the map that there is an unrephoto-
  graphed historic picture near to his/her home, goes and takes
  a snapshot with a cameraphone

  a fourth person, a technology enthusiast, travels to the spot
  and reshoots the presentday view with a superior digital cam-
  era
A possible scenario:

  somebody recognizes the place, comments

  someone else reads the comment, pinpoints the approximate
  location on the map (manually)

  a third person sees on the map that there is an unrephoto-
  graphed historic picture near to his/her home, goes and takes
  a snapshot with a cameraphone

  a fourth person, a technology enthusiast, travels to the spot
  and reshoots the presentday view with a superior digital cam-
  era and takes the exact gps-reading of the vantage point
The process is thereby INCREMENTAL
Digital photography is massively accessible already
Digital photography is massively accessible already,
GPSs will soon be integrated as well
Digital photography is massively accessible already,
GPSs will soon be integrated as well

+

easy and efficient panorama stitching software is also available.
Byron Wolfe and Mark Klett for the Third View project, 2000. Panorama from
O’Sullivan’s “Pyramid Lake” camera position.

Inset: Timothy O’Sullivan, 1867. Rock formations, Pyramid Lake, Nev.
The role of the photographer
The role of the photographer,
what is meaningful
The role of the photographer,
what is meaningful/important
The role of the photographer,
what is meaningful/important/included
The role of the photographer,
what is meaningful/important/included,
what is left out
The role of the photographer,
what is meaningful/important/included,
what is left out,
what might not exist before
The role of the photographer,
what is meaningful/important/included,
what is left out,
what might not exist before,
and is there now...
View from Tartu. Estonian History Museum
collection: EAM N5635:226
So what do we get?
So what do we get?

collections redescribed in textual and in pictorial form
So what do we get?

collections redescribed in textual and in pictorial form
environmental change made perceivable
So what do we get?

collections redescribed in textual and in pictorial form
environmental change made perceivable
heritage reactualized
So what do we get?

collections redescribed in textual and in pictorial form
environmental change made perceivable
heritage reactualized
representation practices revised
So what do we get?

collections redescribed in textual and in pictorial form
environmental change made perceivable
heritage reactualized
representation practices revised
people engaged
So what do we get?

collections redescribed in textual and in pictorial form
environmental change made perceivable
heritage reactualized
representation practices revised
people engaged
genius loci reinforced
So what do we get?

collections redescribed in textual and in pictorial form
environmental change made perceivable
heritage reactualized
representation practices revised
people engaged
genius loci reinforced

map-based search for historic views ->
<- on a large scale
So what do we get?

collections redescribed in textual and in pictorial form
environmental change made perceivable
heritage reactualized
representation practices revised
people engaged
genius loci reinforced

map-based search for historic views ->
an extra layer for AUGMENTED REALITY
http://www.youtube.com/watch?v=ps49T0iJwVg
Vahur Puik
vahur.puik@eesti.ee
http://www.slideshare.net/puik

More Related Content

Similar to A useful game – rephotographing historic views from public collections

Location33 A Mobile Musical
Location33 A Mobile MusicalLocation33 A Mobile Musical
Location33 A Mobile MusicalHung Jung Lin
 
we need / MOAR dragons
we need / MOAR dragonswe need / MOAR dragons
we need / MOAR dragonsAaron Cope
 
Public Laboratory for Open Technology & Science: DIY aerial mapping
Public Laboratory for Open Technology & Science: DIY aerial mappingPublic Laboratory for Open Technology & Science: DIY aerial mapping
Public Laboratory for Open Technology & Science: DIY aerial mappingCindy Regalado
 
"""Preface to Challenges of Space Anthropology"" Challenges of Space Anthropo...
"""Preface to Challenges of Space Anthropology"" Challenges of Space Anthropo..."""Preface to Challenges of Space Anthropology"" Challenges of Space Anthropo...
"""Preface to Challenges of Space Anthropology"" Challenges of Space Anthropo...ISAS_Director_Tsuneta
 
Andrea Ballatore: Beyond GIS? The future of Cultural Geo-Analytics
Andrea Ballatore: Beyond GIS? The future of Cultural Geo-AnalyticsAndrea Ballatore: Beyond GIS? The future of Cultural Geo-Analytics
Andrea Ballatore: Beyond GIS? The future of Cultural Geo-AnalyticsAndrea Ballatore
 
COGNITIVE SPACE IN THE INTERACTIVE MOVIE MAP: AN INVESTIGATION OF SPATIAL LEA...
COGNITIVE SPACE IN THE INTERACTIVE MOVIE MAP: AN INVESTIGATION OF SPATIAL LEA...COGNITIVE SPACE IN THE INTERACTIVE MOVIE MAP: AN INVESTIGATION OF SPATIAL LEA...
COGNITIVE SPACE IN THE INTERACTIVE MOVIE MAP: AN INVESTIGATION OF SPATIAL LEA...michelafelici1
 
Gravitational lensing by_spinning_black_holes_in_astrophysics_and_in_the_movi...
Gravitational lensing by_spinning_black_holes_in_astrophysics_and_in_the_movi...Gravitational lensing by_spinning_black_holes_in_astrophysics_and_in_the_movi...
Gravitational lensing by_spinning_black_holes_in_astrophysics_and_in_the_movi...Sérgio Sacani
 
An outside-in look at the National WWII Museum
An outside-in look at the National WWII MuseumAn outside-in look at the National WWII Museum
An outside-in look at the National WWII MuseumMichael Edson
 

Similar to A useful game – rephotographing historic views from public collections (20)

Design Notebook GPS
Design Notebook GPSDesign Notebook GPS
Design Notebook GPS
 
Location33 A Mobile Musical
Location33 A Mobile MusicalLocation33 A Mobile Musical
Location33 A Mobile Musical
 
we need / MOAR dragons
we need / MOAR dragonswe need / MOAR dragons
we need / MOAR dragons
 
Public Laboratory for Open Technology & Science: DIY aerial mapping
Public Laboratory for Open Technology & Science: DIY aerial mappingPublic Laboratory for Open Technology & Science: DIY aerial mapping
Public Laboratory for Open Technology & Science: DIY aerial mapping
 
Xcurric And Af L
Xcurric And Af LXcurric And Af L
Xcurric And Af L
 
Stree photography 02whole
Stree photography 02wholeStree photography 02whole
Stree photography 02whole
 
"""Preface to Challenges of Space Anthropology"" Challenges of Space Anthropo...
"""Preface to Challenges of Space Anthropology"" Challenges of Space Anthropo..."""Preface to Challenges of Space Anthropology"" Challenges of Space Anthropo...
"""Preface to Challenges of Space Anthropology"" Challenges of Space Anthropo...
 
But what about IMAGINATION?
But what about IMAGINATION?But what about IMAGINATION?
But what about IMAGINATION?
 
Visible Past
Visible PastVisible Past
Visible Past
 
What's Hidden In The Midden?
What's Hidden In The Midden?What's Hidden In The Midden?
What's Hidden In The Midden?
 
Andrea Ballatore: Beyond GIS? The future of Cultural Geo-Analytics
Andrea Ballatore: Beyond GIS? The future of Cultural Geo-AnalyticsAndrea Ballatore: Beyond GIS? The future of Cultural Geo-Analytics
Andrea Ballatore: Beyond GIS? The future of Cultural Geo-Analytics
 
COGNITIVE SPACE IN THE INTERACTIVE MOVIE MAP: AN INVESTIGATION OF SPATIAL LEA...
COGNITIVE SPACE IN THE INTERACTIVE MOVIE MAP: AN INVESTIGATION OF SPATIAL LEA...COGNITIVE SPACE IN THE INTERACTIVE MOVIE MAP: AN INVESTIGATION OF SPATIAL LEA...
COGNITIVE SPACE IN THE INTERACTIVE MOVIE MAP: AN INVESTIGATION OF SPATIAL LEA...
 
Mashups
MashupsMashups
Mashups
 
RJW Back to the Future
RJW Back to the FutureRJW Back to the Future
RJW Back to the Future
 
Gravitational lensing by_spinning_black_holes_in_astrophysics_and_in_the_movi...
Gravitational lensing by_spinning_black_holes_in_astrophysics_and_in_the_movi...Gravitational lensing by_spinning_black_holes_in_astrophysics_and_in_the_movi...
Gravitational lensing by_spinning_black_holes_in_astrophysics_and_in_the_movi...
 
SAGT 2009
SAGT 2009SAGT 2009
SAGT 2009
 
Final ncss 2010 art
Final ncss 2010 artFinal ncss 2010 art
Final ncss 2010 art
 
Mobile Social Media
Mobile Social MediaMobile Social Media
Mobile Social Media
 
Google Earth
Google EarthGoogle Earth
Google Earth
 
An outside-in look at the National WWII Museum
An outside-in look at the National WWII MuseumAn outside-in look at the National WWII Museum
An outside-in look at the National WWII Museum
 

More from Vahur Puik

Ajapaik – A dream come true. Crowdsourcing geotagging game for historic pictures
Ajapaik – A dream come true. Crowdsourcing geotagging game for historic picturesAjapaik – A dream come true. Crowdsourcing geotagging game for historic pictures
Ajapaik – A dream come true. Crowdsourcing geotagging game for historic picturesVahur Puik
 
Sift.pics – sõelume vanu fotosid kategooriatesse
Sift.pics – sõelume vanu fotosid kategooriatesseSift.pics – sõelume vanu fotosid kategooriatesse
Sift.pics – sõelume vanu fotosid kategooriatesseVahur Puik
 
Üllatav ülepildistamise
Üllatav ülepildistamiseÜllatav ülepildistamise
Üllatav ülepildistamiseVahur Puik
 
Maastiku fotograafiline vaatlus, kogumine ja analüüs
Maastiku fotograafiline vaatlus, kogumine ja analüüsMaastiku fotograafiline vaatlus, kogumine ja analüüs
Maastiku fotograafiline vaatlus, kogumine ja analüüsVahur Puik
 
Keskkonna fotograafiline musealiseerimine
Keskkonna fotograafiline musealiseerimineKeskkonna fotograafiline musealiseerimine
Keskkonna fotograafiline musealiseerimineVahur Puik
 
Mäluasutuste fotokogud ja Fotokuu
Mäluasutuste fotokogud ja FotokuuMäluasutuste fotokogud ja Fotokuu
Mäluasutuste fotokogud ja FotokuuVahur Puik
 
Depicting change. Rephotography reviewed
Depicting change. Rephotography reviewedDepicting change. Rephotography reviewed
Depicting change. Rephotography reviewedVahur Puik
 

More from Vahur Puik (7)

Ajapaik – A dream come true. Crowdsourcing geotagging game for historic pictures
Ajapaik – A dream come true. Crowdsourcing geotagging game for historic picturesAjapaik – A dream come true. Crowdsourcing geotagging game for historic pictures
Ajapaik – A dream come true. Crowdsourcing geotagging game for historic pictures
 
Sift.pics – sõelume vanu fotosid kategooriatesse
Sift.pics – sõelume vanu fotosid kategooriatesseSift.pics – sõelume vanu fotosid kategooriatesse
Sift.pics – sõelume vanu fotosid kategooriatesse
 
Üllatav ülepildistamise
Üllatav ülepildistamiseÜllatav ülepildistamise
Üllatav ülepildistamise
 
Maastiku fotograafiline vaatlus, kogumine ja analüüs
Maastiku fotograafiline vaatlus, kogumine ja analüüsMaastiku fotograafiline vaatlus, kogumine ja analüüs
Maastiku fotograafiline vaatlus, kogumine ja analüüs
 
Keskkonna fotograafiline musealiseerimine
Keskkonna fotograafiline musealiseerimineKeskkonna fotograafiline musealiseerimine
Keskkonna fotograafiline musealiseerimine
 
Mäluasutuste fotokogud ja Fotokuu
Mäluasutuste fotokogud ja FotokuuMäluasutuste fotokogud ja Fotokuu
Mäluasutuste fotokogud ja Fotokuu
 
Depicting change. Rephotography reviewed
Depicting change. Rephotography reviewedDepicting change. Rephotography reviewed
Depicting change. Rephotography reviewed
 

Recently uploaded

16. Discovery, function and commercial uses of different PGRS.pptx
16. Discovery, function and commercial uses of different PGRS.pptx16. Discovery, function and commercial uses of different PGRS.pptx
16. Discovery, function and commercial uses of different PGRS.pptxUmeshTimilsina1
 
4.4.24 Economic Precarity and Global Economic Forces.pptx
4.4.24 Economic Precarity and Global Economic Forces.pptx4.4.24 Economic Precarity and Global Economic Forces.pptx
4.4.24 Economic Precarity and Global Economic Forces.pptxmary850239
 
4.2.24 Socioeconomic Class and Inequality.pptx
4.2.24 Socioeconomic Class and Inequality.pptx4.2.24 Socioeconomic Class and Inequality.pptx
4.2.24 Socioeconomic Class and Inequality.pptxmary850239
 
Grade 6 Elementary Science-6-NAT-reviewer.pptx
Grade 6 Elementary Science-6-NAT-reviewer.pptxGrade 6 Elementary Science-6-NAT-reviewer.pptx
Grade 6 Elementary Science-6-NAT-reviewer.pptxJOHNPHILIPSBaynosa1
 
Jason Potel In Media Res Media Component
Jason Potel In Media Res Media ComponentJason Potel In Media Res Media Component
Jason Potel In Media Res Media ComponentInMediaRes1
 
Pastoral Poetry, Definition, Origin, Characteristics and Examples
Pastoral Poetry, Definition, Origin, Characteristics and ExamplesPastoral Poetry, Definition, Origin, Characteristics and Examples
Pastoral Poetry, Definition, Origin, Characteristics and ExamplesDrVipulVKapoor
 
How to Share Dashboard in the Odoo 17 ERP
How to Share Dashboard in the Odoo 17 ERPHow to Share Dashboard in the Odoo 17 ERP
How to Share Dashboard in the Odoo 17 ERPCeline George
 
(Part 3) CHILDREN'S DISABILITIES AND EXCEPTIONALITIES.pdf
(Part 3) CHILDREN'S DISABILITIES AND EXCEPTIONALITIES.pdf(Part 3) CHILDREN'S DISABILITIES AND EXCEPTIONALITIES.pdf
(Part 3) CHILDREN'S DISABILITIES AND EXCEPTIONALITIES.pdfMJDuyan
 
Q4-PPT-Arts9_Lesson 1 (History of Theatrical Forms and Evolution) (1).pptx
Q4-PPT-Arts9_Lesson 1 (History of Theatrical Forms and Evolution) (1).pptxQ4-PPT-Arts9_Lesson 1 (History of Theatrical Forms and Evolution) (1).pptx
Q4-PPT-Arts9_Lesson 1 (History of Theatrical Forms and Evolution) (1).pptxKristineJoyTabastaba
 
The Shop Floor Overview in the Odoo 17 ERP
The Shop Floor Overview in the Odoo 17 ERPThe Shop Floor Overview in the Odoo 17 ERP
The Shop Floor Overview in the Odoo 17 ERPCeline George
 
Pyruvate Dehydrogenase complex and its significance
Pyruvate Dehydrogenase complex and its significancePyruvate Dehydrogenase complex and its significance
Pyruvate Dehydrogenase complex and its significanceTRIDIP BORUAH
 
AI in the project profession: examples of current use and roadmaps to adoptio...
AI in the project profession: examples of current use and roadmaps to adoptio...AI in the project profession: examples of current use and roadmaps to adoptio...
AI in the project profession: examples of current use and roadmaps to adoptio...Association for Project Management
 
Basic cosmetics prepared by my student Mr. Balamurugan, II Maths, 2023-2024
Basic cosmetics prepared by my student Mr. Balamurugan, II Maths, 2023-2024Basic cosmetics prepared by my student Mr. Balamurugan, II Maths, 2023-2024
Basic cosmetics prepared by my student Mr. Balamurugan, II Maths, 2023-2024St.John's College
 
Automation in the Odoo 17 ERP Studio Module
Automation in the Odoo 17 ERP Studio ModuleAutomation in the Odoo 17 ERP Studio Module
Automation in the Odoo 17 ERP Studio ModuleCeline George
 
LEVERAGING SYNERGISM INDUSTRY-ACADEMIA PARTNERSHIP FOR IMPLEMENTATION OF NAT...
LEVERAGING SYNERGISM INDUSTRY-ACADEMIA PARTNERSHIP FOR IMPLEMENTATION OF  NAT...LEVERAGING SYNERGISM INDUSTRY-ACADEMIA PARTNERSHIP FOR IMPLEMENTATION OF  NAT...
LEVERAGING SYNERGISM INDUSTRY-ACADEMIA PARTNERSHIP FOR IMPLEMENTATION OF NAT...pragatimahajan3
 
STRAND 5 SST 7 ,,FOR GRADE 7 POLITICAL D
STRAND 5 SST  7 ,,FOR GRADE 7 POLITICAL DSTRAND 5 SST  7 ,,FOR GRADE 7 POLITICAL D
STRAND 5 SST 7 ,,FOR GRADE 7 POLITICAL Dkimdan468
 
DORA, ISO/IEC 27005, and the Rise of AI: Securing the Future of Cybersecurity
DORA, ISO/IEC 27005, and the Rise of AI: Securing the Future of CybersecurityDORA, ISO/IEC 27005, and the Rise of AI: Securing the Future of Cybersecurity
DORA, ISO/IEC 27005, and the Rise of AI: Securing the Future of CybersecurityPECB
 
Views in Odoo 17 - Kanban View in odoo 17
Views in Odoo 17 - Kanban View  in odoo 17Views in Odoo 17 - Kanban View  in odoo 17
Views in Odoo 17 - Kanban View in odoo 17Celine George
 

Recently uploaded (20)

16. Discovery, function and commercial uses of different PGRS.pptx
16. Discovery, function and commercial uses of different PGRS.pptx16. Discovery, function and commercial uses of different PGRS.pptx
16. Discovery, function and commercial uses of different PGRS.pptx
 
4.4.24 Economic Precarity and Global Economic Forces.pptx
4.4.24 Economic Precarity and Global Economic Forces.pptx4.4.24 Economic Precarity and Global Economic Forces.pptx
4.4.24 Economic Precarity and Global Economic Forces.pptx
 
4.2.24 Socioeconomic Class and Inequality.pptx
4.2.24 Socioeconomic Class and Inequality.pptx4.2.24 Socioeconomic Class and Inequality.pptx
4.2.24 Socioeconomic Class and Inequality.pptx
 
Grade 6 Elementary Science-6-NAT-reviewer.pptx
Grade 6 Elementary Science-6-NAT-reviewer.pptxGrade 6 Elementary Science-6-NAT-reviewer.pptx
Grade 6 Elementary Science-6-NAT-reviewer.pptx
 
Jason Potel In Media Res Media Component
Jason Potel In Media Res Media ComponentJason Potel In Media Res Media Component
Jason Potel In Media Res Media Component
 
Pastoral Poetry, Definition, Origin, Characteristics and Examples
Pastoral Poetry, Definition, Origin, Characteristics and ExamplesPastoral Poetry, Definition, Origin, Characteristics and Examples
Pastoral Poetry, Definition, Origin, Characteristics and Examples
 
How to Share Dashboard in the Odoo 17 ERP
How to Share Dashboard in the Odoo 17 ERPHow to Share Dashboard in the Odoo 17 ERP
How to Share Dashboard in the Odoo 17 ERP
 
(Part 3) CHILDREN'S DISABILITIES AND EXCEPTIONALITIES.pdf
(Part 3) CHILDREN'S DISABILITIES AND EXCEPTIONALITIES.pdf(Part 3) CHILDREN'S DISABILITIES AND EXCEPTIONALITIES.pdf
(Part 3) CHILDREN'S DISABILITIES AND EXCEPTIONALITIES.pdf
 
Q4-PPT-Arts9_Lesson 1 (History of Theatrical Forms and Evolution) (1).pptx
Q4-PPT-Arts9_Lesson 1 (History of Theatrical Forms and Evolution) (1).pptxQ4-PPT-Arts9_Lesson 1 (History of Theatrical Forms and Evolution) (1).pptx
Q4-PPT-Arts9_Lesson 1 (History of Theatrical Forms and Evolution) (1).pptx
 
The Shop Floor Overview in the Odoo 17 ERP
The Shop Floor Overview in the Odoo 17 ERPThe Shop Floor Overview in the Odoo 17 ERP
The Shop Floor Overview in the Odoo 17 ERP
 
Pyruvate Dehydrogenase complex and its significance
Pyruvate Dehydrogenase complex and its significancePyruvate Dehydrogenase complex and its significance
Pyruvate Dehydrogenase complex and its significance
 
AI in the project profession: examples of current use and roadmaps to adoptio...
AI in the project profession: examples of current use and roadmaps to adoptio...AI in the project profession: examples of current use and roadmaps to adoptio...
AI in the project profession: examples of current use and roadmaps to adoptio...
 
Basic cosmetics prepared by my student Mr. Balamurugan, II Maths, 2023-2024
Basic cosmetics prepared by my student Mr. Balamurugan, II Maths, 2023-2024Basic cosmetics prepared by my student Mr. Balamurugan, II Maths, 2023-2024
Basic cosmetics prepared by my student Mr. Balamurugan, II Maths, 2023-2024
 
Automation in the Odoo 17 ERP Studio Module
Automation in the Odoo 17 ERP Studio ModuleAutomation in the Odoo 17 ERP Studio Module
Automation in the Odoo 17 ERP Studio Module
 
LEVERAGING SYNERGISM INDUSTRY-ACADEMIA PARTNERSHIP FOR IMPLEMENTATION OF NAT...
LEVERAGING SYNERGISM INDUSTRY-ACADEMIA PARTNERSHIP FOR IMPLEMENTATION OF  NAT...LEVERAGING SYNERGISM INDUSTRY-ACADEMIA PARTNERSHIP FOR IMPLEMENTATION OF  NAT...
LEVERAGING SYNERGISM INDUSTRY-ACADEMIA PARTNERSHIP FOR IMPLEMENTATION OF NAT...
 
CARNAVAL COM MAGIA E EUFORIA _
CARNAVAL COM MAGIA E EUFORIA            _CARNAVAL COM MAGIA E EUFORIA            _
CARNAVAL COM MAGIA E EUFORIA _
 
Herbal Cosmetics , Industries involved in the production of Herbal/natural co...
Herbal Cosmetics , Industries involved in the production of Herbal/natural co...Herbal Cosmetics , Industries involved in the production of Herbal/natural co...
Herbal Cosmetics , Industries involved in the production of Herbal/natural co...
 
STRAND 5 SST 7 ,,FOR GRADE 7 POLITICAL D
STRAND 5 SST  7 ,,FOR GRADE 7 POLITICAL DSTRAND 5 SST  7 ,,FOR GRADE 7 POLITICAL D
STRAND 5 SST 7 ,,FOR GRADE 7 POLITICAL D
 
DORA, ISO/IEC 27005, and the Rise of AI: Securing the Future of Cybersecurity
DORA, ISO/IEC 27005, and the Rise of AI: Securing the Future of CybersecurityDORA, ISO/IEC 27005, and the Rise of AI: Securing the Future of Cybersecurity
DORA, ISO/IEC 27005, and the Rise of AI: Securing the Future of Cybersecurity
 
Views in Odoo 17 - Kanban View in odoo 17
Views in Odoo 17 - Kanban View  in odoo 17Views in Odoo 17 - Kanban View  in odoo 17
Views in Odoo 17 - Kanban View in odoo 17
 

A useful game – rephotographing historic views from public collections

  • 1. A useful game – rephotographing historic views from public collections Vahur Puik Tallinn University, Estonian Museum Association Aggregation and Management of Audiovisual Content in the Digital Space BAAC-LCSA Conference, October 4-7, 2009, Vilnius http://www.baacouncil.org Presentation available at http://www.slideshare.net/puik
  • 2. Photographic collections are consulted and used by researchers much more than the artefacts. Estonian National Audit Office’s audit No OSIII-2-6/05/57 “Accounting, preservation and use of museum assets”, 2005
  • 3. Books with old photographs are being published
  • 4. Books with old photographs are being published on a geographical basis:
  • 6. Books with old photographs are being published on a geographical basis or on a typological basis:
  • 8. Sources for strengthening identity
  • 9. Sources for strengthening identity, creating sense of history
  • 10. Sources for strengthening identity, creating sense of history -> LOCATION AWARENESS
  • 11. Places, landmarks with very high image-density ->
  • 12. Places, landmarks with very high image-density -> image-based rendering (IBR) ->
  • 13. Places, landmarks with very high image-density -> image-based rendering (IBR) -> Photo-tourism http://phototour.cs.washington.edu/ http://Photosynth.net
  • 15. verbal broadcasting in social media mobile-phone cell-based positioning wi-fi triangulation gps manual pinpointing on googlemaps geolocalisation
  • 16. verbal broadcasting in social media mobile-phone cell-based positioning wi-fi triangulation gps manual pinpointing on googlemaps geolocalisation geotagging = embedding geographic informa- tion (longitude, latitude) in metadata
  • 17. Historic views in public collections have their location information in textual form.
  • 18. Historic views in public collections have their location information in textual form (place name, address). Geocoding is possible, but special vocabularies, thesauruses are needed, as toponymes have changed.
  • 19. Many historic photographs are missing descriptions
  • 20. Many historic photographs are missing descriptions, are orphan works.
  • 24. Flickr Commons started in January 2008, first memory institution was LOC
  • 25. Flickr Commons started in January 2008, first memory institution was LOC, by now 28 institutions have joined.
  • 28. Flickr Commons one of the main ideas in taking the public historic photographic collections to where people keep their pictures is to “lose the boundaries placed on them by collecting institutions“ (Seb Chan) see http://www.powerhousemuseum.com/dmsblog/index.php/2008/07/21/commons-on-flickr-a- report-some-concepts-and-an-faq-the-first-3-months-from-the-powerhouse-museum/
  • 30. Beside friending, favoriting (bookmarking)
  • 31. Beside friending, favoriting (bookmarking), tagging
  • 32. Beside friending, favoriting (bookmarking), tagging, commenting
  • 33. Beside friending, favoriting (bookmarking), tagging, commenting and adding notes on the pictures,
  • 34. have people also located the vantage points of the historic images and taken the con- temporary views of the places.
  • 35. have people also located the vantage points of the historic images and taken the con- temporary views of the places.
  • 37.
  • 38. THEN and NOW pictures = REPHOTOGRAPHY (repeat photography)
  • 39.
  • 40.
  • 41.
  • 42. 1) William Henry Jackson, 1873. Gateway of the Garden of the Gods. (United States Geological Survey) 2) Mark Klett and JoAnn Verburg for the Rephotographic Survey Project, 1977. Gateway of the Garden of the Gods, Colorado Springs, Colo. 3) Mark Klett and Toshi Ueshina for the Third View Project, 1997. Gateway of the Garden of the Gods, Colorado Springs, Colo.
  • 43. 1) William Henry Jackson, 1873. Gateway of the Garden of the Gods. (United States Geological Survey) 2) Mark Klett and JoAnn Verburg for the Rephotographic Survey Project, 1977. Gateway of the Garden of the Gods, Colorado Springs, Colo. 3) Mark Klett and Toshi Ueshina for the Third View Project, 1997. Gateway of the Garden of the Gods, Colorado Springs, Colo.
  • 44. 1) William Henry Jackson, 1873. Gateway of the Garden of the Gods. (United States Geological Survey) 2) Mark Klett and JoAnn Verburg for the Rephotographic Survey Project, 1977. Gateway of the Garden of the Gods, Colorado Springs, Colo. 3) Mark Klett and Toshi Ueshina for the Third View Project, 1997. Gateway of the Garden of the Gods, Colorado Springs, Colo. http://www.thirdview.org
  • 45. The Estonian Rephotographic Project: Peeter Tooming in the steps of Carl Sarap.
  • 46. The Estonian Rephotographic Project: Peeter Tooming in the steps of Carl Sarap.
  • 47. The Estonian Rephotographic Project: Peeter Tooming in the steps of Carl Sarap.
  • 48. The Estonian Rephotographic Project: Peeter Tooming in the steps of Carl Sarap.
  • 50. Isn’t it game-like? sort of hide and seek...
  • 51. Actually positioning games exist: http://www.GPSgames.org
  • 54. FOTOJAHT = photo hunt http://www.360.ee/lihtne-ja-lobus/fotojaht.html
  • 55. people pay just for FUN
  • 56. people pay just for FUN while memory institutions could offer it for FREE
  • 57. people pay just for FUN while memory institutions could offer it for FREE and HARVEST INFORMATION
  • 58. View from Tartu. Estonian History Museum collection: EAM N5635:52
  • 60. View from Tartu. Estonian History February 2009 Museum collection: EAM N5635:8
  • 61. WIKINOMICS (Tapscott & Williams, 2008): It is time to give up “the assumption that information must move from credentialed producers to passive consumers.“ (p. 146) Memory institutions should also “orchestrate value creation rather than participate directly in it.“ (p. 258)
  • 62. It could be a special dedicated solution for positioning and rephotographing
  • 63. It could be a special dedicated solution for positioning and rephotographing— in an era of modularity and interoperability
  • 64. It could be a special dedicated solution for positioning and rephotographing— in an era of modularity and interoperability there is no need to have all functions in one certain super heritage portal.
  • 65. The task is very suitable for peering (mass collaboration), as
  • 66. The task is very suitable for peering (mass collaboration), as 1) The object of production is information /.../
  • 67. The task is very suitable for peering (mass collaboration), as 1) The object of production is information /.../ 2) Tasks can be chunked out into bite-size pieces that individuals can contribute in small increments and independently of other producers Wikinomics, p. 70
  • 69. A possible scenario: somebody recognizes the place
  • 70. A possible scenario: somebody recognizes the place, comments
  • 71. A possible scenario: somebody recognizes the place, comments someone else reads the comment
  • 72. A possible scenario: somebody recognizes the place, comments someone else reads the comment, pinpoints the approximate location on the map (manually)
  • 73. A possible scenario: somebody recognizes the place, comments someone else reads the comment, pinpoints the approximate location on the map (manually) a third person sees on the map that there is an unrephoto- graphed historic picture near to his/her home
  • 74. A possible scenario: somebody recognizes the place, comments someone else reads the comment, pinpoints the approximate location on the map (manually) a third person sees on the map that there is an unrephoto- graphed historic picture near to his/her home, goes and takes a snapshot with a cameraphone
  • 75. A possible scenario: somebody recognizes the place, comments someone else reads the comment, pinpoints the approximate location on the map (manually) a third person sees on the map that there is an unrephoto- graphed historic picture near to his/her home, goes and takes a snapshot with a cameraphone a fourth person, a technology enthusiast, travels to the spot and reshoots the presentday view with a superior digital cam- era
  • 76. A possible scenario: somebody recognizes the place, comments someone else reads the comment, pinpoints the approximate location on the map (manually) a third person sees on the map that there is an unrephoto- graphed historic picture near to his/her home, goes and takes a snapshot with a cameraphone a fourth person, a technology enthusiast, travels to the spot and reshoots the presentday view with a superior digital cam- era and takes the exact gps-reading of the vantage point
  • 77. The process is thereby INCREMENTAL
  • 78. Digital photography is massively accessible already
  • 79. Digital photography is massively accessible already, GPSs will soon be integrated as well
  • 80. Digital photography is massively accessible already, GPSs will soon be integrated as well + easy and efficient panorama stitching software is also available.
  • 81. Byron Wolfe and Mark Klett for the Third View project, 2000. Panorama from O’Sullivan’s “Pyramid Lake” camera position. Inset: Timothy O’Sullivan, 1867. Rock formations, Pyramid Lake, Nev.
  • 82. The role of the photographer
  • 83. The role of the photographer, what is meaningful
  • 84. The role of the photographer, what is meaningful/important
  • 85. The role of the photographer, what is meaningful/important/included
  • 86. The role of the photographer, what is meaningful/important/included, what is left out
  • 87. The role of the photographer, what is meaningful/important/included, what is left out, what might not exist before
  • 88. The role of the photographer, what is meaningful/important/included, what is left out, what might not exist before, and is there now...
  • 89. View from Tartu. Estonian History Museum collection: EAM N5635:226
  • 90.
  • 91.
  • 92. So what do we get?
  • 93. So what do we get? collections redescribed in textual and in pictorial form
  • 94. So what do we get? collections redescribed in textual and in pictorial form environmental change made perceivable
  • 95. So what do we get? collections redescribed in textual and in pictorial form environmental change made perceivable heritage reactualized
  • 96. So what do we get? collections redescribed in textual and in pictorial form environmental change made perceivable heritage reactualized representation practices revised
  • 97. So what do we get? collections redescribed in textual and in pictorial form environmental change made perceivable heritage reactualized representation practices revised people engaged
  • 98. So what do we get? collections redescribed in textual and in pictorial form environmental change made perceivable heritage reactualized representation practices revised people engaged genius loci reinforced
  • 99. So what do we get? collections redescribed in textual and in pictorial form environmental change made perceivable heritage reactualized representation practices revised people engaged genius loci reinforced map-based search for historic views ->
  • 100. <- on a large scale
  • 101. So what do we get? collections redescribed in textual and in pictorial form environmental change made perceivable heritage reactualized representation practices revised people engaged genius loci reinforced map-based search for historic views -> an extra layer for AUGMENTED REALITY http://www.youtube.com/watch?v=ps49T0iJwVg