01 Camera Distance

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  • 1. Rule of ThirdsFriday, April 29, 2011
  • 2. Rule of Thirds Divide the frame into three equal parts vertically and horizontally;Friday, April 29, 2011
  • 3. Rule of Thirds Divide the frame into three equal parts vertically and horizontally;Friday, April 29, 2011
  • 4. Rule of Thirds Divide the frame into three equal parts vertically and horizontally; The intersection of these lines illustrates the points of greatest visual energy -- the area where the most important things for the audience to look at should be locatedFriday, April 29, 2011
  • 5. Rule of Thirds Divide the frame into three equal parts vertically and horizontally; The intersection of these lines illustrates the points of greatest visual energy -- the area where the most important things for the audience to look at should be locatedFriday, April 29, 2011
  • 6. Rule of Thirds “The Matrix” (1999)Friday, April 29, 2011
  • 7. Rule of Thirds “The Matrix” (1999)Friday, April 29, 2011
  • 8. Rule of Thirds “House of Flying Daggers” (2004)Friday, April 29, 2011
  • 9. Rule of Thirds “House of Flying Daggers” (2004)Friday, April 29, 2011
  • 10. Rule of Thirds “Harry Potter and the Sorcerer’s Stone” (2001)Friday, April 29, 2011
  • 11. Rule of Thirds “Harry Potter and the Sorcerer’s Stone” (2001)Friday, April 29, 2011
  • 12. Rule of Thirds “The Third Man” (1949)Friday, April 29, 2011
  • 13. Rule of Thirds “The Third Man” (1949)Friday, April 29, 2011
  • 14. Rule of Thirds “Ocean’s Eleven” (2001)Friday, April 29, 2011
  • 15. Rule of Thirds “Entourage”Friday, April 29, 2011
  • 16. Rule of Thirds “Entourage”Friday, April 29, 2011
  • 17. Rule of Thirds “Entourage”Friday, April 29, 2011
  • 18. Rule of Thirds “Entourage”Friday, April 29, 2011
  • 19. C.A.M.Friday, April 29, 2011
  • 20. C.A.M. Camera DistanceFriday, April 29, 2011
  • 21. C.A.M. Camera Distance AngleFriday, April 29, 2011
  • 22. C.A.M. Camera Distance Angle MovementFriday, April 29, 2011
  • 23. Camera Distances Long Shots, Medium Shots, and Close-UpsFriday, April 29, 2011
  • 24. “House of Flying Daggers” (2004) Long Shot (LS)Friday, April 29, 2011
  • 25. “House of Flying Daggers” (2004) Long Shot (LS) Shows all or most of a fairly large subject (E.g. a person)Friday, April 29, 2011
  • 26. “House of Flying Daggers” (2004) Long Shot (LS) Shows much of the setting/ surroundings/backgroundFriday, April 29, 2011
  • 27. LS (Long Shot) “Crouching Tiger, Hidden Dragon” (1989)Friday, April 29, 2011
  • 28. LS (Long Shot) “House of Flying Daggers” (2004)Friday, April 29, 2011
  • 29. LS (Long Shot) “Revolver (2005)”Friday, April 29, 2011
  • 30. “Fight Club” (1999) Medium Shot (MS) Human Subjects: Shot from waist upFriday, April 29, 2011
  • 31. Medium Shot (MS) Gives space in the frame for hand gestures to be capturedFriday, April 29, 2011
  • 32. “Fight Club” (1999) MS (Medium Shot) Used often for dialogue scenesFriday, April 29, 2011
  • 33. MS (Medium Shot) “House of Flying Daggers” (2004) “Hero” () “Crouching Tiger, Hidden Dragon” (1989)Friday, April 29, 2011
  • 34. MS (Medium Shot) “House of Flying Daggers” (2004) “Hero” () “Crouching Tiger, Hidden Dragon” (1989)Friday, April 29, 2011
  • 35. MS (Medium Shot) “House of Flying Daggers” (2004) “Hero” () “Crouching Tiger, Hidden Dragon” (1989)Friday, April 29, 2011
  • 36. MS (Medium Shot) “House of Flying Daggers” (2004) “Hero” () “Crouching Tiger, Hidden Dragon” (1989)Friday, April 29, 2011
  • 37. MS (Medium Shot)Friday, April 29, 2011
  • 38. MS (Medium Shot)Friday, April 29, 2011
  • 39. “Fight Club” (1999) Close-Up (CU)Friday, April 29, 2011
  • 40. Most IMPORTANT Camera Distance to remember for moviemaking “Fight Club” (1999) Close-Up (CU)Friday, April 29, 2011
  • 41. Most IMPORTANT Camera Distance to remember for moviemaking “Fight Club” (1999) Close-Up (CU) Best dramatic tool for communicating the EMOTIONS of the characterFriday, April 29, 2011
  • 42. Power of Emphasis Focuses attention on the most important part of the scene so that it fills the frame of the screenFriday, April 29, 2011
  • 43. CU (Close-Up) Tim Burton FilmsFriday, April 29, 2011
  • 44. CU (Close-Up) Tim Burton FilmsFriday, April 29, 2011
  • 45. CU (Close-Up) Tim Burton FilmsFriday, April 29, 2011
  • 46. CU (Close-Up) Tim Burton FilmsFriday, April 29, 2011
  • 47. CU (Close-Up) “House of Flying Daggers” (2004)Friday, April 29, 2011
  • 48. CU (Close-Up) “House of Flying Daggers” (2004)Friday, April 29, 2011
  • 49. CU (Close-Up) “House of Flying Daggers” (2004)Friday, April 29, 2011
  • 50. CU (Close-Up) “House of Flying Daggers” (2004)Friday, April 29, 2011
  • 51. CU (Close-Up) “Snatch” (2000)Friday, April 29, 2011
  • 52. CU (Close-Up) “Snatch” (2000)Friday, April 29, 2011
  • 53. CU (Close-Up) “Snatch” (2000)Friday, April 29, 2011
  • 54. CU (Close-Up) “Snatch” (2000)Friday, April 29, 2011
  • 55. CU (Close-Up) “Snatch” (2000)Friday, April 29, 2011
  • 56. Extreme Close-Up (ECU)Friday, April 29, 2011
  • 57. Extreme Close-Up Dramatic Impact (ECU)Friday, April 29, 2011
  • 58. Extreme Close-Up (ECU)Friday, April 29, 2011
  • 59. Extreme Close-Up Often done on eyes (ECU) and mouth subjectsFriday, April 29, 2011
  • 60. Extreme Close-Up (ECU)Friday, April 29, 2011
  • 61. Extreme Close-Up Dramatic Impact (ECU)Friday, April 29, 2011
  • 62. Extreme Long Shot (ELS)Friday, April 29, 2011
  • 63. Extreme Long Shot Also called (ELS) “Establishing Shot”Friday, April 29, 2011
  • 64. ELS (extreme Long Shot) Emphasizes background/settingFriday, April 29, 2011
  • 65. ELS (extreme Long Shot) “Crouching Tiger, Hidden Dragon” (1989)Friday, April 29, 2011
  • 66. ELS (extreme Long Shot) “House of Flying Daggers” (2004)Friday, April 29, 2011
  • 67. ELS (extreme Long Shot) “House of Flying Daggers” (2004)Friday, April 29, 2011
  • 68. ELS (extreme Long Shot) “Australia” (2008)Friday, April 29, 2011